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Ted WilliamsTed Williams 'Count Basie'1960
1960
About the Item
Ted Williams
Count Basie
1950's (printed later)
Silver gelatin print
30 x 40 inches
Estate stamped and numbered edition 25
with certificate of authenticity
Count Basie at the Trianon Ballroom, Chicago, 1950s.
Ted Williams (1925-2009) first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab Calloway broadcast from Chicago's legendary Grand Terrace Ballroom inspired him and in the late 1940s, Williams merged his love of music and photography and moved to Chicago where he captured unguarded photographic studies of some of the era's greatest jazz musicians.
His work appeared in major international publications including Time, Newsweek, Look, Playboy and Ebony. His coverage of the 1958 Newport Jazz Festival landed him a spectacular 21-page layout in Down Beat magazine. Williams was active on the jazz scene from the late 1940s until the late 1970s. He photographed many of the greats in jazz, including Ella Fitzgerald, Duke Ellington, Dizzy Gillespie and Louis Armstrong. Williams’ historic archive runs to more than 100,000 images and comprises perhaps the most intimate and complete collection of Jazz’s greatest musicians at work, rest and play.
- Creator:Ted Williams (1925 - 2009, American)
- Creation Year:1960
- Dimensions:Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:16 x 20"Price: $1,50020 x 24"Price: $2,800]30 x 40"Price: $4,50040 x 60"Price: $7,700
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: #tedwilliams @ifacarts1stDibs: LU32613282862
Ted Williams
Ted Williams first heard jazz on the radio as a youngster in the 1930s in Wichita, Kansas. The sounds of Earl Hines, Duke Ellington and Cab Calloway broadcast from Chicago's legendary Grand Terrace Ballroom inspired him. In the late 1940s, Williams merged his love of music and photography and moved to Chicago where he captured unguarded photographic studies of some of the era's greatest jazz musicians.
Williams’s work appeared in major international publications, including Time, Newsweek, Look, Playboy and Ebony. His coverage of the 1958 Newport Jazz Festival landed him a spectacular 21-page layout in DownBeat magazine. Williams was active on the jazz scene from the late 1940s until the late 1970s. He photographed many of the greats in jazz, including Ella Fitzgerald, Duke Ellington, Dizzy Gillespie and Louis Armstrong.
Williams’s historic archive runs to more than 100,000 images and comprises perhaps the most intimate and complete collection of jazz’s greatest musicians at work, rest and play.
Find original Ted Williams photography on 1stDibs.
(Biography provided by International Fine Arts Consortium – IFAC Arts)
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