Sink Photography

'Sherburne Hotel' (Strange Love) - 2010 98x96cm each, 4 pieces, installed with gaps 430x96cm, Edition of 5, analog C-Print printed on Fuji Archive Paper, hand-printed by the artist...

George Tice was born in 1938 in Newark, NJ, the state in which his ancestors had lived for generations earlier. He joined a camera club when he was fourteen, and is largely a self ta...

Rebecca Skinner’s “Sink VI” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow wall with peeling paint. T...

Counterweight - 2021 20x25cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2012. Not mounted. Kirsten Thys van den A...

Archival Pigment Print on Cotton Rag Paper Including COA Printed by Eve Arnold's own bespoke printer Danny Pope USA. Illinois. Chicago. A washroom in the Chicago Airport, US actress...

Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. 1. OAXACA 2. SANTA MARÍA (SILLÓN) 3. OAXACA 4. SANTA MARÍA 5. LA CASA DE DANIEL 6. CO...

Santa María, La Casa de Daniel and Condesa Triptych by Paola Dávila Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. 1. Santa María 2. L...

Deanna Dikeman Kitchen Window Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Counterweight - 2021 40x50cm, Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2012. Not mounted. Kirsten Thys van den A...

Campbell Kitchen (29 Palms, CA) - 1999 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper (matte), based on the Polaroid. ...

Signed, limited edition print of Nirvana by Chris Cuffaro taken in Los Angeles, California for CREEM Magazine on July 22nd, 1991. Available in the following paper sizes 11 x 17” -...

Corner Sink (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

Sunset (Sidewinder) - 2006 Polaroid - Unique Piece 1/1, 8.8 x 7.5 cm (image area) 10.6 x 8.6 cm ( including white Polaroid frame) Artist Inv. #23636. Signed on verso. Not mounted...

Rebecca Skinner’s “Sink II” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a yellow / green wall with peeling ...

La Casa de Daniel by Paola Dávila Photograph printed analogically on 255 gr baryta fiber photographic paper. turned to selenium. Image size: 18.3 cm H x 18.3 cm W. Paper size: 25 cm ...

Signed limited edition silver gelatin print of Courtney Love by Kevin Cummins, taken in Zurich Switzerland, 1996. Edition 50 This print by Kevin Cummins...

Rebecca Skinner’s “Sink V” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a pink wall with peeling paint. The ...

Rebecca Skinner’s “Sink I” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a beige wall with peeling paint. The...

George Best Bath By Arthur Steel Paper size: 44 x 33.5" / 112 x 85 cm Silver Gelatin Print 1980 (printed later) unframed hand signed limited edition of 30 note other print sizes...

George Best by Arthur Steel George Best – Just released from Ford Prison, 1985 (photo Arthur Steel) Arthur recalls: “I photographed George Best having his first bath following his...

Bathroom (29 Palms, CA) - 1999 58x56cm, Edition of 10, plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate, ...

Stefanie Schneider's Minis Airstream (Sidewinder), 2005 Signed and signature brand on verso. Lambda digital Color Photographs based on a Polaroid. Sandwiched in between Plexiglass (...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos - New York is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Alitalia - Historical Photos - New York is a vintage photograph realized in the 1970s. This photo belongs to a precious testament album of Italian airline. Good conditions.

Rebecca Skinner’s “Sink III” is an 8 x 12 inch metal print photographed at an abandoned hospital. The color photograph is of a vintage sink against a blue wall with peeling paint. Th...

Rebecca Skinner’s “Dirty Film” was photographed at an abandoned theater. An open red door offers a view of coffee cups spilling movie film into a dirty sink with a broom conveniently...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

Still Image Motion Photography. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

24"x 30" photograph, edition of 5, signed on reverse. This photograph is taken at Greystone Park Hospital, in an abandoned washroom, with a row of sinks lined up against a distres...

Stamped with artist’s estate ink stamp and numbered 1/5 on reverse Modern silver gelatin print Printed on 15 3/4 x 11 3/4 inch paper From an edition of 5 Provenance: The Estate of D...