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Alfred Manessier
(tariff free*) La tache rouge, Souvenirs et Portraits d'Artistes

1972

$716
$89520% Off
£543.71
£679.6420% Off
€622.83
€778.5420% Off
CA$1,016.74
CA$1,270.9320% Off
A$1,112.16
A$1,390.2020% Off
CHF 581.47
CHF 726.8320% Off
MX$13,396.32
MX$16,745.4020% Off
NOK 7,267.53
NOK 9,084.4120% Off
SEK 6,855.89
SEK 8,569.8720% Off
DKK 4,649.36
DKK 5,811.7020% Off

About the Item

Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. Published by Éditions A. C. Mazo et Cie., Paris, in collaboration with Léon Amiel, éditeurs, New York; printed by Mourlot Frères, Paris, April 5, 1972. Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu à la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Tériade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on vélin d'Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Léon Amiel, New York, publishers. *As the seller, we agree to pay any tariff on behalf of the buyer. Generally, the shipping carrier will contact us prior to delivery for the collection of the tariff, if any is due. In the unlikely event that they contact you as the buyer, please contact us via the 1stdibs messaging system and we will promptly remit payment to the carrier. ALFRED MANESSIER (1911-1993) was a non-figurative French painter, stained glass artist, and tapestry designer, part of the new School of Paris and the Salon de Mai. Finding inspiration in the natural surroundings of his native region, Manessier began to paint landscapes at an early age. For his formal education, he studied architecture, first in Amiens and then as an architecture student at the École des beaux-arts, Paris, in 1929. Manessier disliked the school’s formal atmosphere and preferred to copy paintings at the Louvre—particularly those by old masters such as Rembrandt van Rijn, Peter Paul Rubens, and Tintoretto—and frequent the ateliers of Montparnasse. He also briefly studied in 1935 at the Académie Ranson under Roger Bissière, who introduced Manessier to fresco technique, and leading up to World War II, his paintings began to reflect both Cubist and Surrealist influences. In 1939 Manessier was drafted into military service. In the postwar period, Manessier was associated with Lyrical Abstraction (Abstraction lyrique) and Art Informel. However, his work also adhered to a more specific strand of French art that appeared during the German occupation and incorporated Christian themes and symbolism into semiabstract compositions. The Catholic painter, Jean Bazaine, a strong proponent of art sacré (sacred art), included Manessier’s work in the famous Vingt jeunes peintres de tradition française (Twenty young painters of the French tradition, 1941) organized at Galerie Braun, Paris, in defiance of the Nazis. In 1943, Manessier experienced a religious awakening during a three-day retreat to a Trappist monastery. Soon after he converted to Roman Catholicism and began to pursue an increasingly ascetic lifestyle. In 1945 his compositions started to recall stained-glass windows and turned more abstract, although figurative elements connected to religion and landscape continued to appear. His paintings allude to religious meanings through their titles and through combinations of discernible symbols and abstract imagery. While Manessier initially gained international recognition for his paintings, he was fluent in a variety of mediums, including lithography, as well as designs for tapestries, liturgical objects, and vestments. At the urging of Georges Rouault, Manessier began to work on stained glass in 1948 and completed many pieces for churches in France, Germany, Spain, and Switzerland. Beginning in 1956, religious symbolism and political themes coexist in a number of works responding to various political events such as the Suez Crisis, invasion of Hungary, and assassination of Martin Luther King Jr. In the 1960s Manessier made several trips to Spain, where he was influenced by the works of El Greco and Francisco de Goya, as well as to Canada, the Netherlands, and the South of France, where the natural landscapes—a persistent theme throughout his oeuvre—influenced the content and style of his work at the time. In 2007, Alfred Manessier‘s painting, Turris Davidica, sold for $593,217 USD at Cornette de Saint Cyr Paris, setting a world record for the artist.
  • Creator:
    Alfred Manessier (1911 - 1993, French)
  • Creation Year:
    1972
  • Dimensions:
    Height: 12.81 in (32.54 cm)Width: 9.81 in (24.92 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216981752

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