David Armstrong

Genaro and Contas, New York City

1980

Gelatin silver print (Edition of 25) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Gelatin silver print (Edition of 10) Signed, titled, dated, and numbered in pencil, verso 14 x 11 inches, sheet size 8 x 8 inches, image size This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Pedro Slim’s series of photographs titled “De la calle...

Full title: "The morning after a rival gang tried to shoot Chivo for the fourth time, Chivo teaches his daughter how to hold a .32-caliber pistol. Her mother looks on." Gelatin silv...

Gelatin silver print Signed, titled, dated, and numbered (2/6) in pencil, verso 20 x 16 inches, sheet This artwork is offered by ClampArt, located in New York City. Joel-Peter Wit...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

An 11 x 14 black and white print of Buzz Aldrin from the original negative before Nasa added “more” space on the top of the image, which is a more common version of Visor. The 11 x 1...

Interested in “ordinary people" French photographer Willy Ronis was a postwar (WWII) photographer who roamed the streets, photographing people in love, at work, and at play. Chez M...