Face Photography

The Film The Eyes, the Mouth is a vintage black and white photograph realized in the 1982. Good conditions.

This piece is a photolithograph from the original negative by Laszlo Willinger, original shot in 1938 and printed at a later date. It depicts American film actor and military officer, Clark Gable, who was often referred to as "The King of Hollywood". He is most well-known for his roles in the films "Mutiny on the Bounty...

David Bowie With Lou Reed And Iggy Pop - Limited Edition Mick Rock Estate Print David Bowie, Lou Reed & Iggy Pop during a press conference at the Dorchester Hotel...

Burt Lancaster  is a  vintage photo, realized in the 1960s . The artwork is a well-balanced composition.

This iconic photo of Bruce Jenner (aka Caitlyn Jenner) is at the moment of his decathlon win at the 1976 Montreal Olympics. The photographer, Art Shay, s...

Created by Cindy Sherman in 1990, Mrs. Claus is an original chromogenic print that is hand-signed and dated on the verso from an edition of 125, measuring 14 x 11 in. (36 x 28 cm), u...

After a successful acting career in Europe, Peter Lorre came to the United States and starred in such classic films as “The Maltese Falcon”, “Arsenic and Old Lace”, and “Casablanca”....

16 x 20" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams, photographed in 1966, numbered 5/12. It is signed by Jack Mitchell in pencil on th...

16 x 20" vintage silver gelatin photograph of Composer/conductor Leonard Bernstein, photographed in 1977. It is signed by Jack Mitchell on the recto and in pencil on the verso. Comes...

The wonderfully recolored image captures Peter O'Toole in his role as T.T. Lawrence in Lawrence of Arabia. This listing is for a limited edition archival print. What's included: - ...

18" x 24" Unframed Limited Edition Photograph of 200 MAGNUM Photography "Almost entirely self-taught in the art of photography, Eve Arnold possessed not only an innate skill for ima...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Cecil Beaton, Electa Editrice Portfolios, 1981. Published and pri...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a session for After Dark magazine and was selected and signed by Jack Mitchell as one of his favorites. Jack’s artist statement on his work for the magazine: “After Dark was a magazine of entertainment, theater and the arts. It was a popular magazine, with a gay slant, enjoyed by many gay men, and some broad minded women and men. As well as (I learned years later) many closeted male youngsters. The magazine was ahead of its time, as advertisers were reluctant to place ads in an essentially gay magazine...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Angkor Thom was the last and most enduring capital city of the Khmer Empire. It was established in the late 12th century by King Jayavarman VIII. The photo...

Belles of Shoreditch, from Richard Heeps Burlesque series. Richard Heeps became well-known for his Burlesque Photography after he spent 2003 ca...

Gabriel García Márquez, Portrait by Hernan Diaz Signed by Hernan Diaz C. 1994@ Provenance Writer Estate. Archival Pigment print Image size: 15.5 H. x 11.5 W in. Frame size: 25 H x 2...

Bert stern Marilyn Crucifix 2 The last sitting (1962) great and big photo of Marilyn Monroe photographic paper format 61 X 61 cms image 51 x 51 cms signed...

Derby Spectator A spectator looking through binoculars at the Derby horse races, Epsom, Surrey, June 1923. (Photo by Hulton / Getty Archive) Silver gelatin fibre print 12 x 16" p...

Signed and Inscribed to lower right 'To Hugh White from Norman Rockwell'.

Ron Galella (1931) Grace Jones at Bond’s, New York 1980 11 x 14 inches Silver Gelatin Print Edition of 20 Signed, dated, titled by the artist. Described by a nickname of Paparazzo E...

An original black and white photograph from the original negative by George Hurrell, shot in 1938 and printed in 1979. This image depicts "Old Hollywood" actor, James Cagney...

New York Street Art photograph 2012: Chelsea Manhattan Street Art photographed in 2012 at the famed Comme Des Garcons, New York flagship store, b...

Alas, by Ricky Cohete From the series "Acto Uno" Archival Pigment print Small size: 20 in H x 30 in W. Edition of 13 + 1AP Unframed 2020 Black and White Photograph All prices are q...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

11 x 14" vintage silver gelatin photograph of Flutist Ransom Wilson in 1977. Signed by Jack Mitchell on the print verso. Comes directly from th...

Underwater nude photograph of a beautiful young woman on red background. Original gallery quality archival pigment print on archival paper signed by the artist. Limited edition of 1...

11 x 14" vintage silver gelatin photograph of Musicians and friends Itzak Perlman and Pinchas Zukerman photographed at Perlman's apartment in ...

11 x 14" vintage silver gelatin photograph of Merce Cunningham Company dancer Carolyn Brown, 1967. Signed by Jack Mitchell on the print verso. Comes dir...

11 x 14" vintage silver gelatin photograph of Artist Robert Rauschenberg in his studio, 1977. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Ja...

Open Edition Signed, titled, and dated in pencil on print verso by Earlie Hudnall, Jr. Gelatin silver print Paper size: 14 x 11 in., Image size: 10 1/2 x 10 1/2 in. Earlie Hudnall, who is one of the most notable African American photographers...

Afghan Nomad Girl 1990 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 60 x 40 inches Signed and numbered edition of 10 with certificate of authenticity Steve McCurry...

Artist: Quinn, Marc Title: Kate Moss on Gold Date: 2012 Medium: Screenprint, hand finished in gold leaf overglaze Unframed Dimensions: 27.5" x 21.25" Framed Dimensions: 35" x ...

From a stunning collection of contemporary nudes from celebrated photographer, Markus Klinko, featuring amongst others, Dita Von Teese, Stoya and Aubrey O’Day This print is availabl...

Another Day in Paradise (The Last Picture Show) - 1999, 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature...

This work features a photographic portrait of Helen Frankenthaler, taken by renowned musician and photographer Jim Arkatov, founder of the Los Angeles Chamber Orchester, and author of the 1998 book "The Creative Personality". The photograph is hand signed and dated '92 by Jim Arkatov. Framed alongside the photograph is a typed letter, hand signed in marker with a personal annotation ("Thanks again!!") by Helen Frankenthaler, thanking Mr. Arkatov for sending her glossy prints of his photograph and stating that she looks forward to seeing his book. Arkatov's original signed portrait, along with Frankenthaler's original signed letter, are elegantly framed in a museum quality wood frame under UV plexiglass. There is also a die-cut window in the back of the frame to reveal Arkatov's signature on the back of his photograph. Measurements: Framed 14.25 inches (vertical) by 19.75 inches (horizontal) by 1.75 inches (depth) Photographic portrait of Helen Frankenthaler: 9.25 inches (vertical) by 7.25 inches (horizontal) Letter from Frankenthaler to Arkatov: 7 inches (vertical) by 6.25 inches (horizontal) This collection was acquired from the Estate of Jim Arkatov. Below is an excerpt from his 2019 obituary in the Los Angeles Times: "...His was an immigrant’s story, a child from Russia who landed in San Francisco, befriended violinist Isaac Stern — whose fame was still to come — took up the cello and decided to pour his life into making music. James Arkatov found work with the Pittsburgh Symphony Orchestra and then with the philharmonic in San Francisco before coming to L.A. as a Hollywood studio musician who worked on movie soundtracks and backed up Ella Fitzgerald on some of her more memorable recordings, such as “Ella Fitzgerald Sings the George and Ira Gershwin Song Books.” Amazed at the dazzling talent around him in Hollywood, he came up with a simple but lasting idea — form their own orchestra. The Los Angeles Chamber Orchestra made its debut on an April evening in 1968, as hundreds squeezed into the newly built Mark Taper Forum. Arkatov played cello as usual as the ensemble drifted through the works of Mozart, Vivaldi, Haydn and other legends of the classics who’d written music specially for smaller orchestras. Arkatov, who lived long enough to see the orchestra celebrate its 50th anniversary, died Saturday at his home in Los Angeles. He was 98. “The orchestra represented a contextualized part of L.A. that had simply never been captured,” said his son, Alan Arkatov, the chair of the education and technology program at USC’s Rossier School of Education. “L.A. simply didn’t have this type of ensemble.” Arkatov was born in Odessa, Russia, on July 17, 1920, and moved around Europe before sailing with his family to San Francisco, where his father opened a photo studio. One of his early childhood friends was Stern, who would become an international star who performed on the world’s biggest stages. Arkatov, who began playing the cello when he was 9, formed a string quartet with Stern when they were teens. After stints as a cellist in San Francisco, Pittsburgh and Indianapolis, Arkatov became a member of the NBC Orchestra, the studio musicians who supplied the soundtracks for the movies that kept Hollywood humming. Pulling from the talent of Hollywood like an NFL team on draft day, he cobbled together a roster capable of handling the delicate and nuanced music written for chamber orchestras. In contrast to the L.A. Phil, which filled the stage with 100 or so musicians, the chamber orchestra was but half that size. The idea was to create a group that would play works written expressly for such an orchestra, many of them from the Baroque era. “The ensemble was never meant to compete with the Philharmonic,” Arkatov’s son said...." Helen Frankenthaler Biography: Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Albert WATSON (*1942, Scotland) Kate Moss, Marrakech, 1993 Archival Pigment Print 76 x 61 cm (29 7/8 x 24 in.) Edition of 25; Ed no. 17/25 Print only Albert Watson was born 1942 in ...

Nobuyoshi ARAKI (*1940, Japan) From the series 'PalNting', 2010 Acrylic on B/W photography 35,6 x 43,2 cm (14 x 17 in.) Unique Print only Nobuyoshi Araki is a contemporary Japanese ...

Homage to the late, great Marilyn Monroe. Hand pulled silk screen. Diamond Dust. On linen. Custom paint created by artist. Would ship rolled. About the Artist: Russell You...

Sometimes referred to as Marilyn with Pearls or Marilyn Laughing into Camera. Taken with 35mm hence the format, image size smaller. Printed on 16x20 paper. Signed on front in pen. T...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Lisa ‘ who was captured on film in 1994...

Official Portrait of Leonard Bernstein, one of the greatest conductors of all the times: of the New York Symphony Orchestra , of the Israel Philarmonic Orchestra and music director o...

Back to the Future (1985 Film) is a black and white photograph realized in 1985 Vintage Photo Michael J. Fox and Christopher Lloid in a scene from "Back to the future" by Robert Zem...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Pictorialist photograph of a young woman. Silver print in the original oak frame. Inscribed on reverse R.S. Paddock, Early 20th century. Pictorialism is the name given to an interna...

Exceptional photo of Marilyn in her Dior black dress during her last session for Vogue magazine. Photographed by Bert Stern. Very limited edition of 72 copies. Signed on the front an...

Listing is for UNFRAMED print. Inquire within for framing. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

11 x 14" vintage silver gelatin photograph of Harkness Ballet dancers Zane Wilson and Linda Bogsrud photographed nude for After Dark magazine, 1972....

Silver gelatin print The present work is hand signed with the artist's copyright, dated 1983, and titled on the back. It is numbered 3 of an edition of only 10. On October 3, 1983, Madonna headlined a memorial concert in honor of Michael Stewart, a graffiti artist in the midst of the AIDS crisis who became a victim of police brutality. Madonna was only 24 years old in 1983, but had already signed her first record deal and was on the cusp of superstardom. In 1984, the year after Madonna appeared in Kroll's shoot, she would release chart hits Like A Virgin, Material Girl and Crazy For You, cementing her place as an international star. This photograph was taken by renowned photographer and editor Eric Kroll backstage at Danceteria - a gritty and popular after hours club and concert venue on West 21st Street in Manhattan, operating out of the first three floors in an old industrial 12-story building. The visible text "ACCUTUNKTIONA TO THE POINT!" and "UNK" are actual, gritty wall graffiti from the venue, adding to the candid nature of the shot. Eric Kroll is a notable photographer, best known for his many fetish subjects, and for documenting America’s seediest spots and denizens, sharing a certain aesthetic with fellow photographers Larry Clark and Richard Kern...

Edition of 30 Titled, dated, numbered, and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Paper size: 19 x 16 in., Image size: 12 2/3 x 9 3/4 in. "Muray and Kahlo were at the height of their on-again, off-again, ten-year relationship when these pictures were taken. Their affair had started in 1931, after Muray was divorced from his second wife, and shortly after Kahlo’s marriage to Mexican muralist...

Vintage Photo. Paola Borboni and Diana Dei during the show "Three Owls on the Dresser" written by Fabio Battistini. Photo by Tommaso Le Pera

Ed. 18/20, estate-stamped. Unframed print. Milton H. Greene, famous for his fashion photography and celebrity portraits from the golden age of Hollywood, met Marilyn Monroe on a pho...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope

Demonstration of Physics - American Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th ...

David Ogburn, American (1942 - ) - Toni Braxton, Medium: Gelatin Silver Print, Image Size: 9.5 x 7.5 inches, Size: 10 x 8 in. (25.4 x 20.32 cm)

David Ogburn, American (1942 - ) - Whitney Houston, Medium: Gelatin Silver Print, Image Size: 9.5 x 7.5 inches, Size: 10 x 8 in. (25.4 x 20.32 cm)

Total Edition of 15 signed and numbered Also available in: 90 x 120 cm / 35.4 x 47.2 in 120 x 160 cm / 47.2 x 63 in Figurative photography of a Supermodel in the style of sculptor C...

"Memories and Dreams" Photography 32" x 24" inch Edition 2/7 by Larsen Sotelo Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 32” X 24” inch Limited Edi...

Steve Jones "The father of nuclear fusion" is an original, vintage, and black and white photograph realized by "Agenzia Ansa" in 1989. With the description...