Albert Irvin

Untitled

2012

Artist: Irvin, Albert Title: Untitled Date: 2012 Medium: Screenprint with Woodblock Monoprint Unframed Dimensions: 18.125" x 22.125" Signature: Signed Edition: Unique

Artist: Richter, Gerhard Title: Bagdad [10] Series: Facsimile Objects Date: 2014 Medium: Chromographic colour print, mounted on aluminium Unframed Dimensions: 19.625" x 14.5" F...

Artist: Richter, Gerhard Title: Bagdad [9] Series: Facsimile Objects Date: 2014 Medium: Chromographic colour print, mounted on aluminium Unframed Dimensions: 19.625" x 14.5" Fr...

Artist: Kapoor, Anish Title: Shadow Dark Brown Series: Shadow Date: 2007 Medium: Color Etching Unframed Dimensions: 19.5" x 25.75" Framed Dimensions:...

Artist: Kapoor, Anish Title: Shadow Black Series: Shadow Date: 2007 Medium: Color Etching Unframed Dimensions: 19.5" x 25.75" Framed Dimensions: 26.25" x 32.5" Signature: P...

Artist: Magnelli, Alberto (after) Title: Untitled VII (San Lazzaro and Friends Series) Series: San Lazzaro and Friends Date: 1975 Medium: Lithograph Framed Dimensions: 23.5" x ...

"Bouquet (sunflower, orange, rust, red, blue, violet)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. The video shows one of Catherine Howe's unique collagraph prints being printed at Manneken Press. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Bouquet (blood orange, rose)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Bouquet (sunflower, red, sanguine, rose)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. The video shows one of Catherine Howe's unique collagraph prints being printed at Manneken Press. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

"Bouquet (mum, orange, ultra chine collé)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints. This impression utilizes the technique of chine collé. Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings. Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...

Michael Heizer III-8 (two unique works), 1983 Two monoprints on white handmade TGL paper, hand colored with colored pencils, paint sticks, and liquid and spray acrylic paints Hand-signed by artist, Signed Heizer and dated in pencil lower left of left panel; chop mark lower left of left panel Two stunning unique works on paper with extensive hand painting were created by Michael Heizer at Tyler Graphics...

Jules Olitski Journey of Sara IV, ca. 1987 Monoprint on paper Signed, titled and annotated by the artist on the front 24 × 18 inches Unframed This monoprint is number IV in a series...