Carbon Pigment Photography

mesmerizing large scale capture of a strikingly abstract water surface WAVE II by Christian Stoll 48 x 48 inches (122 x 122cm) signed edition of 7 5...

large scale abstract b&w photograph of mesmerizing monochromatic water surface SEASCAPE V by Frank Schott 60 x 48 inches / 152cm x 122cm signed edition of...

large scale photograph of mesmerizing monochromatic light reflections on water surface SEASCAPE V by Frank Schott 72.5 x 58 inches / 184cm x 147cm signe...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

large scale abstract b&w photograph of mesmerizing monochromatic black white water surface SEASCAPE V by Frank Schott 60 x 48 inches / 152cm x 122cm photo...

36 x 30 inches - Edition AP2 of 3 with 2 APs Framing is an additional $525 Shot in 2012 in Amsterdam Inspired by Vermeer’s The Girl with a Pearl Earring...

This archival pigment print of Nick Pedersen's photo-illustration "Remnants of Time" is framed, and part of a small edition of 5. The print measures 15.5in x 22in and ships in the p...

large-scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea Cloud Study III...

large scale original art photography from a series of dramatic cloud atlas observations and abstract skyscapes above the Mediterranean Sea Cloud Study III...

"Surface" Photography print Edition of 25 (24x36 inch) by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo pap...

"Moda" is one of Rosie Emerson's newest pieces from her fashion inspired photographic series. This is a photopolymer etching with embossing on paper, framed in a custom box black frame. This is an edition of 12, and each piece is slightly different because they are each hand-made. Moda, Ed 2/12 Photopolymer etching with embossing on paper, framed Artwork: 22" x 10" inches / 55 x 25 cm Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen-prints use unusual materials including charcoal powder, ash and saw dust to shift the focus of printmaking from accuracy and replication to the creation of unique, hand-finished prints with subtle texture. She explains ‘By combining photography with painting it allows me to balance energy and precision, and create something, which despite hours of planning will still surprise me in its results.’ Her recent Cyanotype works enable her to montage objects with real size photographic negatives. Using UV light from the sun to expose objects and images directly on to the sensitized surface, the works are often hand painted or gilded with gold leaf. Emerson describes ‘the technique itself has an element of magic about it, it also a wonderful discovery to be able to combine painting, collage and photography in this way’’. Emerson’s work is widely collected and exhibited both in the UK as well as internationally, through galleries, art fairs and museums. She has also worked with brands and individuals including Harvey Nichols, The Ivy Club, Sony, Triumph Underwear, Redbull, P&O Cruises, and Annoushka jewelry...

18 x 24 inches - Edition 2 of 5 with 2 APs framing is an additional $420. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...