Michael Massaia

Great White

2020

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of 15) 40 x 30 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Michael Crouser's series, "Mountain Ranch," is a ten-year look at the disappearing world of cattle ranching...

This work is offered by CLAMP in New York City.

This work is offered by CLAMP in New York City.

This work is offered by CLAMP in New York City.

Anthony FRIEDKIN (*1949, America) Surfboard with Setting Sun, Santa Monica, California, U.S.A., 1980 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25 Prin...

Anthony FRIEDKIN (*1949, America) Breaking Wave, Venice Beach, California, U.S.A., 1978 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25 Print only Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles. Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”. Informed by the works of Atget, Kertesz, and Josef Koudelka...

Anthony FRIEDKIN (*1949, America) Old Surfboard, Topanga Beach, California, U.S.A., 1977 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) E...

Anthony FRIEDKIN (*1949, America) Sculpted Wave, Hermosa Beach, California, U.S.A., 2005 Silver Gelatin Print, later print 40.6 x 50.8 cm (16 x 20 in.) Edition of 25, Ed. no. 4/25 Print only Born 1949 in Los Angeles, USA, Friedkin currently lives and works in Los Angeles. Anthony Friedkin uses his camera as a means of personal discovery. His full frame black & white photographs explore the many mysteries of moments in time. He creates his own distinctive exhibition prints in his darkroom. He says of his work, “I believe in extraordinary photographs that draw you in and cannot be easily defined-celebrating perception and its many hidden layers of reality”. Informed by the works of Atget, Kertesz, and Josef Koudelka...