Prints and Multiples

Stunning large screenprint by Tom Wesselmann, titled "Woman with Green Blouse" from 1988, measures an impressive 61 x 75 inches. Published by International Images Inc., Putney, Vermo...

Artist: Slonem, Hunt Title: Red Bunny Date: 2019 Medium: Lithograph Unframed Dimensions: 16" x 24" Signature: Pencil signed & numbered verso Edition: 5/16 Publisher: Poligrafa...

James Brooks James Brooks at Martha Jackson gallery (rare Abstract Expressionist poster), 1972 Offset Lithograph poster Unsigned, unnumbe...

Artist: Pablo Picasso Title: Bacchanale (front cover) Portfolio: Picasso Lithographe III Medium: Transfer lithograph Date: 1956 Edition: 3000 Frame Size: 20 3/4" x 17 3/4" Sheet Size...

Artist: Al Hirshfeld Title: Sensations (Frank Sinatra, Elvis Presley, The Beatles & Barbara Streisand) Size: 23 x 21 Inches Medium: One Color Lithograph on Fine Art Paper Editi...

Paper Size: 29.5 x 37.5 inches ( 74.93 x 95.25 cm ) Image Size: 21.6 x 36 inches ( 54.864 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Composition in red is a colored screen print realized by the contemporary artist Giulio Turcato. Hand-signed in pencil on the lower right. Numbered on the lower left margin, editi...

Mul, Bul Dang & Sentimentality A.R. Penck, German (1939–2017) Date: 1988 Woodblock, signed and numbered in pencil Edition of 300 Size: 35 in. x 27 in. (88.9 cm x 68.58 cm)

Etching and drypoint on paper by famous Taos Artist Gene Kloss (1903-1996). Title: Adobe Houses and Taos Mountain. Unframed and un-matted. Kloss #483 Pencil titled lower left. Pencil...

Fish and seahorse, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...

This artwork titled "Feminine Marine" is a original color lithograph on paper by French artist Emile Bellet, born 1941 It is hand signed and numbered H.C 10/95 in pencil by the arti...

Jean DUBUFFET Totem (Easter Island Moai), 1958 Original lithograph (Printed in Desjobert Workshop) Printed signature in the plate On wove paper 31 x 24 cm (c. 12 x 10 in) Edition S...

Pierre ALECHINSKY Copa del Mundo, 1982 Original Lithograph (Maeght workshop) Printed signature in the plate On heavy paper 95 x 60 cm (c. 35 x 24 inch) Created for International Foo...

Pablo Picasso (after) "Etudes des Mains et Colombe" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 482/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate...

A timeless expression of friendship, warmth, and emotional connection, L'Amitié by Pablo Picasso is a visually striking and deeply evocative composition. Published by Kunstsammlung N...

A fresh, hand-colored stone lithograph titled 'Tom, Dick and Harry' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and stamped wit...

Stencil, 1961 Handsigned by the artist in pencil Edition : 80 ex. Publisher : Galerie Denise René (Paris) 65.50 cm. x 50.50 cm. 25.79 in. x 19.88 in. (paper) From the “Poésie de ...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Lithograph and Silkscreen with grease crayon, lithographic tusche, lead pencil, and charcoal on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition;...

River Light is a contemporary landscape print by Phil Greenwood. The meticulous attention to detail that Greenwood has used is highlighted by the reflection of the sun in the river w...

Paper Size: 28.75 x 20 inches ( 73.025 x 50.8 cm ) Image Size: 20.5 x 16.25 inches ( 52.07 x 41.275 cm ) Framed: No Condition: A: Mint Additional Details: This poster was printed fo...

Nick Thomm 'After Dark' (Green) 69cm x 92cm (27"×36″) Limited Edition of 125 Hand Signed and Numbered #104 Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. Condition: NE...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 128/190 LCD5080

Original World War II "Freedom from Fear" Ours ... To fight for by Rockwell. One of the 4 freedom posters created in 1943 by Norman Rockwell. Fre...

Screenprint on aluminium Edition of 30 103 x 145 cm (40.5 x 57 in) Incised with signature, numbered and dated on the reverse Condition on request This work is framed in the original ...

Colored etching on paper. Image Dim: cm 32 x 44; Dim: cm 50 x 65. Embossed stamp on paper. Hand-signed on lower-right and hand-numbered with pencil on lower-left. Title at the cent...

This first-release serigraph by Will Barnet, titled "Reflection," is a captivating example of his artistic vision. James Thomas Flexner aptly described Barnet’s work as a profound ex...

Algerian painter Hocine Ziani was born in Algeria, lives and works in France. He is an autodidactartist. Professional painter since 1978-1993 in Algeria, 1994-2009 in France. Foundin...

Original Evel Knievel, 1971 vintage movie poster. Excellent condition, folded as initially shipped to the movie theater. U. S. original 1-sheet movie poster A Timeless Tribute t...

Itzchak Tarkay Serigraph signed and numbered “second thoughts”. In good condition measures 41x32

Artist: Marc Chagall Title: The Accordionist (Derriere le Miroir 99-100) Portfolio: Derriere le Miroir Medium: Original Lithograph Date: 1957 Edition: 2500...

Robert Rauschenberg at Leo Castelli Gallery 1971: Vintage original Robert Rauschenberg exhibition opening invitation for, Robert Rauschenberg: Cardboards, October 16, 1971 at Leo Cas...

Offset lithograph Unsigned 11.02 x 16.54 in (28.0 x 42.0 cm) This is a vintage artist-authorised David Hockney poster print, printed in 1993. This is not a later reproduction. The ...

Skateboard deck

"To Days of Childhood That are Still Unexplained". It depicts six female silhouette figures in long dresses or coats against a blue and pastel purple background. From the Rainier Ma...

Corrida is an original etching on paper realized by Gian Paolo Berto, in 1975 Good conditions . Hand-dated 1975. Sheet dimension:48 x 63 cm. The a...

Alex Katz Purple Irises on Red 2023 Archival pigment ink print, on Innova Etching Cotton Rag 315 gsm 24 x 30 inches (61 x 76 cm) unframed Signed and numbered edition of 100 Alex Kat...

Helen Frankenthaler A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) Limited Edition - though exact number produced unknown 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) Accompanied by gallery issued Certificate of Guarantee “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

ARTIST: Salvador Dali TITLE: Les Metamorphoses Erotiques Red Portfolio DESCRIPTION: First edition printed in a limited edition of 300. Large quarto in ff. under a folded cover a...

Artist: Keith Haring Title: Untitled Year: 1990 Dimensions: 8.75in. by 10.25in. Framed: 18.75in. x 20.25in. Edition: 378/500 Publisher: Bebert Publishing House Suite: Against all Odd...

Also known as Before the Promenade (1985), this original exhibition poster by Fernando Botero was published by Marlborough Gallery in 1985. Printed as an offset lithograph on semi-gl...

Fish, Janet (American, born 1938). A. M. Color Screenprint, 1994. Edition of 60. Signed in pencil and numbered 16/60. 24 x 36 inches (sheet). Framed to 36 x 48 inches . In excellent...

This limited edition reproduction captures an untitled painting originally created by Jean Paul Riopelle in 1954. Published in France and printed on heavy stock paper, this piece off...

This original vintage travel poster by Roger Broders was commissioned by the Paris-Lyon-Méditerranée (PLM) railway to promote travel to the historic city of Avignon in the south of F...

Artist: John Urbain, Belgian/American (1920 - 2009) Title: CM Year: circa 1975 Medium: Silkscreen with Collage, signed and numbered in pencil Edition: 20 Image Size: 28 x 34 inches S...

Paper Size: 18 x 24 inches ( 45.72 x 60.96 cm ) Image Size: 13 x 16.25 inches ( 33.02 x 41.275 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional...

ROY LICHTENSTEIN Clinton Gore (Limited Edition Campaign Button), 1992 Mixed Media Screenprint on political button (Plate Signed Roy Lichtenstein) 1 3/4 × 2 3/4 x 0.3 inches Limited...

Pablo Picasso (after) "Tete De Mort, Lampe, Cruches Et Poireaux" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 318/500 lower left From the estate of Pablo Picasso with an embossed blindstamp in the lower right side of the piece. After Pablo Picasso's death in 1973, his granddaughter Marina authorized the printing of these original lithographs, which have come to be known as the Picasso Estate...

A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions of drawings and watercolors. The artwork is accompanied by a copy of the colophon. Artist: Vincent van Gogh (After) Title: The Rhone River...

Paper Size: 20 x 23.25 inches ( 50.8 x 59.055 cm ) Image Size: 17 x 20.25 inches ( 43.18 x 51.435 cm ) Framed: No Condition: A: Mint Additional Details: Donald Duck's evolution from a secondary character to a beloved icon mirrors Disney's growth from a small animation studio to a global entertainment powerhouse. Throughout this journey, posters have played a crucial role in marketing and defining the visual identity of Disney's many beloved properties. From the early days of hand-drawn posters to today's digital designs, Disney posters...

Portrait of Lucas Cranach is a print realized after Giovanni Battista Gaulli (1639 - 1709) in the 19th Century. Etching on paper Signed on the plate. Good condition with slight fo...

Artist: Hirst, Damien Title: Big Love Date: 2010 Medium: Silkscreen Unframed Dimensions: 60" x 60" Framed Dimensions: 64.25" x 63" Signature: Signed Edition: 7/50 Publisher: ...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Cher Icon Gay Diva Superstar Oscar Grammy Contemporary Godess of Pop Music Al Hirschfeld (1903 - 2003) Cher Sight: 21 1/2 x 14 1/4 Frame: 30 x 22 1/2 inches...

A original Lithograph in black and yellow with embossing on wove paper. Signed and numbered in pencil by the artist. Edition 30/60. Sheet size 58 x 82cm. Published with the blindstam...

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler...

This contemporary geometric abstract monotype on archival paper layers shapes on a blue background transitioning from deep cobalt on the bottom to teal at the top. A red orange recta...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe 1957-1962, 1963; published by André Sauret, éditeur, Monte Carlo; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), It was pulled, 150 examples on Grand Vélin d'Arches, numbered on the colophon from 1 to 150, signed by the artist and the publisher. Also included are two original lithographs specially made for this separate draw. MARC CHAGALL (1897-1985) Russian-Jewish painter...