Pigment Nude Photography

"Ice Cream on the Run" Photography 32" x 24" inch Edition of 5 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST...

Peter Berlin Double Self Portrait with Red Bandana c. 1970s/printed later Signed in black ink, recto Archival pigment print 14 x 11 inches, sheet 10 x 10 inches, image

No title (No 5) Photography Edition 2/25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2017 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer. Black body make-up is put on the dancer's body. Photography on Diasec and Dibond This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...

" The Queen in Red" Folsom Street Fair, BDSM Leather Event Mitchell Funk is a "Color Photographer Pioneer". Signed dated and numbered lower right, recto, 3/15, other size available...

This is a series of the human form - that which has inspired artists from time immemorial. This series of nude art photography is by a talented photographer who trained at the famo...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

No title (No 43) Art print 36 x 36 inch Edition of 28 by Yevgeniy Repiashenko Year photo was taken: 2018 Art Print Limited Edition of 28 Picture size: Height: 36" inch Width: 36" i...

Bruno Bisang NAOMI CAMPBELL for Swish, New York 1994 (P_013) 45 x 37.5 inches Archival Pigment Print / Black & white fine art Bartya / Color gloss resin coated Edition of 7 + 2 AP...

This is a series of black and white Nude abstract art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired artists from ti...

"Three Graces" Art print 47" x 47" inch Edition of 15 by Yevgeniy Repiashenko "Three Graces" by Yevgeniy Repiashenko Year photo was taken: 2016 Art Print Limited Edition of 15 Pict...

"Butterfly 22" Photography (FRAMED) 50" x 50" inch Edition 2/8 by Giuliano Bekor Title: Butterfly B22 Year: 2018 Print size: 50" x 50" Inch trim bleed Framed size: 52" x 52" Inch ...

Exposure, Carlota, Paris

© Katie Eleanor, VIII. "Omphalopagus monster, an orphan" Series: Saint Wanderer's Hospital, 2015 Archival Pigment Print of the hand Coloured Photograph on cotton fine art paper, custom framed 7 1/2 × 5 7/10 in 19 × 14.5 cm (unframed print) 35 x 30.5 cm (Framed : Museum mount-board, antireflective art glass in hardwood custom frame) Edition of 15 Framed or Unframed option available - please enquire 'Saint Wanderer’s Hospital' series depicts a fictional tale birthed from the artist’s inherent need to find splendour in the idea of sickness. Rooted first from her own words, Katie used the idea of illustrating as a form of personal art therapy by immersing herself in the realm of the otherworldly characters. Every aspect of each scene was created by Katie alone, from building and designing the sets to printing and hand-colouring the final images. In this act, over the year long course of the projects creation, the artist managed to make certain turmoil in her personal life bearable. In the world of the hospital, the artist adapts the role of medical photographer – creating accurate portraits of each character’s condition as a record for the hospitals future use. The final series comprises of 8 ‘specimen...

Ghost Souls IV • 2022 • 2/12 • Edition of 18 prints in 2 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and signed by both artists. Printed on Hahnemühle Archival Paper. Two different sizes are available, the series is limited to a total of 18 prints H 42.00. cm x W 29.70 cm - Edition of 12 - 1/12 to 12/12 H 59.40 cm x W 42.00 cm - Edition of 6 - 1/6 to 6/6 The artwork is sold unframed as a print only. • Renowned photographer Angelika Buettner and accomplished visual artist Laure Laferrerie join forces in a captivating creative collaboration, unveiling a mesmerizing series that seamlessly merges nude photography with the allure of digital paintings. Together, these visionary women embark on a duet of creation, capturing reflections of concealed female souls. Angelika Buettner's revealing eye and Laure Laferrerie's raw artistic gesture converge in a project that transcends whispers to explosive artistic expression. Having previously established a creative rapport through various editorial collaborations, Angelika Buettner and Laure Laferrerie draw inspiration from their deep understanding of each other. Their enchanting nude series delves into the depths of the soul, unveiling the eternal bond with our unique soul sisters...

This project emerged from the realities of struggling with an end of a passionate yet short-lived relationship. After an emotional breakup, I found myself traveling in the desert wit...

"WB9" Photography (FRAMED) 62" x 42" inch Edition of 10 by Giuliano Bekor Print size 62x42 Inches Artwork finished size 64x44 Inches Limited edition of 10 Artist proof 2 Medium This artwork printed on the highest resolution archival fine art 100% cotton rag velvet Somerset museum quality smooth surface heavyweight paper. It’s printed with a high saturation finish. Mounted on half inch thick dibond. Coated with a museum quality archival premier print shield with extra UV protection. Custom gallery style matte black finish Roma frame. WILD BELOW series Glowing projections of marine life flood the darkness of an aquatic underworld. Evoking the silence following a dive into the ocean, this series gives the viewer a sense of being submerged. Detailed projections create compositional magic on the bodies of human subjects; water droplets render movement and transmit light across the fluid landscape. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

Series: SHADES OF A WOMAN All available sizes and editions: 40" x 40" editions of 18 50" x 50" editions of 7 60" x 60" editions of 3 Archival Pigment Print on Fine Art Baryta paper...

"Octopussy O20" Abstract Photography 40" x 84" in Edition 2/6 by Giuliano Bekor Print size 84x40 Inches trim bleed Artwork finished size 88x44 Inches Limited edition 2 of 6 Artist...

"Tangle" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in tube Ben Cope is a Georgia native graduating from Columbus State University with a B...

"Fishermans Dance" Black and White Photography 47x35 in Ed. of 4 by Lukas Dvorak 47" x 35" inch Pigment print on Epson Fine ART paper 2018 Ships rolled in a tube ABOUT THE ARTIS...

"Octopussy 07" Photography (FRAMED) 59" x 59" in Edition 2/10 by Giuliano Bekor Print size 59x59 Inches Artwork finished size 63x63 Inches Limited edi...

This artwork is offered in 3 sizes. The price of the artwork increases with the edition. Please contact us to inquire about the current edition number, availability, and price. This is a new image in the series, published November 2021. This edition is framed in a black float frame , Laminated and mounted to Aluminum. Size 1: 43 3/10 × 28 3/10 × 2 in (110 × 72 × 5 cm) - edition of 6 Size 2: 63 × 41 7/10 × 2 in (160 × 106 × 5 cm) - edition of 9 Size 3: 82 7/10 × 55 1/10 × 2 in (210 × 140 × 5 cm) - edition of 3 please inquire for a custom shipping quote - shipping worldwde The Painters Project by Eric Ceccarini is an ongoing collection of collaborations with painters and models that give birth to a number of distinctive photographs. Ceccarini offers the artists the opportunity to collaborate with some of the very best models he has worked with throughout his career to create an array of spectacular images. The Artist brings his own creative universe, techniques and palette, the Model their personality and body language. The model and artist interaction is key to the process. The temporary nature of the painting on human skin is captured and immortalized through Ceccarini’s lens to create the photographic artwork. Eric sets himself apart from others by shunning technical artifice and working in natural light, outside the studio. This results in soft, velvety, almost painterly images that amaze. Eric is a Belgian artist born in 1965. He gained a degree in photography from infac, Brussels in 1987, and has since then been a fashion photographer working with many of the top houses. Chopard, Elle, Marie-Claire, L’Oréal, Levi’s, Coca Cola, Virgin, Saab, Delvaux, Lowe Lintas and Ogilvy are just some of Ceccarini’s high-profile clients. Keywords: Photography, painting, model, contemporary, collaboration, women, paint, writing, shapes, black, white, blue, nude, body, beauty, emotion, pride, belgium, colors, bright, silhouette, french art, portrait, nude, body, portrait, thick layers, material, lina redford...

Ed. 2/15 Additional sizes available upon request. Phoebe Fitz is a Miami-based artist specializing in underwater photography. Her images are a meditation on presence and embodimen...

Ed. 1/15 Additional sizes available upon request. Phoebe Fitz is a Miami-based artist specializing in underwater photography. Her images are a meditation on presence and embodimen...

Ed. 4/5 Additional sizes available upon request. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep revere...

"WB12" Photography (FRAMED) 48" x 48" inch Edition of 10 by Giuliano Bekor "WB12" Original photography by Giuliano Bekor 48" x 48" inch Edition of 10 This artwork printed on the highest resolution archival fine art 100% cotton rag velvet Somerset museum quality paper. Mounted on half inch Dibond. Coated with a fine art premier...

Series: SHADES OF A WOMAN All available sizes and editions: 40" x 40" editions of 18 50" x 50" editions of 7 60" x 60" editions of 3 Archival Pigment Print on Fine Art Baryta paper...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait a...

Untitled (Nr. 0404) Photography 24" x 18" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

"Untitled (Nr. 0232)" Portrait Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminati...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Archival Pigment prints Framing options available Sarah Hadley's narrative work foc...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ...

Sepia photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favorable idea...

"Geometry of Color N3" Photography 40" x 30" inch Edition 3/10 by Lika Brutyan "Geometry of Color N 3" Original photography by Lika Brutyan from the ""Geometry of Color" series A...

Untitled (Nr. 7506) Photography 44" x 36" Ed. 1/12 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-ye...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Ed. 1/3, includes white frame. With his passion for formal technique and composition, internationally renowned photographer Nathan Coe’s works exude a deep reverence for the classic...

Series: SHADES OF A WOMAN All available sizes and editions: 40" x 40" editions of 18 50" x 50" editions of 7 60" x 60" editions of 3 Archival Pigment Print on Fine Art Baryta paper...

This is a series of black and white Nude abstract art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired artists from ti...

Wand • 1985 • Edition of 18 prints in 3 different sizes. All prints are numbered and signed. Printed on Hahnemühle Archival Paper. Three different sizes are available, the series is ...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

40x40in ed.18 Archival Pigment Print Unframed Ask us for framing options Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini w...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Exposure, N`gone, Paris

40x40in ed.18 Archival Pigment Print UNFRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florence, Italy i...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ...

"Hills" Photography print 24" x 36" inch Edition of 25 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo pa...

No title (No 55) Photography 36" x 29" inch Ed. of 28 by Yevgeniy Repiashenko No title (No 55) by Yevgeniy Repiashenko Year photo was taken: 2020 Limited Edition of 28 Picture size...

"Geometry of Color N2" 40x30in Photography Edition 1/10 by Lika Brutyan "Geometry of Color N 2" 40" x 30" inch Original photography by Lika Brutyan from the ""Geometry of Color" s...

"Le Sens" Photography Edition of 25 24" x 36" in by Yevgeniy Repiashenko Photography Edition of 25 (24 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2017 Works are han...

Untitled (Nr. 7506) Photography 24" x 18" Ed. 2/20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-ye...

40x40in ed.18 Archival Pigment Print Mounted and Framed Also available: 50x50in ed.7 Archival Pigment Print Mounted and Framed 60x60in ed.3 Archival Pigment Print Mounted and Fram...

Black and white photography 2/5 Hand-signed and dated by the artist Françoise Benomar “What photography has to say” " I photograph so that the favo...

Series: SHADES OF A WOMAN All available sizes and editions: 40" x 40" editions of 18 50" x 50" editions of 7 60" x 60" editions of 3 Archival Pigment Print on Fine Art Baryta paper...

Man in the Mist. Lost in thought and cloaked in a veil of mist and smoke, a young black man stands atop a fountain's pilar and ponders the world. The adjacent light post's shape ech...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...