Quilt Photography

Lucia at Fourteen (2018) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristina Fonts...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...

Collectors should consider acquiring a photograph by Mariu Palacios from her "A Tajo Abierto Paracas" series, as it offers a profound exploration of grief and healing through perform...

A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...

This work was acquired directly from The Andy Warhol Foundation for the Visual Arts. The work is in pristine condition and has never been framed. This is a unique work which comes w...

Michael WOLF (1954 – 2019, Germany) back door 01, 2003 Archival Pigment Print on Hahnemuehle art rag paper 40.6 x 50.8 cm (16 x 20 in.) Edition of 9, plus 2 AP; Ed. no. 4/9 Michael Wolf was born in 1954 in Munich, Germany. He worked and lived in Paris and Hong Kong where he died in April 2019. The focus of Michael Wolf’s work is life in mega-cities. His projects document both the architecture and the vernacular culture of metropolises. Born in Munich, Wolf grew up in Canada, Europe, and the United States, studying at UC Berkeley and at the Folkwang School with Otto Steinert in Essen, Germany. He moved to Hong Kong in 1994, where he worked for eight years as a contract photographer for Stern magazine. Since 2003, Wolf has been focusing on his own projects, publishing over thirty books of his work. His work is held in many permanent collections including the Metropolitan Museum of Art in New York, the Brooklyn Museum, the San Jose Museum of Art in California, the Museum of Contemporary Photography in Chicago, the Museum Folkwang in Essen, the Hong Kong Heritage Museum, and M+ in Hong Kong. back door: The dark back alleys that crisscross the city are home to objects that, at first glance, seem to be discarded—the random detritus of the man-made world. Under the scrutiny of Michael Wolf's photographic eye, these objects become fascinating installation pieces, while the abstract patterns of the buildings reveal the beauty and order that underlie the apparent chaos of the city. Thought-provoking texts by Kenneth Baker and Douglas Young explore the choices that people make of lifestyle, form, function, identity, and design, as well as the notion of Hong Kong as a brand. – Art, Cityscape, Architecture, City, Michael Wolf, Street Photography, Colour Photography, Hong Kong, Pink Blanket...

This work is offered by CLAMP in New York City.

Archival pigment print, mounted, UV laminated, frame upholstered by the artist Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has traveled to sixty-seven countries, lived in and between seven, and grown up among five languages. Her migrations have led her to process the world through interactive experiences and the belief that the damage of translation and interpretation of written language has dis-served particular communities, resulting in the threat of their exclusion, rather than a means of understanding. As an artist who exists on the borders of identifying as West Asian, Eastern European, a United States citizen, queer, culturally Muslim yet spiritually independent, her work explores cultural binaries, challenges culturally sanctioned oppression, and confronts conflicted notions of gender, politics, media, and citizenship. Working between photography, video, and installation, Ali’s work addresses the politicization of the body, histories of colonization, imperialism, sexism, and racism through projects that take pattern and textile as their primary motif. Textile, in particular, has been a constant in Ali’s practice. Her strong belief that textile is significant to all of us, reminds us that we are born into it, we sleep in it, we eat on it, we define ourselves by it, we shield ourselves with it, and eventually, we die in it. While it unites us, it also divides us physically and symbolically. Her work broadens into immersive installations utilizing light, pattern, and textile to move past language and offer an expansive, experiential understanding of self, culture, and nation. Alia Ali’s work has been featured in the Financial Times, Le Monde, Vogue Arabia...

Archival UV print on aluminum Dibond, frame upholstered Edition of 5 + 2 AP Alia Ali ( عاليه علي ) is a Yemeni-Bosnian-US multi-media artist. A child of migrant linguists, Ali has t...

Limited edition photograph.