Geyser Photography

Java, The Papundujyan crater (Der Krater des Papundujyan) - April 13th 1893 - is an original vintage black and white photo realized during journey throughout the world performed by p...

David Jay's work gives a unique and intimate perspective on how we define beauty. A confrontation between the perception of beauty and the transitory nature of existence, Jay’s subje...

Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 62 inches 67 x 87 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "There is something ethereal about this shot, as if it were of a different world. This is apt, as it was here – near Lake Mývatn in the north-east of Iceland – that Neil Armstrong practised his lunar landing. It is certainly the place I’ve been to that most resembles the Moon. It’s also where much of “Game of Thrones” was filmed. I’ve been to Iceland many times. This picture was taken three years ago, in winter, at around 9.15 in the morning; the light was lovely but it was very cold. Visually, Iceland is far better in winter. The landscape is a gift for photographers and film-makers. But images usually involve waterfalls. I wanted to do something different, to make people do a double take. The pony is important to this. While the scene is of the other side of Iceland – about as far from Reykjavik and as wild and strange as you can get – it’s still there for anyone who travels to photograph it. The pony turns the landscape into a canvas on which to do something a bit different. It’s the right size to be at the epicentre of the picture – and the flumes behind it add that bit of magic. I don’t want to be disingenuous about how natural the picture is. We used a horse wrangler, who put up some barriers to ensure that the pony couldn’t roam out of shot. Then I waited for the composition to be just right. I try to find names for the pictures I take. There’s something rather fantastical about this one, about the medley of whites. I called it “Lord of the Rings...

Vintage silver gelatin print Image size: 15 x 15 inches Frame size: 23 3/4 x 23 1/4 inches