Body Nude Photography

Exposure, Dajana, Milan

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Archival Pigment Prints Framing options available Sarah Hadley's narrative work foc...

Edition of 35 Signed, titled, dated and numbered. Paper size: 20 x 16 in., Image size: 15 x 15 in. Keith Carter is an American photographer who is known for his dreamlike black and ...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Untitled (Nr. 0979) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

This is a series of black and white Nude abstract art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired artists from ti...

"No title (No 22)" Photography Ed. of 28 36" x 36" in by Yevgeniy Repiashenko Year photo was taken: 2016 This artwork is part of "Spirit" series. The picture shows a frozen movemen...

"Splash" Black & White Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish ...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

"Human Nature Pt. 2" Photography 30" x 24" inch Edition 2/7 by Brendan North not framed ships rolled in a tube ABOUT: Brendan North is a fine art photographer based in Los Angeles....

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

Ed. 1/5, includes white frame. As part of Coe's newest 2024 series photographed at the Norton Gallery of Art in Palm Beach, this brand new body of work builds upon Coe's signature s...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ...

Hand printed by artist. Taken in a homestead, Australia

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ...

Ed. 2/25, includes white frame. A Long Island native, von Hohenberg has always been a world traveler and took an interest in photography at the young age of fourteen. He was raised ...

This is a series of black and white Nude abstract art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired artists from ti...

"Le Sens" Photography Edition of 25 24" x 36" in by Yevgeniy Repiashenko Photography Edition of 25 (24 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2017 Works are han...

Exposure, N`gone, Paris

Man in the Mist. Lost in thought and cloaked in a veil of mist and smoke, a young black man stands atop a fountain's pilar and ponders the world. The adjacent light post's shape ech...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

“That Flies in the Night” (FRAMED) Photography 30x20 in Ed. of 5 by Brian Ziff “That Flies in the Night” (2016) Giclee (Archival Ink) Print on Canson Platine Fibre Rag 30” X 20” in...

Ed. 2/25, vintage gelatin silver print. Includes black frame with white mat. A Long Island native, von Hohenberg has always been a world traveler and took an interest in photography...

D Flowers is a painter and photographer at the forefront of this particular style of photography. He has been working in this style for many years and is a master of his technique. I...

This is a series of black and white Nude abstract contemporary art photography (13 in series). Gallery exclusively presents this series of the human form - that which has inspired ar...

"Butterfly 7" Photography 24" x 24" inch Edition 1/24 by Giuliano Bekor Title: Butterfly B7 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: Archival f...

This is a series of black and white Nude abstract contemporary art photography (13 in series). We present this series of the human form - that which has inspired artists from time im...

Exposure, Margareth, Paris

Edition of 25 Signed, titled, dated and numbered. Series: Ghostland Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure...

This is a self-portrait with a 1950s girly cut-out set against a dramatic tropical sky. It's is a straight shot. The camera is on a tripod while the photographer slides over to bec...

Edition of 26 Signed, titled, dated and numbered on print margin by Marta María Pérez Bravo. Photogravure, 16 1/2 x 16 1/2 in.

"Solitude" Black & White Photography 40" x 30" inch Edition 1/12 by Ben Cope Not framed. Ships in a tube Ben Cope is a Georgia native graduating from Columb...

"Flare" Nude Photography 36 x 36 inch Edition of 25 by Yevgeniy Repiashenko "Flare" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 25 Picture size:...

Untitled (Nr. 7506) Photography 24" x 18" Ed. 2/20 by Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-ye...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

Kent, England, 1984 - Elliott Erwitt (Black and White Photography) Signed, inscribed with title and dated on accompanying artist’s label Silver gelatin print, printed later Availabl...

Ghost Souls II • 2022 • Edition of 18 prints in 32 different sizes. A collaboration of photographer Angelika Büttner and visual artist Laure Laferrerie. All prints are numbered and ...

BRIGITTE LUSTENBERGER (*1969, Switzerland) Not titled yet, from the series 'A Gaze of One's Own‘ 2021 Silver gelatin print on Baryta paper Sheet 70 x 70 cm (27 1/2 x 27 1/2 in.) Frame 81,2 x 80,7 x 3,5 cm (32 x 31 3/4 x 1 3/8 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 Print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...

Edition of 26 Signed, titled, dated and numbered on print margin. Photogravure

Jeff Robb Portal 8 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please i...

Photography printed on fine art paper Hand-signed and numbered 1/5 on the back by the artist

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #004, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Nobuyoshi ARAKI (*1940, Japan) 69YK #10, 2009 Gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only Nobuyoshi Araki (Tokyo, 1940) is a Tokyo-based photographer. Araki completed his studies at Chiba University’s Department of Photography, Painting and Engineering with a focus on the study of film and photography. His photographic project Satchin earned him the prestigious Taiyo Award in 1964, shortly after he had joined the advertising agency Dentsu, where he worked until 1972. At Dentsu he met his wife Yoko, to whom he paid homage in Sentimental Journey, a photographic record of their honeymoon published in 1971. Eros and thanatos (sex and death) has been a central theme in Araki’s work; an abiding fascination with female genitalia and women’s bodies in Japanese bondage...

Jeff Robb Portal 2 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please i...

Jeff Robb Portal 12 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please ...

Jeff Robb Portal 14 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please ...

Okurimono Pigment Print Images from the Okurimono series is available in 3 different formats : * 50 x 75 cm : edition of 10 + (+2ap) * 80 x 120 cm : edition of 7 + (+2ap) * 113 x 170 cm : edition of 7 + (+2ap) Each print is numbered and signed About the work : Work by contemporary photographer Christian Houge, from the Okurimono series. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays an important role. In this series, Houge has, through five trips to Japan (Tokyo, Osaka and Kyoto), explored Japans otherworldly subculture and its ritualistic perfection. In this personal art documentary he has ventured into delicate themes such as personal identity, sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The viewers associations are important in meeting this work and ambiguity plays a Okurimono (meaning both “gift” and “that which is in-between” in Japanese) - is a word that binds together this comprehensive project developed over five trips to Japan between 2007 and 2018. The series explores the personal pursuit of identity, at times with an underlying darkness as Houge had the chance to be introduced to Tokyo’s subculture. In exploring this theme, Houge has ventured into delicate matters such as sexuality, longing and gender dysphoria. In this particular series, he uses staging as a method to create a story within a story. The artist wishes to question the viewer and provoke a reflection on topics that are often seen as taboos in our contemporary societies. The viewer’s own associations are important in appreciating this work where ambiguity plays an important role. The project started in the Harajuku district of Tokyo which is known as a center of Japanese youth culture and where Houge found some of his first motifs: teenage girls dressing up in post-Victorian dresses or ‘cosplay’ costumes to identify with a character of their favorite comics. Here, the desire to express one’s uniqueness is central and the photographer explores the tension between personal identity and aesthetics shared by all (or at least by the same youth group). In many of his carefully staged photographs, Houge’s models are masked, so as to echo the many social masks we wear in our day-to-day lives. In our post-modern information society, drained of wonder, these enigmatic masked characters also evoke the world of shamans and pagan rituals, therefore injecting a sense of mystery and spirituality that many people are longing for. Symbolism and the many references to ritual and identity in an otherwise suppressed society, may at times create a sense of unease among viewers. The Okurimono project also explores the topic of identity and sexuality in gender dysphoria with Japan’s nyūhāfu (the transsexual ‘new halfs’). Here, the quest for identity coincides with a search of femininity and body image which results in complex physical transformations. Viewers may look at these portraits not having any clue that models are nyūhāfu. Yet, the photographs are staged so that viewers are placed in a disconcerting voyeuristic role while looking at otherwise closed world. Shibari (the art of tying), which originates from the Edo period (1600s), is another territory explored by Houge in his Okurimono series. His striking photographs of female models tied with red rope on a white background take us into this powerful journey into vulnerability and surrender, power and freedom. Through tradition, symbolism and technology, Okurimono also explores the hugely potent symbols that help define parts of Japanese culture and national identity, between old and new. As Art historian Erling Bugge put it: “Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar.” The images of the Okurimono series share a ghostly, otherworldly quality. In reality and dream, ritual and play merge while the boundaries between the known and the unknown dissolve. Christian Houge – Now – Okurimono Christian Houge guides us into a mystery. It resides between the ritualized shapes of the traditional and withdrawn Zen garden in Kyoto and the equally ritualized spaces of futuristic, urban Tokyo. For a westerner, Japan might look familiar, since what is held up for us looks like a futuristic spectacle somehow grounded in a western imagination. This judgment, however, is too easy. In Houge’s photographs, the sense of sameness withdraws and a very different feeling of strangeness creeps up on us. In fact, what this series registers is a remarkable place of alterity in today’s global order, a radical difference bang in the middle of the familiar. This is pushed to the limit in the technological and virtual wonderland of Akihabara in Tokyo, where shop after shop trade in electronic products and computer games, while a weird costume play, “cosplay”, is being performed in streets. A similar kind of simulation is being acted out in the district of Harajuku, where Houge found some of his motifs. There is no authenticity here, no western “essence” or “reality”; instead, the virtual conquers the carnal body in a purified play of surface, image and the hyperreal. This is exotic. All the while as we are conscious of these notions as pinnacle points in a western idea of the post-modern. But in this sense Japan has always been “post-modern”. It has always integrated the most refined culture and technology from the outside while somehow retained an identity for itself. So, what would this identity be? Houge takes the view of ritual and play. Indeed, Japanese culture seems to be grounded solely on ritual, in business and in sex, in its relation to nature and in religion. This play transcends the notion of authenticity altogether, unlike the West which is haunted by the “ghost” of origin and beginnings. In Japan, “now” would mean just that; it is a “no looking back”, but rather a flow of intensities integrated in the play and ritual of the ever-present, okurimono. There is no threat of being eaten up by western culture and technology here, for, like in Zen practice, the ritual oversees everything and has no historical drag. Japan becomes weightless, shot into orbit outside the material of earth itself. Is acting out the role as Lewis Caroll’s Victorian girl driven by a sense of nostalgia? I think not. It is a striving for a moment of perfected presence, in dialogue with Houge’s optical machine. It is the moment of Now. The girl, the Zen garden and the image shares in a perfection modified by small uncertainties, coincidental imperfections that become somewhat oblique points of entry for us - a discarded handkerchief or seemingly unremarkable shapes and reflections in the prismatic play of surfaces. There is a ghostly, otherworldly quality in these images, even in the fleeting blossoming cherrytree and the play of shadows across a concrete minimalism. The doubly exposed or reflected light on the lens reminds us of the uncertain beginnings in photography’s history, with its widespread belief that the camera was able to perceive more than the naked eye, like spirits and ghosts. In Houge’s images there are different specters, skeletal, natural shapes on the one hand, the machine and the virtual on the other. Here, like some scene from the film Blade Runner, there is an uncanny confusion and mix between the human and non human. Maybe the search for a perfect moment in the perpetual flow of things is a romantic or melancholic longing for transcendent wholeness, a drive that is harnessed in a rigorous attention to visual detail. This compulsive discipline might seem absurd to any western observer, while longing itself form a common ground and will ultimately be the basis in our meeting. Erling Bugge Bio: Christian Houge (born in Oslo 1972) Based in Oslo, Norway, I have been making photographs for over twenty years and new insights continue to open. By exploring the relation, and conflict, between Nature and culture, I get a better understanding about Mans` condition. I am interested in the consequences of Humankinds progression and how science often is the result of our conquering of Nature, both on Earth and beyond. Mans` ego, consumer society, the last remnants of pure Nature and identity are recurring elements in my work. I often juxtapose the visually aesthetic with an underlying uneasiness. This often emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. Looking at our actions and place in environment, which we are so dependent on, is a recurring theme in all my exploration and can use everything from digital cameras to large format and panoramic analog cameras for specific projects. I have exhibited extensively in galleries and museums in my native country Norway, as well as the US, England, France and China. The series `Death of a Mountain`(2016-2021) is nominated for the 2021 Leica Oskar Barnack Award, as well as receiving an arts grant from Norwegian Arts Council. Most recently, my series `Residence of Impermanence` 2017-2019 has been exhibited at five museums and several galleries already (including a solo show at Fotografiska, Stockholm (2019), and Les Recontres d`Arles, Haugar Artmuseum, Preus Muaeum of Photography and 2019 (Galerie Omnius, Arles). In 2021, this series received ten nominations for the Prix Pictet Award with the theme FIRE. `Residence of Impermanence` is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening forest fires due to climate change. In 2005, my series `Arctic Technology`, was shortlisted for the BMW Prize at Paris Photo (Scout Gallery, London). In 2015, my series `Paradise Lost`(containing three of my main environmental series) toured between three large museums in China. My other environmental work has been nominated for the annual Prix Pictet Award twice, with my series, `Barentsburg` and `Shadow Within`, for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My work has been shown in numerous museums, including a symposium at Johnson Museum, N.Y., was included in traveling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`, as well as a two-year museum tour in China environmental issues with Three Shadows Photography Art Centre in Beijing and the Norwegian Embassy. Publications/books include `Vanishing Ice`and `Altered Landscape` (Nevada Museum of Art), including purchased work for their collection at Center for Art and Environment. Selected exhibitions CV: Christian Houge (born in Oslo 1972) - Curriculum Vitae 2021 `As far as my Eye can Sea – The Expedition Exhibition` Rev Ocean, Bomuldsfabrikken Kunsthall, Arendal `Facing Fire`, Collaborative, UCR ARTS:California Museum of Photography Continuation `Death of a Mountain`/ In;Human Nature`, Buer Gallery, Oslo 2020 `Facing Fire`, Collaborative, UCR ARTS:California Museum of Photography 2019 `Metafysica`, `Residence of Impermanence`,collaborative, Haugar Kunstmuseum, Vestfold `Residence of Impermanence`, Fotografiska Museum, Stockholm. Solo `Helt Dyrisk` Residence of Impermanence`, collaborative, Preus Museum, Horten `Residence of Impermanence`, Galleri Fineart, Oslo. Solo 2017 `Shadow Within/Rituals` Gulden Kunstverk, Drammen. Solo Commission, MAAEMO restaurant. `In;Human Nature` `Mirror,Mirror` Hosfelt Gallery, San.Fran. Collaborative w/Ed Ruscha, Adam Fuss, Liliana Porter 2016 `In;Human Nature`, TM51 Gallery, Oslo. Solo Fotofever/ParisPhoto, Louvre, Paris Cornette de Saint Cyr, Auction, Paris 2015 Three Shadows Photography Art Center, Beijing, China. `Paradise Lost` . `Arctic Technology/Barentsburg`/ Shadow Within. Solo Fotofever (ParisPhoto), Artistics Art Gallery, Paris. Collaborative How Art Museum, Wenzhou, China. `Paradise Lost` Arctic Technology/Barentsburg/Shadow Within. Solo Redtory, Guangzhou, China. `Paradise Lost` Arctic Technology/Barentsburg/Shadow Within. Solo 2014 Fineart Gallery, Oslo `Shadow Within` 2010-2013 / `Darkness Burns Bright` 2013/2014. Solo Beyond Earth Art • (contemporary artists and the environment) Johnson Museum of Art, New York. Shadow Within. Collaborative (incl. Olafur Eliasson, Edward Burtynsky, Mathew Brandt, Yun-Fei Ji amongst others) The El Paso Museum of Art, Texas. `Arctic Technology`. Collaborative Glenbow Museum, Alberta. `Arctic Technology`. Collaborative LIFF (Lofoten International Photofestival) `Shadow Within` w/speaking. Solo 2013 Nominated for the Prix Pictet Award/ `Shadow Within`. Hosfelt Gallery, San.Fran. USA. `Shadow Within`. Solo Accompanied by Call of the Wild`( Joseph Beuys, Ed Ruscha, Patricia Piccinini and Alan Rath...

Brigitte LUSTENBERGER (*1969, Switzerland) Not titled yet, from the series 'A Gaze of One's Own‘, 2021 Silver gelatin print on Baryta paper Sheet 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 5, plus 2 AP; Edn. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...

Lina Scheynius (*1981 Sweden) Untitled (Calendar), 2012 Fibre-based silver gelatin print, hand proofed by the artist. Image 16 x 24 cm (6 1/4 x 9 1/2 in.) ...

The print is signed, dated, and numbered with an edition of 2/15. It's signed lower right recto. printed later. Other sizes are available and it's unframed. Printed on Hahnemühle F...

"Bow" Photography 24" x 24" inch Edition 1/15 by Aaron Mcpolin Medium: Archival Giclee Print Available sizes: Edition of 15 24" x 24" inch Edition of 7...

40x40in ed.18 Archival Pigment Print MOUNTED AND FRAMED Also available in 48x48in and 60x60in. Limited edition signed print by Guido Argentini. Guido Argentini was born in Florenc...

Bruno Bisang N'GONE, Paris '95 (E_007) 48.5 x 40.5 inches Archival Pigment Print / Black & white fine art Bartya / Color gloss resin coated Edition of 15 + 3 AP Signed by artist ...

Karin Rosenthal Santorini, 1981 Gelatin silver print 10h x 10w in

Black and white original photography by Cyrille Druart. Edition: I/VIII Dimensions: 90 x 60 cm Signed and numbered Cyrille Druart is a French photograph and architect, a book abo...

Bruno Bisang CHARMAINE, Paris 1991 (P&E_060) 45 x 37.5 inches Archival Pigment Print / Black & white fine art Bartya / Color gloss resin coated Edition of 7 + 2 AP Signed by arti...

Jeff Robb Portal 6 Lenticular Photograph 31" x 31" Editions 6-12 of 12 $10,000 Provenance: From the artist's studio Additional Information: Available in additional sizes, please i...