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Ralph Eugene Meatyard
Untitled (Boy Making Gesture) [Michael and Christopher]

1959/1974

Price:$3,850
$4,200List Price

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Man and Woman
By Bruce Davidson
Located in New York, NY
Gelatin silver print Signed in pencil, verso 12.25 x 10 inches, sheet 6.25 x 6.25 inches, image This photograph is offered by ClampArt, located in New York City. Throughout his care...
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Mid-20th Century American Modern Portrait Photography

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Silver Gelatin

Touch of Dew: Lisa Fonssagrives, New York
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Gelatin silver print Signed in pencil, verso 16 x 20 inches, sheet size 14 x 18.25 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassma...
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1960s American Modern Portrait Photography

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Black and White: Mary Jane Russell, Le Pavillion
By Lillian Bassman
Located in New York, NY
Gelatin silver print Signed in pencil, verso 11 x 14 inches, sheet size 9.75 x 12.5 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassm...
Category

1950s American Modern Portrait Photography

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Silver Gelatin

Untitled (Boy Making Gesture) [Michael and Christopher]
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “In the 1950s few photographers, particularly men, chose their models from their own families. Meatyard, however, found inspiration in his three offspring. This was perhaps due to his interest in Ben Shahn’s postwar paintings of Italian children playing among the ruins of war; the dolls, puppets, and children in Rainer Maria Rilke’s poetry...
Category

Late 20th Century American Modern Portrait Photography

Materials

Silver Gelatin

Untitled (Guy Mendes) [Boy Dressed as Airplane Pilot]
By Ralph Eugene Meatyard
Located in New York, NY
Vintage gelatin silver print Signed in black ink, recto Credit stamped and numbered, verso of mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category

1970s American Modern Portrait Photography

Materials

Silver Gelatin

Madonna
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...
Category

Late 20th Century American Modern Portrait Photography

Materials

Silver Gelatin

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