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Markus Brunetti
Chartres, Cathédrale Notre-Dame

2012-2015

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W59th Street at West End Avenue
By John Chiara
Located in New York, NY
Unique Two Negative Chromogenic Photographs
Category

21st Century and Contemporary Contemporary Photography

Materials

Photographic Paper

Untitled (C-1697)
By Marco Breuer
Located in New York, NY
Chromogenic Paper, embossed/scratched Unique
Category

21st Century and Contemporary Contemporary Photography

Materials

Photographic Paper

Tree...#8
By Myoung Ho Lee
Located in New York, NY
Available in three sizes, all in an edition of six Type A Image: 23 1/2" x 108 5/8” (60 x 276 cm) Paper: 30 5/8” x 115 5/8” (78 x 294 cm) Type B Image: 17 5/8” x 81 3...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Photographic Paper

Whitney Museum (now Met Breuer), Marcel Breuer, New York, NY
By Ezra Stoller
Located in New York, NY
Gelatin Silver Print
Category

1960s Contemporary Black and White Photography

Materials

Photographic Paper

Whitney Museum (now Met Breuer), Marcel Breuer, New York, NY
By Ezra Stoller
Located in New York, NY
Gelatin Silver Paper
Category

1960s Contemporary Black and White Photography

Materials

Photographic Paper

Sunburned GSP#871 (Great Salt Lake, Utah)
By Chris McCaw
Located in New York, NY
Sunburned GSP#871 (Great Salt Lake, Utah), 2015 Gelatin Silver Paper Negative Unique 12" x 20" (30.5 x 51 cm) Framed: 15 5/16" x 23 15/16" (39 x 59 cm) Chris McCaw builds his own large-format cameras and outfits them with powerful lenses typically used for military surveillance and aerial reconnaissance. Instead of film, McCaw inserts expired fiber-based gelatin silver photo paper directly into the camera. Pointing the lens at the sun, McCaw makes recordings ranging from thirty seconds to as long as 36 hours. The sun, intensified by the lens, scorches its path across the paper while creating a solarized image of the landscape or seascape below – a “direct positive” image made in-camera, without an intervening negative. These burned lines and holes are tangible traces of the act of making each photograph: marking time, recording location, mapping weather conditions and channeling light.
Category

2010s Landscape Photography

Materials

Silver Gelatin, Photographic Paper

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