Pigment Still-life Photography
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Style: Contemporary
Medium: Pigment
Wedgwood Wonderlust with Mushrooms, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Wonderlust with Mushrooms, limited edition photograph
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Archival Pigment
Tyler Shields - Glitter Champagne, Photography 2019, Printed After
Located in Greenwich, CT
Series: Indulgence
Chromogenic Print on Kodak Endura Luster Paper
All available sizes and editions:
18" x 18" Editions of 3 + 2 Artist Proofs
30" x 30" Editions of 3 + 2 Artist Pro...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Paper, Archival Ink, Archival Paper, Photographic Paper, Digital, Archiv...
Spode Blue Italian with Lime, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Spode Blue Italian with Lime,, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor ...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Archival Pigment
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Wedgwood Hibiscus with Red Onion, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Archival Pigment
E Shipley Zambezi with Blueberry, limited edition, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
E Shipley Zambezi with Blueberry Onion Cup, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Archival Pigment
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph
By JP Terlizzi
Located in Sante Fe, NM
Gien Jardin du Palais with Broccoli Tiger Beets, limited edition photograph, limited edition, archival photograph, signed and numbered.
The Good Dishes integrates memory, legacy, and metaphor with my response to loss. As I witnessed an early generation of family members pass, my cousins and I were each faced with the emotional task of cleaning out the family home. Sorting through the heirlooms, we would determine which items to toss, sell, or preserve. Without fail, when it came to the family’s fine china, that item was always given to the person who most cherished its memory and sentimental value.
Growing up in a large Italian family, everything was centered around food and the family table. I remember vividly my mother’s vintage marigold stoneware dishes that she bought at the grocery store back in the early 1970s. She used them every day for as long as I could remember, and they had a life of their own. Along with my mother’s everyday dishes...
Category
2010s Contemporary Pigment Still-life Photography
Materials
Archival Pigment
Chad Kleitsch - Untitled Flower # 14, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 14
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 112, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 112
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 102, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 102
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 29, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 29
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 23, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 23
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 114, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 114
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 24, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 24
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 18, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 18
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 113, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 113
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 11, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 11
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 30, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 30
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 28, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 28
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 26, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 26
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 27, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 27
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 25, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 25
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 20, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 20
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 19, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 19
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 22, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 22
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 21, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 21
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 17, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 17
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 16, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 16
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 15, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 15
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 10, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 10
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 09, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 09
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 13, Photography 2001, Printed After
Located in Greenwich, CT
Untitled Flower # 13
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 12, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 12
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 08, Photography 2003, Printed After
Located in Greenwich, CT
Untitled Flower # 08
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x 60”
60" x 60”
I began using a scanner as a camera in 1997 and began this botanical series in this series in 2001. Using the scanner as the camera, is a rediscovery of image making. It's reminiscent or mirrors, in both process and aesthetics, the historic images of those first photograms and cyanotypes.
This photographic process has grown in use over the past decade and a half and has been dubbed “scanography”. Its most prevalent use is in the recording of botanical objects...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 98, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 98
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 02, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 02
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 124, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 124
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 121, Photography 2009, Printed After
Located in Greenwich, CT
Untitled Flower # 121
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 133, Photography 2009, Printed After
Located in Greenwich, CT
Untitled Flower # 133
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 69, Photography 2004, Printed After
Located in Greenwich, CT
Untitled Flower # 69
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 152, Photography 2019, Printed After
Located in Greenwich, CT
Untitled Flower # 152
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 06, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 06
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 89, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 89
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
21st Century and Contemporary Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 41, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 41
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 03, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 03
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 115, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 115
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 150, Photography 2020, Printed After
Located in Greenwich, CT
Untitled Flower # 150
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 129, Photography 2008, Printed After
Located in Greenwich, CT
Untitled Flower # 129
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 123, Photography 2007, Printed After
Located in Greenwich, CT
Untitled Flower # 123
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 146, Photography 2019, Printed After
Located in Greenwich, CT
Untitled Flower # 146
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 132, Photography 2009, Printed After
Located in Greenwich, CT
Untitled Flower # 132
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 70, Photography 2006, Printed After
Located in Greenwich, CT
Untitled Flower # 70
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 137, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 137
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 141, Photography 2013, Printed After
Located in Greenwich, CT
Untitled Flower # 141
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 82, Photography 2005, Printed After
Located in Greenwich, CT
Untitled Flower # 82
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 116, Photography 2008, Printed After
Located in Greenwich, CT
Untitled Flower # 116
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower #48, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 48
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 01, Photography 2002, Printed After
Located in Greenwich, CT
Untitled Flower # 01
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" x...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Chad Kleitsch - Untitled Flower # 154, Photography 2020, Printed After
Located in Greenwich, CT
Untitled Flower # 154
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Pigment Still-life Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
Pigment still-life photography for sale on 1stDibs.
Find a wide variety of authentic Pigment still-life photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add still-life photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of red, purple, blue, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chad Kleitsch, Tyler Shields, Patty Carroll, and Zoë Zimmerman. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment still-life photography, so small editions measuring 0.5 inches across are also available Prices for still-life photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $48 and tops out at $185,000, while the average work can sell for $2,208.
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