Medium Still-life Photography

Richard captured the iconic childhood favourite King Kong when he was commissioned to document Preston Hall Museum in 2009 before it underwent a remodelling. His unique eye creates a...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Title: Jordan Stairs II, State Hermitage, St Petersburg, Russia All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x ...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Title: Jordan Stairs I, State Hermitage, St Petersburg, Russia All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 Burden...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 What makes Burdeny’s Cuba series different fro...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 Burdeny’s Russia imag...

Still life photographer Russel Kiehn’s interests lie in images that are in plain sight yet are often overlooked. He seeks a dialogue between a subject and the photographic medium; be...

Artist proof 5/5. The image size is 23"x23" and printed on Japanese rice paper handmade. Artist proof AP/5, signed lower right and numbered lower left. It is framed. My photographs ...

'Radio Woman' Castelloland Digital photographs on glossy pearlescent paper 27.5" x 19.6" Edition 2/3 + 1AP Unframed 2015 _______________________ Paloma Castello born 1988 Bogotá, Co...

"Lisa," 2015 Archival Pigment Print on Moab Entrada Rag fine art paper #3/25 edition signed and dated This Photograph Selected Finalist: 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA 52nd National Juried Exhibition, St Tammany Art Association, Covington, LA, *Third Place Winner as chosen by juror William Fagaly I proudly exhibited Les Schmidt...

David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...

All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces them...

Signed and numbered by the artist.

"Coffee" Photography 23" x 32" inch Edition of 10 by Oleg Char Medium: Hahnemühle Baryta Paper Not framed. Ships in a tube. Other sizes available: Edition of 5: 29" x 40" inch E...

Stage Stills “With the portfolio of images entitled Stage Stills, I have returned to my roots as a scenic artist, but from a different perspective. Upon seeing the backstage of the...

Brad Wilson is a fine art photographer working in Santa Fe, New Mexico. Most known for his Affinity series, a collection of strikingly detailed animal studio portraits, Salton Sea Fi...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

' Pink ' Signed Limited Edition Oversize print by Stuart Möller limited edition to 10 only this size - signed Gorgeous C print measuring a large 30 x 20" inches / ca 76 x 51 cm's paper size Produced by the artist. We ship regularly using Fedex Express and other international services. Stuart Möller, German, was born in Kabul Afghanistan and lives and works in London England. With his background in fine art, his works are observations often characterized by a contemplative, meditative quality. keywords : delicate delicateness fragile fragility feminine femininity flower abstract fine art photography plant organic light...

Betty Hahn Title: Belladonna Date: 1980 Original Polaroid Large Format Print (Photo-Internal dye diffusion transfer) Location: Cambridge Massachusetts United States Dimensions: Image: 27 1/2 x 20 1/2 in. (69.9 x 52.1 cm), Paper: 29 1/4 x 21 1/2 in. (74.3 x 54.6 cm) This depicts a still life of a flower with an old botanical drawing print plate. From "Five Still Lifes" New York: Paradox Editions, Ltd., 1980. 5 original Polaroid color prints. Each hand signed, titled, dated and numbered 37/40 in ink in the margin. Each approximately 24 x 20in (image size). Each is on original as there are no negatives in this process. The photographers included: Robert Cumming, Robert Fichter, Betty Hahn, Victor Schrager and William Wegman. The photos were produced in the Polaroid Corporation’s 20×24 studio in Cambridge, Massachusetts. This is an internal Dye Diffusion print (large format) Polaroid print. These are exceedingly rare now. This format was used by many of the leading photographers of the second half of the 20th century, among them Peter Beard, Chuck Close, David Levinthal, Robert Frank, David Hockney, Lucas Samaras, Andy Warhol, Robert Mapplethorpe and, perhaps most significantly, Ansel Adams More recently Ellen Carey has created large abstract masterpieces using this format. Betty Hahn (born 1940) is an American photographer known for working in alternative and early photographic processes. She completed both her BFA (1963) and MFA (1966) at Indiana University. Initially, Hahn worked in other two-dimensional art mediums before focusing on photography in graduate school. She is well-recognized due to her experimentation with experimental photographic methods which incorporate different forms of media. By transcending traditional concepts of photography, Hahn challenges the viewer not only to assess the content of the image, but also to contemplate the photographic object itself. Betty Hahn was born on October 11, 1940 in Chicago, Illinois where she also grew up. At the age of ten, Hahn was given her first camera by an aunt. Hahn later on went to graduate from Scecina Memorial Catholic High School. Soon after, she enrolled at Indiana University with a full scholarship where she furthered her studies in Fine Arts, receiving both her BFA (1963) and her MFA (1966). Throughout her undergraduate years, she concentrated in drawing and painting; however, as she entered graduate study, she worked in photography. During this important developmental period, Hahn studied under one of the most well-known photography teachers of the time, Henry Holmes Smith, who encouraged Hahn's work in alternative processes. Once she graduated, Hahn moved to Rochester where she taught at the Rochester Institute of Technology until 1975. Hahn then relocated to Albuquerque where she was professor at University of New Mexico until her retirement in 1997. Hahn is best known for her explorations of alternative processes in photography, using both older methods of darkroom developing such as gum-bichromate and cyanotypes, with other art mediums, including hand-painting and even embroidery. She is noted as one of the first photographers to successfully integrate such a variety of art mediums. Hahn encourages the viewer to think more deeply through not only the use of different physical processes in her artwork, but also through the multiplicity of meanings in her photographs. In most of her work, Hahn integrates humor and irony as she explores the meanings generated by formal combinations. Some of her prints include the sprocket holes of the 35mm negative, which allude to its 35mm film origins: but by hand coloring with bright paints, she draws attention to the mixture of craft with industrial mediums. Once she started experimenting with the gum-bichromate process, Hahn started stitching into her photographs. Printing onto canvas and other fabrics allowed her to use thread to highlight certain aspects of the photograph. In combining her photographs with conventional practices, Hahn successfully intertwines formal and conceptual aspects. Not only does she speak to the mundane tasks of everyday life, but also about routine and normativity. In highlighting the ordinary in her work, Hahn elevates and revives that which has been lost in the practice of daily life. Embroidery references femininity, as Hahn underlines the feminist issue of the anonymity of women's handicraft. Her embroidery often emphasized flowers with its three-dimensionality, furthering the idea of femininity; she later on pursued this as a symbol and incorporated it in several of her other series. In her work, Hahn delivers a powerful feminist message in regards to women and embroidery. It is quite evident through time that women's labor is needlework, and that their labor is frequently undervalued as craft both when dissimilar and alike to men's work. In a time period where men overshadowed women in the traditional art, such as painting and sculpture, women oftentimes reverted to other mediums like textiles. It has been suggested that women's work, especially in embroidery, is of little value in the art field since it is considered a craft. Since "arts and crafts" are more often than not paired together, it is obvious they are in the same category; however, there is a clear distinction. For 300 years, women have been taught needlework through practice and tradition, and in inadvertently, promoted obedience and household effeminate behavior. As a result, instead of regarding stitching as an art, many viewed it as a thoughtless skill, lacking originality. On the contrary, however, it is far more than evident that the hand of woman is more than a mindless and conforming thing, it is one of sensitivity, thought, patience, perseverance, and strength. By incorporating embroidery and stitching, Betty Hahn pushes the audience to acknowledge the work of women not as craft or tradition, but as meticulous, creative and unique. Exhibitions The Division of Photographic History at the Smithsonian Institution exhibited Hahn's work in a group exhibit in the 1960s as a part of a developing series of displaying the works of women photographers. Afterwards her work was featured in multiple thematic exhibitions at the Smithsonian. Hahn's first solo show exhibiting her work was in 1973 at the Witkin Gallery in New York City. Thereafter, she received several grants from the National Endowment for the Arts in 1974, 1978, and 1983 to continue her work in explorative photography. Hahn's art has been exhibited throughout the country and worldwide featured in museums highlighting historical processes in Baltimore, Maryland (1972) and nature photography exhibitions in Osaka, Japan (1990). Her work has been displayed at the Albuquerque Museum of Art and Art History (2017), Phoenix Art Museum (2015), and the George Eastman House (2012, 2016). Hahn's work is held in private collectors, galleries, and in permanent museum collections, including the San Francisco Museum of Modern Art, Center for Creative Photography and the Museum of Modern Art. Exhibitions 1996 – George Eastman House International Museum of Photography and film, Rochester, New York 1997 – A History of Women Photographers, Akron Art Museum 1997 – Eye of the Beholder, Photographs of the Avon Collection, International Center of Photography, Midtown, New York City 1998 – Passing Shots: A Travel Series, University of New Mexico Art Museum, Albuquerque, New Mexico 1998 – The City Series, Taos, Albuquerque, Santa Fe, Cedar Rapids Museum of Art, Cedar Rapids, IA 1999 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Mikhailovsky Palace, St. Petersburg, Russia 2000 – 20/20 Twentieth Century Photographic Acquisitions by 20 leading patrons, Museum of New Mexico, Museum of Fine Arts 2000 – Photography Or Maybe Not, a Betty Hahn traveling retrospective, Santa Fe de Granada, Spain 2001 – In the Eyes of the Beholder: Ten Photographers View Albuquerque, The University of New Mexico Hospital, Albuquerque, NM 2002 – Sun Works Contemporary Alternative Photography, The Art Institute of Boston 2002 – Flowers from the Permanent Collection, The Albuquerque Museum, Albuquerque, New Mexico 2004 – 30th Anniversary Permanent Collection Exhibition, New Mexico State, University Art Gallery, Las Cruces, New Mexico 2005 – New Mexico State University Art Gallery, Las Cruces, New Mexico 2005 – Ace in the Hole, the legacy of Peter Walch, University Art Museum, University of New Mexico, Albuquerque, NM 2006 – The collectible moment, Norton Simon museum, Pasadena, California 2006 – The Social Lens, University of Virginia Art Museum, Charlottesville, Virginia 2007 – Seeing Ourselves: Masterpieces of American Photography, A Traveling 2007 – Exhibition, George Eastman House, Rochester, New York 2008 – Flower Power: a Subversive Botanical, New Mexico Museum of Art, Santa Fe, NM 2008 – Bernalillo County Arts Board Gallery, One Civic Plaza NW, Albuquerque, NM 2008 – Giving Shelter 516 Arts Albuquerque, NM (A Sister Exhibition to the Cradle Project) 2008 – Betty Hahn, Joyce Neimanas, and Judith Golden, Harwood Art Center Albuquerque, NM 2009 – Through the Lens: Creating Santa Fe, Palace of the Governors, The New Mexico History Museum, Santa Fe, 2009 – Altered Land: Photography in the 1970s, Sheldon Museum of Art, University of Nebraska, Lincoln, Nebraska 2010 – Sole Mates Cowboy Boots & Art, New Mexico Museum of Art 2010 – Rock Scissors Paper, Anderson Contemporary Arts, Albuquerque, NM 2010 – Recollection 2010, Works from the Colorado Photographic Arts Center, The Central Library, Vida Ellison Gallery, 2012 – 60 From the 60's (an exhibit of influential photos from the 1960s) George Eastman House, Rochester, New York 2012 – Albuquerque Now-Fall and Albuquerque Now-Winter, The Albuquerque Museum of Art and History, 2013 – It's About Time: 14,000 Years of Art in New Mexico, The New Mexico Museum of Art, Albuquerque, NM 2014 – Alternative Lineage – Honoring Betty Hahn; 5 Decades of Mentoring 2014 – Alternative Photographic Processes, Center for Photographic Art Carmel, California 2014 – Alternative Lineage, Northlight Gallery, Arizona State University, Tempe, Arizona 2014 – Transformational Imagemaking, Handmade Photography Since 1960 2014 – An Exhibition Curated by Robert Hirsch, CEPA Gallery, Buffalo, NY 2014 – Museum Project, dnj Gallery, Santa Monica, California 2014 – American Heritage Center and Art Museum, University of Wyoming, Laramie, Wyoming 2014 – Hubbard Museum of the American West, Ruidoso, New Mexico 2015 - One-Of-A-Kind, unique photographic objects from the Center of Creative Photography, University of Arizona, 2015 – Unconfined – Empowering Women Through Art, African American Performing Arts Center, New Mexico Expo, 2015 – Visualizing Albuquerque: Art of Central New Mexico, Albuquerque Museum, Albuquerque, NM 2015 – Healing ... For the Time Being, A mixed media exhibition in conjunction with On the Map: Albuquerque Art and Design, Jonathan Abrams MD 2015 – The AIPAD Photography Show, Represented by Joseph Bellows Gallery, New York, New York 2016 – Transformational Imagemaking, traveling exhibition March-16- April 16; Muhlenberg College, Allentown, Pa. 2016 – Fall-Rochester Institute of Technology, Bevier Gallery, Rochester, NY 2016 – 60 from the 60's: Selections from the George Eastman Museum, At the Hyde Collection, Glens Falls, New York (The featured artists included were Harry Callahan, Benedict J. Fernandez, Hollis Frampton...

Artist: Anne Turyn, American (1954 - ) Title: Color Chart Year: 1982 Medium: Photograph Size: 16 x 20 in. (40.64 x 50.8 cm) Frame Size: 27.5 x 32 inches

Shani Mootoo grew up in this house in Trinidad. She returned as an adult and created a photographic memoir of its interior in her ‘History Revisited’ series. Her images of these room...

Known for her photographic portraits of interior spaces, Shani Mootoo reveals the curious and often emotive personal narratives of her subjects. This framed and matted giclee print ...

Photography of San Francisco, on aluminium panel, signed on the back.

Contemporary still life photograph of dandelion flowers on a white background Untitled- Flower 147 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte paper...

Contemporary still life photograph of white tulip flower on white background Untitled - Number 149 (White), by Chad Kleitsch, 2010 Archival pigment print on Hahnemuhle photo rag matt...

"Drift 30" Photography 30" x 20" Edition 3/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation...

Albert WATSON (*1942, Scotland) Heel on Stovetop, Budget Suites, Las Vegas, 2000 Archival pigment print Sheet 61 x 76 cm (24 x 29 7/8 in.) Edition of 25; Ed. no 12/25 Print only Alb...

Side Table with Chain and Window Stay (Diptych), 2017 Upper: 16 x 20 inches framed Lower: 14 x 10.5 inches framed toned silver gelatin prints in vintage fr...

Fine Art Print, limited edition of 10. Photo photographed in NY, signed by the author.

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Archival digital print 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

Archival digital scanograph 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank,...

Archival digital print 27.75 x 20 inches, edition of 75 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer...

Signed and numbered by the artist.

Gerber Daisy 4, archival pigment print photograph, printed on Fine Art paper by Tim Nighswander. It is 24x24, framed in a white frame to 32x32 with a UV plexiglass. It is a limited...

DIANNE KORNBERG RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993 selenium toned gelatin silver print ed.15 18 x 32 in. 45.7 x 81.2 cm.

"Ranunculus Perfect Pink", from the Ranunculus series. Limited edition flex chromogenic photograph, printed in 2016. Signed, titled, dated, and inscribed "From the Ranunculus series / Edition 2" on verso. Dimensions: (Frame) H 31.5" x W 31.5" x D 2" ; (Photograph) H 30" x W 30" Condition: Very good. Presents beautifully overall. After studying photography at the renowned Rhode Island School of Design, Christopher Beane moved to NYC, where he currently resides. In the mid-1990s, Beane stumbled across and became seduced by the early morning alchemy of the 28th street flower market - he found his unforeseen muse. Imports of both local and foreign became the artist's subject matter for the next several decades. He began by first documenting. Then he slowly started to formulate his own unique fingerprint in the fine art world. Noted curator and art historian, Anthony F. Janson proclaims Beane to be "the love child...

Ice - Limited edition pigment print - Limited Editions of 15 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 60 x 71 cm / 19,68 x 29,53 in. - Edition of 15 89 x 105 cm / 27,56 x 41,34 in. - Edition of 15 Sam Thomas...

"Trois coquilles et cuillère" by Thierry Genay, 2018 Printed with pigmentary inks on Fine Art paper, laminated on Dibond, framed. Edition of 6 copies. ...

Life and Death Still Life - Strelitzia reginae - Birds of Paradise Posed in a Moroccan hand made vase Signed limited edition archival pigment print, Edition of 5 This is an Arch...

Tina West + Tucker Robbins 2020 The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice. Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind. Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...

Limited Edition: 5 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

Horse 2- Signed limited edition archival pigment print, Edition of 5 Horse photographed on location using studio lighting. This is an Archival...

Edition of 15 Signed, dated and numbered. Paper size: 30 x 26 in., Image size: 28 x 23 in. Frame NOT included. Chema Madoz is one of the most important contemporary Spanish photogra...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

"Drift 07" Photography 30" x 20" Edition 2/10 by Rowan Daly Digital print on Ultra Smooth Fine Art Paper Unframed - ships rolled in a tube DRIFT Behind the scenes of the nation...

"Chet" 2015 Dorothy Jean Series 18" x 27" archival pigment print Moab Entrada Rag fine art paper #7/25 edition signed and dated Selected Finalist: 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art, Huntsville Museum of Art, Huntsville, AL 82nd Annual National Exhibition, Cooperstown Art Association, Cooperstown, New York Manifest International Photography Annual INPHA 6 I proudly exhibited Les Schmidt...

The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...

"Lillian" 2015 Dorothy Jean Series 18" x 27" archival pigment print Moab Entrada Rag fine art paper #8/25 edition signed and dated This Photo Selected Finalist: Camera USA® 2016 National Photography Exhibition, Naples Art Association, Naples, FL 54th Annual Juried Exhibition, Masur Museum of Art, Monroe, LA The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art, Huntsville Museum of Art, Huntsville, AL I proudly exhibited Les Schmidt's award-winning photography at my New Orleans gallery for years. His work is in notable collections around the world and his exhibitions are always well received by collectors and the press alike. Over the coming months, I will be listing limited edition prints from his diverse portfolio. (PLEASE NOTE: As with many photographic editions, prices rise as prints sell in each edition) This is from a series of photographs of flower arrangements that are gorgeous in their fading; they look almost like watercolors in person, just amazing pictures. Proudly presented by Guy Lyman Fine Art, New Orleans, with our firm guarantee of satisfaction. BIO Les Schmidt (b. 1960 New Brunswick, NJ) attended the New Orleans Academy of Fine Arts from 2003-2004. He has exhibited extensively in the US including Atlanta, GA; Los Angeles, CA; Naples, FL; New Orleans, LA and Cooperstown, NY and internationally in Budapest, Hungary and Crete, Greece. He’s been a twice selected finalist for Naples Art Association's Camera USA® National Photography Award (2016, 2017) as well as being curated into recent national exhibits held at the Huntsville Museum of Art, Masur Museum of Art and Attleboro Arts Museum Les Schmidt works and resides in New Orleans, LA. EXHIBITIONS 2019 Choice 2019 Atlanta Photography Group Gallery, Atlanta, GA 2018 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA Chania International Photo Festival Grand Arsenali, Crete, Greece St Tammany Art Association: 53rd National Juried Exhibition Miriam Baranger Gallery, Covington, LA Monochrome: Juried International Photography Exhibition PH21 Gallery, Budapest, Hungary Urban Landscapes 1650 Gallery, Los Angeles, CA Still Life A Smith Gallery, Johnson City, TX 2017 Snap to Grid Los Angeles Center for Digital Art, Los Angeles, CA I'll Be Your Mirror: The Portrait 1650 Gallery, Los Angeles, CA STORM Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Atlanta Celebrates Photography: Photo Buckhead Buckhead Library, Atlanta, GA Someone/Someplace: Figures, Portraits & Landscapes Western Bureau Arts, San Jose, CA Street Photography: Juried International Photography Exhibition PH 21 Gallery, Budapest, Hungary Cooperstown Art Association: 82nd Annual National Exhibition CAA Village Building, Cooperstown, NY The Red Clay Survey: 2017 Exhibition of Contemporary Southern Art Huntsville Museum of Art, Huntsville, AL St Tammany Art Association: 52nd National Juried Exhibition STAA Art House, Covington, LA RECOLLECTIONS: A Community Photography Project New Orleans Photo Alliance, New Orleans, LA It's a Sign: The Medium is the Message 1650 Gallery, Los Angeles, CA Camera USA® 2017: National Photography Exhibition The von Liebig Art Center, Naples, FL Line - 2017 National Juried Exhibition Attleboro Arts Museum, Attleboro, MA Masur Museum of Art: 54th Annual Juried Competition Masur Museum of Art, Monroe, LA 2016 New Beginnings: Insight Photography Show Rail Yard Studios, Nashville, TN Highway 90: Beyond the Rigolets Guy Lyman Fine Art, New Orleans, LA Solo Exhibition Abstracted Mpls Photo Center, Minneapolis, MN Portraiture: Photography Now Black Box Gallery, Portland, OR THINGS: a still life show 5 Press Gallery, New Orleans, LA ARTifact Darkroom Gallery, Essex Junction, VT Fishing for Iconography 2 A Smith Gallery, Johnson City, TX Camera USA® USA 2016: National Photography Exhibition The von Liebig Art Center, Naples, FL 2015 Dorothy Jean Guy Lyman Fine Art, New Orleans, LA Solo Exhibition 2012 A New Landscape: The 10th Annual Grand Isle Juried Exhibition Grand Isle Community Center, Grand Isle, LA 2011 The Windsor Court Art Showcase Series Windsor Court Hotel, New Orleans, LA Solo Exhibition Embleme Eustis Studios, Cape Girardeau, MO Solo Exhibition 2009 PhotoNOLA 2009 Soren Christensen Gallery, New Orleans, LA Salon d'Automne Arthur Silverman Studio, New Orleans, LA 2006 New Works Soren Christensen Gallery, New Orleans, LA Souvenir Grand Contemporary, Lafayette, LA 2005 Souvenir Soren Christensen Gallery, New Orleans, LA 2004 Leaf Shadows Soren Christensen Gallery, New Orleans, LA 2003 Jack Swanson...

This listing is for the unframed photograph. Please inquire about framing. The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special n...

"Sister of Eclipse"; from the Ranunculus series. Limited edition flex chromogenic photograph, printed in 2016. Signed and inscribed "From the Ranunculus series / Edition 2", with title and date on verso. Dimensions: (Frame) H 31.5" x W 31.5" x D 2" ; (Photograph) H 30" x W 30" Condition: Presents beautifully overall. After studying photography at the renowned Rhode Island School of Design, Christopher Beane moved to NYC, where he currently resides. In the mid-1990s, Beane stumbled across and became seduced by the early morning alchemy of the 28th street flower market - he found his unforeseen muse. Imports of both local and foreign became the artist's subject matter for the next several decades. He began by first documenting. Then he slowly started to formulate his own unique fingerprint in the fine art world. Noted curator and art historian, Anthony F. Janson proclaims Beane to be "the love child...