Urban Photography

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

'Slots' was taken in the classic vintage Vegas Casino at the Flamingo Hotel, Las Vegas, which opened in 1946 and is the oldest in operation today. This c...

City by the bay (San Francisco) - 2023 20x20cm, Edition of 7, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on back with Cer...

Lord Fauntleroy KCMO-240926-12 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 9.34 x 20 inches (60.96 x 60.96cm) Edition: 17 Signed, titled and dated on label COA...

Lord Fauntleroy KCMO-240926-07 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 9.34 x 20 inches (60.96 x 60.96cm) Edition: 17 Signed, titled and dated on label COA...

Jarvis Cocker Paris Olympia NME Cover Shoot (photo Kevin Westenberg) NB All prints are signed and numbered by the artist. Unframed Signed and numb...

Urban Wallpapers 6 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is sold unframed as a print only. It is available in 2 dimensions: *80 cm × ...

Stockholm, Moderna Museet #17, 2006 [Been there, done that] 25x25cm, edition of 7 Archival color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - 100% c...

Power Plant Drive By (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artis...

Rare, signed silver gelatin print, an early portrait of the Rolling Stones outside the Donmar rehearsal theatre, London, 1964 12x16" silver gelatin darkroom print, signed and number...

Paris Nights II from the Paris In Colour Series 1956-61 By Peter Cornelius 30 x 20 inches / 76 x 51 cm paper size Printed 2022 Archival pigment print Framing and size options avai...

Parisi Butchers from the Paris In Colour Series 1956-61 By Peter Cornelius large oversize 40 x 30 inches / 101 x 76 cm paper size Printed 2022 Archival pigment print Framing and size options available - Please enquire About: Peter Cornelius (1913–1970) was a German photographer and photojournalist. The goal he set himself was to capture: “the right colours at the right moment”. He was never concerned with a pure, apparently “right” picture of “reality”. After World War II, he began his career with reportage, landscape and sailing photography...

Tropics Motor Hotel (Stranger than Paradise) 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory...

Silver Gelatine Print by Erich Andres, ca 1950. Andres was born 1905 in Germany and passed away 1992. He started his career as a photographer in 1920. He was one of the first photogr...

This is # 1 of an edition of 30 Laurence Winram is a Scottish photographer based in Edinburgh. His projects are diverse but the work most personally re...

Steppin' in High Fashions is a stunning Colour Print on Hahnemuehle Paper in an Edition of 20 in this size by photographer Michael Ormerod. All prints are produced to order. Lead ti...

Shannon Maltbie-Davis Bird’s Eye View of KC Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided ...

Campo dei Fiori, Rome is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, ...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph of a street corner in Montreal cerca Valentin's day 1925 entitled ' Dr Decarie ' Unframed ...

Hotel Shower - 2022 Edition of 10 - 20 x 20 cm Archival C-Print based on a Polaroid, not mounted. Signed on back and certificate. Clare Marie Bailey Works and Lives: UK Clare Ma...

Suburbia II - 2004 40x40cm, Edition of 10, Archival C-Print based on the Polaroid, Not mounted. Signature label and Certificate. Artist Inventory No. 20955.01. This project "S...

Terminal Station/Rusell Federal Building, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edit...

Alabama Street, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork employs collage to fuse the ornate features of traditional architecture with stark modernist geometry. This duality within the piece highlights the city's journey through time, symbolizing the transformation from its historic roots to its contemporary identity. The interplay of shapes and the layering of eras challenge the viewer to consider the narrative of change and continuity in the city's evolution, emphasizing that in the midst of progress, fragments of the past persist, creating a rich tapestry of history and modernity. _____________ Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department. Since 2018, her focus has been on photo collages. Using a collection of photos...

Lord Fauntleroy ILL 1408-08-154 Pigment Print Year: 2014 Visible Size: 9.25 x 9.25 inches Framed: 10.6 x 10.6 inches Signed: On Label Edition: 8 COA provided *White frame with stand...

Bryan Atkinson Bullock Family Chapel Archival Pigment Print Year: 2024 Visible Size: 7.5 x 9.5 inches Framed: 13 x 17 inches Signed: On Label COA provided *White frame with standard...

A black-and-white photograph in the Cities series by photographer Roberta Fineberg. The image of the East River of Lower Manhattan was shot at dusk from a small boat on the East Rive...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Archival pigment print Signed, titled, numbered, and dated, verso 17 x 11 inches, sheet (Edition of 15) 22 x 17 inches, sheet (Edition of 15) This photograph is offered by ClampAr...

Set of four framed artworks, architecture street photography of the iconic cities London, Milan, New York and Hong Kong. The artworks are typical of Richard ...

Jack Hayhow Title: Tribute to the 19th Amendment Photographic Print on fine Paper Year: 2020 Size: 26x60 inches Edition: Unique Signed by hand COA prov...

Slim Aarons Estate Print - NY Apartments - Oversize A block of apartments on Park Lane in New York. The building is stepped so that the design includes balconies for flats on each floor. (Photo by Slim Aarons) silver gelatin print paper size 40 x 40" inches / 101 x 101 cm unframed printed later edition size 150 only certificate of authenticity supplied numbered in ink & blind embossed stamped Slim Aarons signature on front Authorised and issued by the Slim Aarons Archive & Estate c/o The Getty Archive London England and produced utilizing the original transparency. b/w black and white architecture skyscraper skyscrapers new york...

Marilyn On The Roof (1955) - Silver Gelatin Fibre Print (Photo by Ed Feingersh/Michael Ochs Archives/Getty Images) American actress Marilyn Monroe (1926 - 1962) leans over the bal...

I remember something - 2006, 50 × 108 cm, Edition of 3 plus 2 Artist Proofs. printed on Canson Baryta Prestige mounted on Dibond. Signed on back with Certificate. About myself I w...

Jayne Mansfield at the Roulette Wheel by Frank Worth Beautifully captured by Frank Worth, this black and white portrait features actress and sex symbol Jayne Mansfield in Las Vegas...

'Hutong' photographed in China in 2013. Richard is well known for capturing places on the brink of change before they disappear and this is a classic example, the modernisation of Be...

Marfa ( Donald Judd ) by Frank Schott Donald Judd's art studio, from a series of impressions captured in his home town Marfa, Texas 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183m edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Palm Tree Restaurant II (Stranger than Paradise) - 1999 Edition of 6/10, 58x56cm. Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on the ...

Fox (Ghost Town) - 2020 Sketches of a downtown disappearing. 20x20cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with Ce...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Hotel New York is a colour vintage photo, realized in the Early 1990s. The photo depicts the Rockefeller Plaza skating rink at night, in Euro Disneyland. Good conditions and aged. ...

In American Motel Signs Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the n...

'Ryan Gossling' (Stay) - 2006, 20x20cm, Edition of 2/10, digital C-Print, based on a Polaroid Certificate and Signature label artist Inventory No. 2447.02 Not mounted. Stefanie Schneider: Torsten Scheid, “Fotografie, Kunst, Kino. Revisited.”, FilmDienst 3/2006, page 11-13

 Photography Art Cinema. Revisited Stay expands a traditional connection through new facets Interwoven between the media of photography and film is a veritable mesh-work of technical, motific, metaphorical and personal interrelationships. Extending from photo-film which, as in La Jetée by Chris Marker (France, 1962) is a montage of single, unmoving photographs all the way to the portrayal of photographic motifs in Hollywood cinema―most recently in Memento (USA, 2000) and One hour photo (USA, 2002)―is the range of filmic-photographic interactions on the one hand, and from the adaption of modes of cinematic production to the imitation of film stills on the other. For instance, with the legendary Untitled Film Stills (1978) of the American artist Cindy Sherman, who later made her debut as a film director with Office Killer (USA, 1997) and thereby, like many others, changed sides: Wim Wenders, Robert Frank and Larry Clark are doubtlessly the most successful of these photographic-filmic border crossers. This brief survey provides only a vague indication of the dimensions of this intermedial field, which in fact extends much further and is constantly being cultivated. Also as a motif in film, photography has experienced a historical transformation: Photographers were once considered to be technicians who mastered a craft but never achieved the status of artists. Photographer-figures were caught in the allure of beautiful appearance, incapable of penetrating to the actual essence of things. Such depth was reserved for literature or painting. When photography in film touched upon the sphere of art, then most often as its contrasting model, as the metaphor for a superficial access to the world. Coming to mind are Fred Astaire as a singing fashion photographer in Stanley Donen’s musical film Funny Face (USA, 1957), or the restless lifestyle-photographer in Michelangelo Antonioni’s genre-classic Blow up (GB, 1966). For the doubting Thomas, only that exists which can be photographed. He ultimately enters the world of fantasy and thereby the field of art only unwillingly, when he becomes entangled in the world of his images. The last of his detail-enlargements shows only the photographic grain and has lost all connection to reality. The photograph looks as if it had been painted by Bill, the painter who is both friend and antagonist to the protagonist.

 Photography as Art It was first around the end of the last century that numerous filmmakers discovered photography as a genuine art form. In The Bridges of Madison County (USA, 1995) a sensitive Clint Eastwood stands, camera in hand, on the threshold of artistic status, and in Smoke (USA, 1994) a tobacco merchant ripens into a philosopher through his involvement in photography. Finally, in John Water’s parody of the art market, Pecker (USA, 1998), a provincial tom-fool is hyped into celebrated stardom amid the New York art scene because of his blurred snapshots. This film about a postmodern Kaspar Hauser in photographic art (with clear parallels to Richard Billingham, the British shooting star of the nineteen-nineties), not only takes into account the exponentially expanded significance of photography in the art market, but also attributes to photography an extreme degree of conformity to the “operating system” of the visual arts. This admittedly ironic equation of photography and the visual arts is new. It is repeated with much more earnestness in Lisa Chollondencko’s High Art (USA) from the same year. Artistic photography has finally become established in a cinematic context.

 
Stay Stay (USA, 2005) could have fitted in seamlessly here. Considering that the films High Art and Pecker establish photography as an ideal art form at the end of the millennium, director Marc Forster (Monster’s Ball, Finding Neverland) takes a step backward; he revives an anti-technical, intuitive concept of art, including the customary clichés about madness and genius. This choice documents less an anachronistic notion of art (especially considering that painting is currently experiencing a Renaissance) than instead the appraisal that paintings are more suitable for representing the free objectification of the mind. Stay is not an artist-film but rather a psycho-thriller in which the borders between dream and reality become blurred.
 The psychiatrist Sam Foster (Ewan McGregor) has saved his girlfriend, the artist Lila (played by Naomi Watts) from committing suicide. Now he is attempting to keep another patient, the art student Henry Letham (Ryan Gosling...

Highly detailed mesmerizing birds' eye view of urban architectural landscape Flying High by Christian Stoll 48 x 67 inches (122 x 170cm) signed edition of 7 32 x 40 inches (81 x 10...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...

Deserted Dreams, 2017 - Edition of 7, 2 Artist Proofs Archival Print based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL2017-143. Not mou...

Beverly Hills Hotel 1957 by Slim Aarons printed 2023 Slim Aarons Limited Estate Edition Cars parked outside the Beverly Hills Hotel on Sunset Boulevard in California, 1957 unfram...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday ...

Self Service - 2017, Edition of 7 plus 2 Artist Proofs. Archival C-print, based on an original Polaroid, not mounted. Signed on the back and with certi...

Pete Townshend Soho Pete Townshend in a Soho backstreet London, 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. 20×24 in...

Fox (Ghost Town) - 2020 Sketches of a downtown disappearing. 40x40cm, Edition of 7, plus 2 Artist proofs. Digital silver gelatin print based on a Polaroid. Signed on back with Ce...

A black-and-white image of a French woman a Parisian captured on film by Roberta Fineberg. The subject of the photograph is lost in thought en route on a bus winding through the maze...

Klosters 1963 by Slim Aarons Slim Aarons Limited Estate Edition Skiers pass by the Hotel Chesa Grischuna in Klosters, 1963 unframed c type print pri...

Caleta Beach 1961 by Slim Aarons Slim Aarons Limited Estate Edition A high angle view of Caleta Beach (aka Morning Beach) in Acapulco, Mexico, January 1961. The Hotel Boca Chica c...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

The washing lines and bright colours of a backstreet in New Delhi – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel...

 The first domestic solar panels  is a black and white vintage photo, realized in 1970s. Good conditions and aged.  It belongs to a historical and nostalgic album including histori...

Fine art print, photography, done in NY.