Items Similar to Calder, Composition, Derrière le miroir (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Calder, Composition, Derrière le miroir (after)1973
1973
About the Item
Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 201, 1973. Published by Aimé Maeght, Éditeur, Paris; printed by Éditions Pierre à Feu, Galerie Maeght, Paris, 1973. Excerpted from the folio (translated from French), The illustrations on the cover and pages 2, 6-7, 9 and 11 of this issue of "Behind the Mirror" are original lithographs by Calder, drawn in ateliers de l'imprimerie Arte, Adrien Maeght. The quadrichromies and the photocomposition were made by Bussière graphic arts. It was printed a luxury edition on chiffon de la Dore with CL examples, numbered and signed by the artist on the colophon. Additional notes: Excerpted from a Christie’s, New York lot essay, The life span of Derrière le Miroir was thirty-five years. Publication began in 1946. Aimé Maeght, initiator of Derrière le Miroir, had already made few attempts to start publications illustrated with fine printed lithographs in colours in the years prior to the launch of Derrière le Miroir. The name, Derrière le Miroir was suggested by Jacques Kober, manager of Galerie Maeght. The gallery had opened in 1945; the first number of Derrière le Miroir was released a year later. For this first issue Geer van Velde was invited to create lithographs to illustrate the publication. The lithographs in the first issue was printed by Mourlot, Paris. The first three issues of Derrière le Miroir were unsuccessful for Maeght as far as the edition size—the initial print-runs were far too large. From 30,000 for the first issue, the number was taken down to 10,000 for numbers two and three, until Derrière le Miroir number four was published in an edition of 1500. Maeght instituted a policy whereby unsold issues were recycled and used for the fabrication of new paper for the coming editions—this served to both conserve resources and also usually result in ultimate edition sizes far less than 1,500. With number four, the permanent format for Derrière le Miroir was established. Lithographs in colours were key; text was limited to comments on the featuring artist's exhibition taking place in the Galerie Maeght, and this catalogue format was defining to Derrière le Miroir. Galerie Maeght took on the leading role in Paris and presented all main artists including Braque, Matisse, Chagall, Léger, Bonnard, Chillida and many more. So too did Derrière le Miroir. The idea of a magazine was meanwhile still on the mind of Aimé Maeght. He found an insert as a solution. Two, and later four, pages of art review were inserted from 1952 onwards. In 1968 this find had ripened to independency and the dream of Aimé Maeght was now a tangible fact named l'Art vivant. Derrière le Miroir was on it's own again. Over 250 issues in a row. At that point publisher Aimé Maeght wished to make a mark with the publication of an hommage to all who once contributed to the magazine which came in the form of issue number 250, but was delayed by the death of Aimé Maeght. It was published after number 253 in 1982 and became a tribute to Aimé and Marguérite Maeght and 35 years of friendship with artists and poets. The era of Derrière le Miroir was closed with that final publication.
ALEXANDER CALDER (1898-1976) Credited with the invention of the mobile, Alexander Calder revolutionized twentieth-century art with his innovative use of subtle air currents to animate sculpture. Calder was prolific and worked throughout his career in many art forms. An accomplished painter of gouaches and sculptor in a variety of media, Calder is best known for poetic arrangements of boldly colored, irregularly shaped geometric forms that convey a sense of harmony and balance. He also designed jewelry, tapestry, theater settings and architectural interiors. From the 1940s on, Calder's works, many of them large-scale outdoor sculptures, have been placed in virtually every major city of the Western world.
- Creation Year:1973
- Dimensions:Height: 15 in (38.1 cm)Width: 22 in (55.88 cm)
- Medium:
- Movement & Style:
- After:Alexander Calder (1898 - 1976, American)
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216337872
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,086 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Auburn Hills, MI
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMiró, Composition, Miró, Oiseau Solaire, Oiseau Lunaire, Étincelles (after)
By Joan Miró
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Miró, Oiseau Solaire, Oiseau Lunaire, Étincel...
Category
1960s Modern Landscape Prints
Materials
Lithograph, Stencil
$716 Sale Price
20% Off
Free Shipping
Composition, Lettres de Nicolas de Staël à Pierre Lecuire (after)
By Nicolas de Staël
Located in Auburn Hills, MI
Lithograph and stencil on grand vélin de Mandeure paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettres de Nicolas de Staël à Pierre ...
Category
1960s Modern Abstract Prints
Materials
Lithograph, Stencil
$3,196 Sale Price
20% Off
Free Shipping
Hartung, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
By Hans Hartung
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Free Shipping
Max Bill, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
By Max Bill
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$1,036 Sale Price
20% Off
Free Shipping
Calder, Composition, San Lazzaro et ses Amis, XXe Siècle (after)
By Alexander Calder
Located in Auburn Hills, MI
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, XXe San Lazzaro et ses Amis, San Lazzaro et ses amis, hommage au fondat...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$1,596 Sale Price
20% Off
Free Shipping
Bazaine, Composition, Derrière le miroir (after)
By Jean Bazaine
Located in Auburn Hills, MI
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 197, 1972. Published by Aim...
Category
1970s Modern Abstract Prints
Materials
Lithograph
You May Also Like
'Tree Root' . Hand colored lithogarph circa 1959.
By Jack Coutu
Located in Frome, Somerset
A fine Raymond John 'Jack' Coutu (1924-2017) ARE, ARCA. color lithograph/ engraving. 'Tree Root'. 6th of a 50 handmade edition by the artist.. circa 1959. Well listed Modern Artist. Signed and presented in the original framing. Raymond John "Jack" Coutu ARE ARCA (13 September 1924 – 17 May 2017) was an English printmaker, sculptor, etcher, engraver, carver, watercolourist and teacher. He was influenced by Oriental art.Jack Coutu was born Raymond John Coutu at Farnham, Surrey, England, and was educated at Farnham Grammar School.[ On leaving school in 1940, he worked at Abbott of Farnham, a coachbuilding company in Farnham, where his father Bert Coutu was also employed painting coats of arms and heraldic shields. In 1942, at the age of 18 during World War II, he joined the Royal Corps of Signals, where after training he served in Ceylon (now Sri Lanka), India, and Singapore. At the end of WWII, he was in Kure, Japan, in the Hiroshima Prefecture.
From 1947 to 1951, Coutu studied at the Farnham School of Art, followed by the Royal College of Art in London from 1951 to 1954 and the Central School of Art from 1951 to 1955. At the Central School of Art, Merlin Evans was an influence on Coutu's printmaking.
Coutu taught printmaking at the Central School of Art from 1957 to 1965 and then at the West Surrey College of Art and Design in Farnham from 1965 to 1985. In 1968, he started to carve netsuke (as practised in Japan) and he joined the Netsuke Kenkyukai Society, based in the United StatesHe is also a member of the Royal Society of Painter-Etchers and Engravers and the Printmakers Council.
Jack Coutu has exhibited at the Royal Academy in London, netsuke conventions, jointly with Michael Rothenstein...
Category
1950s Modern Landscape Prints
Materials
Lithograph
$704 Sale Price
20% Off
Le Soleil - Modern, Lithograph, Abstract, Sun, Clouds, Nature, Green
By Georges Braque
Located in Köln, DE
Colour Lithograph "Le soleil" (The sun) by George Braque from 1963 from “Lettera amorosa”:
1.
Book with a text by René Char and 22 colour lithographs as well as 5 + 2 smaller litho...
Category
1960s Modern Abstract Prints
Materials
Lithograph
Rain Over Mountain, Modern Art in Blue Tones, Landscape, Cyanotype Monotype 2024
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes.
It's made by layering paper cutouts and different exposures using uv-...
Category
2010s Modern Abstract Prints
Materials
Watercolor, Lithograph, Monotype, Paper
Jacques Villon - Dance of the Universe - Original Lithograph
By Jacques Villon
Located in Collonge Bellerive, Geneve, CH
Jacques Villon - Dance of the Universe - Original Lithograph
From the literary review "XXe Siècle"
1959
Dimensions: 32 x 24 cm
Publisher: G. di San Lazzaro.
Jacques Villon (1875 -...
Category
1950s Modern Abstract Prints
Materials
Lithograph
(after) Antoine Pevsner - Face of a Man - Lithograph
Located in Collonge Bellerive, Geneve, CH
(after) Antoine Pevsner - Face of a Man - Lithograph
From the literary review "XXe Siècle"
1959
Signed in the plate
Dimensions: 32 x 24 cm
Publisher: ...
Category
1950s Modern Abstract Prints
Materials
Lithograph
The Hanging Gardens of Babylon, Eggenberger 1970.8 signed/n lithograph Swiss Art
Located in New York, NY
Franz Eggenschwiler
The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970
Lithograph with Embossing
Hand signed and numbered 26/200 on the lower front
19 3/4 × 25 3/4 inches
Unfr...
Category
1970s Modern Landscape Prints
Materials
Lithograph, Pencil
