Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Calder, Composition, Derrière le miroir (after)

1976

About the Item

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 221, 1976. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris, 1976. Excerpted from the folio (translated from French), The illustrations on the cover and pages 3, 4-5, 6, 9, 12-13 and 16 of this issue of "Behind the Mirror" are original lithographs by Calder printed at l'imprimerie Arte, Adrien Maeght. It was printed a luxury edition on vélin d'Arches in CL numbered examples. Additional notes: Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication. ALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animate sculpture. Calder was prolific and worked throughout his career in many art forms. An accomplished painter of gouaches and sculptor in a variety of media, Calder is best known for poetic arrangements of boldly colored, irregularly shaped geometric forms that convey a sense of harmony and balance. He also designed jewelry, tapestry, theater settings and architectural interiors. From the 1940s on, Calder's works, many of them large-scale outdoor sculptures, have been placed in virtually every major city of the Western world.
  • Creation Year:
    1976
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • After:
    Alexander Calder (1898 - 1976, American)
  • Period:
  • Condition:
  • Gallery Location:
    Auburn Hills, MI
  • Reference Number:
    1stDibs: LU1465216337442

More From This Seller

View All
Kandinsky, Composition, XXe Siècle (after)
By Wassily Kandinsky
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°8, 1957. Published and printed under the direct...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Kandinsky, Composition, XXe Siècle (after)
$716 Sale Price
44% Off
Free Shipping
Soulages, Composition, XXe Siècle (after)
By Pierre Soulages
Located in Auburn Hills, MI
Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°34, 1970. Published and printed under the direction of Gualt...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Braque, Papier collé, XXe Siècle (after)
By Georges Braque
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n°6, 1956. Published and printed under the direct...
Category

1950s Modern Figurative Prints

Materials

Lithograph

Léger, Composition, Contrastes (after)
By Fernand Léger
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Figurative Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
$2,396 Sale Price
20% Off
Free Shipping
Léger, Composition, Contrastes (after)
By Fernand Léger
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Figurative Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
$2,396 Sale Price
20% Off
Free Shipping
Léger, Composition, Contrastes (after)
By Fernand Léger
Located in Auburn Hills, MI
Lithograph and stencil on papier a la cuve du moulin Richard de Bas spécialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued. Good ...
Category

1950s Modern Figurative Prints

Materials

Lithograph, Stencil

Léger, Composition, Contrastes (after)
$2,396 Sale Price
20% Off
Free Shipping

You May Also Like

Two Faces, Modern Self-Portrait Lithograph of the Artist Aging in Pink & Green
By Dennis John Ashbaugh
Located in Soquel, CA
Limited edition hand signed lithograph featuring two consecutive modern portraits of faces with varying degrees of abstraction, in pink and green, by Dennis john Ashbaugh (American, b. 1946). Numbered "7/7" in the lower-left corner. Signed "Dennis John Ashbaugh" in the lower right corner. Presented in a new tan mat with foam core backing. Unframe. Image size: 4"H x 6.75"W. Some toning yellowing at mat opening. Dennis John Ashbaugh (American, b. 1946) was born in Red Oak, Iowa, and attended California State University at Fullerton, receiving his MA in 1969. Ashbaugh has spent most of his career in New York City. In 1992, he collaborated with William Gibson, a fiction writer, and with publisher Kevin Begos on a book, Agrippa, meaning 'book of the dead'. Exhibition venues include the Metropolitan Museum of Art in New York City, the P.S.1 Contemporary Art Center, the Seattle Art Museum, and the Whitney Museum of American ArtPublic collections holding his work include the Hirshhorn Museum, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, and the New York Metropolitan. He received a Guggenheim Fellowship. Ashbaugh lives in a trim frame house in Flamingo Park...
Category

1970s Modern Figurative Prints

Materials

Paper, Ink, Lithograph

Sam's Art, from the New York International portfolio, signed/n lithograph 1966
By Saul Steinberg
Located in New York, NY
Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Carnaval of Flowers, from Nice and the Cote d'Azur (Unsigned Proof)
By (after) Marc Chagall
Located in Washington, DC
Artist: Marc Chagall (after) Title: Carnaval of Flowers Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the editi...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Rebozos
By Elizabeth Catlett
Located in New York, NY
Lithograph on cream wove paper. From the first edition (of 2). Signed, titled, dated and numbered 38/50 in pencil by Catlett. Printed and published by the artist at the Taller de Grá...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Deux Personnages
By André Masson
Located in Missouri, MO
Signed Lower Right Numbered Lower Left 166/200 Framed Size: 33 x 25 inches Andre Masson was born in Balagne, France on January 4, 1896. He was an engraver, sculptor, stage designer...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Profil Rose
By André Masson
Located in Missouri, MO
Signed Lower Right Numbered 61/200 Sight Size: 27.5 x 21.5 Framed Size: 31.5 x 24.5 Andre Masson was born in Balagne, France on January 4,1896. He was an engraver, sculptor, stage d...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Recently Viewed

View All