Michael Massaia

West Side Sunrise

2009

Signed in pencil, verso Gelatin silver print 17 x 14 inches This photograph is offered by ClampArt, located in New York City.

Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 26 x 30 inches, overall mat size 20 x ...

"I like to go back to a place. Seasons change. Light, which is theater, changes. Nature is tumultuous, and our contact with it makes life happen.” - David H. Gibson David H. Gibso...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. The Andean coastal desert of southern Peru is particularly known for the geoglyphs created by the Nazca culture around 500 AD. The image shown is selected from The Lines, the monograph published by the Yale University Art Gallery in 2014. In contrast to the aerial viewpoint favored by contemporary photographers in the depicting these glyphs, Ranney’s photographs, made between 1985 and 2009, are made on ground level using a 5x7 large format camera. The physical contact with the desert spaces transformed by Nazca cultural traditions gives us an immediate sense of the challenging natural world in which the Nazca flourished. More importantly, when viewed from the ground, they glyphs – or lines – transform a harsh environment into an understandable, even intimate, cultural space. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...