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Suzanne MoxhayCongregation, Archival Pigment Print, Black birds, Night Landscape2020
2020
$786.02
£585.30
€660
CA$1,076.69
A$1,200.64
CHF 626.44
MX$14,732.26
NOK 7,973.60
SEK 7,554.81
DKK 5,024.34
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About the Item
Work : Artist Proof edition (A/P). The work is not framed. The Frame is for illustrative purposes only. Artwork will carefoully shipped and packaged flat in a sturdy cardboard box.
Medium : Archival Pigment Ink Print on finest archival Hahnemühle Photo Rag paper.
Artist : Suzanne Moxhay
Subject / Title : Congregation (Title). A photographic process of complex montages inspired by Matt painting, a cinematic process for creating visual effects. The artist harmoniously combines images and fragments from different sources to create intriguing representations of empty or abundant interior and exterior spaces.
This work shows a house bathed in light, emanating from a street lamp. Shadows stretch across the path, creating an atmosphere both serene and enigmatic. The dramatic sky, adorned with threatening clouds, is crossed by a flock of black birds, adding a dynamic dimension to the scene. On the horizon, the silhouette of a church rises, mysterious and distant, reinforcing the sense of contemplation. The subtle details of the surrounding landscape, with its bare trees and rugged terrain, add an almost cinematic quality to the work. Each element is carefully orchestrated to evoke an atmosphere of introspection and mystery, enticing the viewer to plunge into this universe that is both familiar and strangely captivating.
Signature : The work is signed and numbered at the bottom of the image. It will be supplied with a certificate of authenticity from the artist.
Size : H 21.26 x W 16.73 inches - H 54 x W 42.5 cm (Image with white borders).
___
The British artist Suzanne Moxhay, born in 1976, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. Suzanne Moxhay’s dystopian photomontages play with notions of truth, creating spaces where fiction and fact converge.
"I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset."
At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.
In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction.
She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show.
- Creator:Suzanne Moxhay (1976, British)
- Creation Year:2020
- Dimensions:Height: 21.26 in (54 cm)Width: 16.74 in (42.5 cm)Depth: 0.4 in (1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:AIX-EN-PROVENCE, FR
- Reference Number:1stDibs: LU1826215448962
The London-based artist Suzanne Moxhay, opens up a dreamlike world of photographs that are out of time. After studying at Chelsea College of Art and the Royal Academy Schools, she thwarted the classic codes of photography in her singular assemblages. At the heart of her practice, the collection of images allows her to build up a rich iconographic library. Be it of her own drawings and photographs, or visuals from contemporary or older works. She draws from these elements patiently cut out, extracted from their original context and then reassembled. To do this, the artist is inspired by cinematographic matte painting. A technique that consists of painting the set on a glass plate, around spaces left empty to integrate the action.
In the same way, Suzanne Moxhay pastes her fragments onto glass plates, superimposing the elements to recreate a new landscape or an interior with a fantastic atmosphere. This exceptionally fine work takes us to places full of narrative tension, in which we are unable to distinguish between reality and fiction. "I get my inspiration from the sense of place in the locations I photograph and how this can trigger certain associations with other things that I have seen or experienced ; From books, films, memories, things I have witnessed. I work very intuitively in this way and it tends to be that when I start making something it begins to follow it’s own path which might not be what I intended at the outset." 'Moxhay (b.1976, Essex) lives and works in London. After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show.
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