Brick Still-life Photography

Rosemary Ellis Windows XIV Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photograp...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Rebecca Skinner’s “Fallen” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. A white cup lays beside the red fall br...

Edition of 3 More sizes on request. Dirty ballet shoes. Tyler Shields is an American Photographer, screenwriter, director and former professional inline skater who has been labeled...

Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5 Paris, France This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta...

Hotel Beale #24 - from the series US Road trip Diary - 2007, 20x20cm, Edition of 10. Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH p...

Rosemary Ellis (1910-1988) Windows VII Original proof photograph for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelat...

Limited edition of 15, fine art print, signed by the author.

Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

Kelly Ludwig began designing professionally since graduating from the University of Kansas with a B.F.A. in Visual Communications. Before joining DEG Digital as Associate Creative Di...

Le Marais - Signed limited edition archival pigment print, 2005 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...

Red Glasses Edition of 25 signed and numbered by the artist An oversized pair of glasses in a shop window in Hong Kong. JJK is a pseudonym for one of the world's most successful ph...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo RAG Baryta 315 gsm ). The inks ...

Rosemary Ellis (1910-1988) Windows Original photography for Windows in the Outlooks and Insights series published by Bodley Head, by Rosemary & Charlotte Ellis. Silver Gelatin Photog...

From a series of similar photographs, to view the others scroll down to 'more from this seller'. Rosemary Ellis Windows V Original proof photograph for Windows in the Outlooks and I...

Seven ltd ed. archival pigment photographic prints that are each framed in museum quality contemporary ebonized walnut frames using all archival materials, depicting a single leaf. from Alysonm Belcher's Leaves series, where the artist photographs - in sill life - a single fallen leaf. Belcher is best known for her haunting and spartan still life compositions, series of nude self portraits, and nature scenes, that arise though both planning and happenstance, from primitive hand made pin-hole cameras, and hi tech digital cameras. She holds to the idea that everything we experience in life is stored somewhere in our bodies and that essence shows itself in the photograph. Condition is pristine. Alyson Belcher's photographs have been featured in International photography magazines, exhibited coast to coast...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

Café - Signed limited edition archival pigment print, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Rebecca Skinner’s “Scale” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 18 x 12 inch black and white photo with ...

The Scribe's House (The Library), 2010 Photography 47.20h x 32.60w in 2/5 PL022 Pablo Lehmann was born in 1974 and currently lives and works in Buenos Aire...

Wildfire #32, Witch Creek Fire, Rancho Bernardo, CA, 2007 (25"x30") Edition 9 + 3 artist prints, signed by the artist, Sasha Bezzubov The photographs in the Wildfire series were made...

During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...

The Scribe's House (The Room), 2010 Photography 59h x 39.40w in 2/5 PL023 Pablo Lehmann was born in 1974 and currently lives and works in Buenos Aires. He...

The artwork is made and signed by the artist. Other sizes and framing on request. Liu Bolin was born in 1973 in the Chinese province of Shandong. He finished his studies at the Central Academy of Fine Arts in Beijing with a Master of Fine Arts in 2001. His works have been shown in museums across the world ever since, and he rapidly made a name for himself as “The Invisible Man...

Gelatin silver print Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. Over the course of more than two decades, Bruce Crats...