
Flotsam & Fig Limb: Still Life Photograph with Figurative Branches and Rope
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David HallidayFlotsam & Fig Limb: Still Life Photograph with Figurative Branches and Rope2017
2017
About the Item
- Creator:David Halliday (1958, American)
- Creation Year:2017
- Dimensions:Height: 57 in (144.78 cm)Width: 37 in (93.98 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU2274334622
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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Clam Shells (Framed Still Life Photograph of Blue/White Shells with Drift Wood)
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Located in Hudson, NY
Clam Shells (Still Life Photograph of Blue/White Shells with Drift Wood) by David Halliday
10 X 15 inches, 17 x 22.5 inches framed
Color Work Series
archival pigment print
edition #2 of 25
In this series, Halliday captures the beauty of everyday life in still lifes of various objects and vegetation arranged against simple backgrounds. This seaside still life of deep blue and white clam shells beside a piece of drift wood is set on a concrete surface in front of a cream colored plaster wall. The subtle color palette extenuates the various textures and gentle shadows cast on the objects.
About the artist:
American, b. 1958, Glen Cove, NY, United States, based in Schodack Landing, NY, United States
Elegant still lifes bathed in natural light, so masterfully composed one could forget that it is, in fact, a photograph – this is how we’ve come to recognize David Halliday’s work. The artist first gained recognition for his sepia toned silver gelatin prints of common place objects and food staples, emphasized by sublime balances of form, texture, and shadow one could liken to classical painting. In more recent years the artist began embracing his subject matter with modern pops of color in surreal arrangements; vegetables and fruits eccentrically coupled with fish nets and cutlery balanced on undefined tabletops, seeming to float in midair. Now the photographer is retracting his lens to encompass the studio itself as his subject. In a self-portrait of sorts, Halliday skillfully combines elements of his craft in a modest interior...
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Bread House (Framed Food Still Life Photograph of Bread, Vegetables & Stones)
By David Halliday
Located in Hudson, NY
Contemporary food still life photograph of bread with assorted vegetables on a wood table
Archival pigment print, ed. 9 of 25
Image size: 11 x 14 inches
17 x 21 inches with dark wood frame with non-glare glass and 8-ply white mat
Halliday captures the beauty of a traditional still life with a contemporary spin. Here three loaves of bread are balanced on one another, beside blueberries, stones, squash, tomatoes, and legumes against a black background. The entwined green legumes and the bread's rough surface provides intriguing texture, while the delicately positioned white stones and blueberries lend brilliant color and shape. The contemporary still life is placed against a solid black background. The print #9 a limited edition of 25, is currently framed in a dark wood frame with non-glare glass and an 8-ply white mat. The artist's signature is located on the back and front.
About the Artist:
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
More about the work:
A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm.
Resume:
Born 1958, Glen Cove, New York
Lives in Schodack Landing, NY
EDUCATION
1998 Penland School of Crafts, Penland, North Carolina
1988 The Maine Photographic Workshops, Rockport, Maine
1976-79 Syracuse University, New York
1974-76 Wooster School Community Art Center, Danbury, Connecticut
SELECTED SOLO EXHIBITIONS
2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA
McMurtrey Gallery, Houston, TX
2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA
2010 Arthur Roger Gallery, New Orleans, LA
Wessel+O’Connor Fine Art, Lambertville, NJ
Julie Heller Gallery, Provincetown, MA
Graficas Gallery, Nantucket, MA
2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX
Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY
2008 Arthur Roger Gallery, New Orleans, LA
Still-Life, Stephen Cohen Gallery, Los Angeles, CA
Carrie Haddad Gallery, Hudson, NY
Watermark Gallery, Houston TX
Strange Fruit: David Halliday and Greg Kuharic...
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Yellow Zucchini Flower (Contemporary Still Life Study in Light Box)
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Located in Hudson, NY
11.25 x 11.25 inches unframed
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edition of 12
Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude.
In this particular image, the bright yellow spiky petals of the zucchini's flower is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting!
About the work:
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