Michael Massaia

Great White, Moonrise

2020

This work is offered by CLAMP in New York City.

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 30 x 26 inches, over...

Tea-stained gelatin silver print Signed, titled, dated, and numbered (7/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.

Gold-toned gelatin silver print with 8-ply over-mat and mounted to archival, 4-ply Crescent Natural White mat board Signed and numbered, recto 26 x 30 inches, overall mat size 20 x ...

"My work is about respecting the beauty that remains and the poetry that is found." David H. Gibson is a lifelong photographer whose first contact with the medium was in his fathe...

Black and White, Trees, Botanical, Detail, bark, nature, forest, rustic, field, trees, Jose Picayo, outdoor, nature, silver gelatin print, B&W, Black and White photography. Listing ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

sepia toned silver gelatin print, edition 1 of 25 17.5 x 17.5 inches unframed, 30.5 x 30.5 inches framed Frame is dark brown wood molding, 8 ply antique white mat and glass Sepia toned silver gelatin print of a serenely still lake in Louisiana When Time Stands Still. The Photographs of David Halliday Whether traveling to a foreign land, wandering through a neighborhood marketto shop for food, or engaging in convivial conversation with a friend at his home,David Halliday is easily charmed, intrigued, excited, or amused by all that surroundshim. An artful documenter of life, Haliday uses his camera as a tool for recording themultitudinous special moments that capture his attention. Once in the darkroom, heeditorializes his finds, subtly embellishing each image until it somehow evokes thesensation that led him to photograph a subject in the first place. With the exception of a series of platinum print portraits, Halliday produces all of hisphotographs as sepia toned silver gelatin prints. Both processes are highly trad-itional and, in requiring that the artist avoid the use of any color other than sepia,they stand in sharp contrast to splashier modes such as Cibachrome, Polaroid, or digitally produced Iris prints […]. For Halliday, the warm tones afforded by age-old processes reflect his desire to reclaim the past or cherish the present in the form of soft, tranquil, frozen moments...