Items Similar to Giacometti, Composition, Derrière le miroir (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Giacometti, Composition, Derrière le miroir (after)1957
1957
About the Item
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 98, 1957. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris. Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication.
ALBERTO GIACOMETTI (1901-1966) was a Swiss sculptor, painter, draftsman and printmaker. Beginning in 1922, he lived and worked mainly in Paris but regularly visited his hometown Borgonovo to see his family and work on his art. In 1922, he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Rodin. It was there that Giacometti experimented with Cubism and Surrealism and came to be regarded as one of the leading Surrealist sculptors. Among his associates were Miró, Max Ernst, Picasso, Bror Hjorth, and Balthus.
- Creation Year:1957
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- After:Alberto Giacometti (1901 - 1966, Swiss)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465215485172
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,075 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Auburn Hills, MI
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPoliakoff, Composition rouge/bleu (Poliakoff/Schneider 68), XXe Siècle (after)
By Serge Poliakoff
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°31, 1968. Published and printed under the direction of Gualt...
Category
1960s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
44% Off
Free Shipping
Les Deux Amies, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 37/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Lit...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$3,600 Sale Price
20% Off
Complicite with Pussycat, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered A.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...
Category
1980s Modern Abstract Prints
Materials
Lithograph
A Languies, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered A.P., as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Litho...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$3,600 Sale Price
20% Off
Le Conversation, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 19.5 x 25.5 inches. Inscription: Hand signed and numbered 229/250, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Li...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$3,600 Sale Price
20% Off
Ivresse, Guillaume Cornelis van Beverloo, Corneille
Located in Auburn Hills, MI
Lithograph on vélin paper. Paper size: 25.5 x 19.5 inches. Inscription: Hand signed and numbered 176/200, as issued. Notes: Published by London Arts Inc., Detroit; printed by Arts Li...
Category
1980s Modern Abstract Prints
Materials
Lithograph
$3,600 Sale Price
20% Off
You May Also Like
'Tree Root' . Hand colored lithogarph circa 1959.
By Jack Coutu
Located in Frome, Somerset
A fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture.
From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking.
Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council.
Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$705 Sale Price
20% Off
Glowing City
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Glowing City” in 1969 in an edition of 250 pieces. Published by Associated American Artists and printed by Mourlot Press, Pa...
Category
1960s American Modern Landscape Prints
Materials
Lithograph
Black/White Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Title: Haven, STATE II
Lithograph, 1986
Edition 4/4 Printer Proof
Image Size 21.5 x 30.75"
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph
Monoprint Monotype American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence. He works in woodcut, lithograph and monoprint techniques.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
Monoprint Lithograph American Modernist Gregory Amenoff Abstract Expressionist
By Gregory Amenoff
Located in Surfside, FL
Gregory Amenoff (Contemporary American abstract painter, b. 1948),
Monotype Monoprint (1990)
Hand signed in pencil lower right
plate: 16 x 16 inches
frame dimensions: 35 1/8 x 29 1/8 x 1 5/8 inches, wood frame with glazing
Provenance: Corporate Collection of Bank BNP Paribas
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts and Letters, National Endowment for the Arts, New York State Council on the Arts and the Tiffany Foundation. He has had over fifty one-person painting exhibitions in museums and galleries throughout the United States and Europe. His work is in the permanent collections of more than thirty museums, including the Whitney Museum of American Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in New York and the Metropolitan Museum of Art. His work has the influence of both Abstract Expressionism and Pop Art in it, biomorphic forms in rich hues and thick textures with heightened colors and abstracted, organic forms, late American Modernism. He moved to New York in 1979, the artist rose to critical acclaim in the 1980s alongside Terry Winters, Bill Jensen, and Katherine Porter. The artist lives and works between New York, NY and his Hudson Valley residence.
He was a collaborating artist illustrating Bradford Morrow, Bestiary along with Joe Andoe, James Brown, Vija Celmins, Louisa Chase, Eric Fischl, Jan Hashey, Michael Hurson, Mel Kendrick, James Nares, Ellen Phelan, Joel Shapiro,
Kiki Smith, David Storey, Michelle Stuart, Richard Tuttle, Trevor Winkfield, Robin Winters. Linoleum cuts with
pochoir and woodcuts for the Grenfell Press, New York. Amenoff served as President of the National Academy of Design from 2001-2005. He is a founding board member of the CUE Art Foundation in New York City and serves as the CUE Art Foundation's Curator Governor. Amenoff has taught at Columbia for the last eighteen years, where he holds the Eve and Herman Gelman Chair of Visual Arts and is currently the Chair of the Visual Arts Division in the School of the Arts. He is currently the Vice-President of the National Academy.
In 2011 he received the John Solomon Guggenheim Fellowship.
Museum Collections
Albright-Knox Art Gallery; Buffalo, NY
Art Institute of Chicago; IL
Baltimore Museum of Art;
Brooklyn Museum of Art; Brooklyn, NY
Butler Institute of American Art; Youngstown, OH
Cleveland Museum of Art; Cleveland, OH
Currier Gallery of Art; Manchester, NH
Frances and Sidney Lewis Foundation; Richmond, VA
Hood Museum of Art; Hanover, NH
Honolulu Academy of Art; Honolulu, HW
Kemper Museum of Contemporary Art; Kansas City, MO
Maier Museum of Art; Lynchburg, VA
Metropolitan Museum of Art; New York, NY
Milwaukee Museum of Art; Milwaukee, WI
Minneapolis Institute of Art; MN
Muscarelle Museum of Art, College of William and Mary; Williamsburg, VA
Museum of Fine Arts; Boston, MA
Museum of Modern Art; New York, NY
National Museum of American Art; Washington, DC
Neuberger Museum, State University of New York at Purchase; NY
New York Public Library, Spencer Collection...
Category
1980s American Modern Abstract Prints
Materials
Lithograph, Monoprint, Monotype
Singapore Singapour Original Modernist Lithograph on Arches vellum
By Joan Gardy Artigas
Located in Surfside, FL
Original lithograph, handsigned and numbered HC
On Arches vellum ragpaper
Dimensions : 69 x 54,5 cm (27.2 x 21.5 inches)
Joan Gardy Artigas (born 1938) is a Catalan ceramist, artist...
Category
20th Century Modern Abstract Prints
Materials
Lithograph