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Alfred Manessier(tariff free*) La tache rouge, Souvenirs et Portraits d'Artistes1972
1972
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About the Item
Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. Published by Éditions A. C. Mazo et Cie., Paris, in collaboration with Léon Amiel, éditeurs, New York; printed by Mourlot Frères, Paris, April 5, 1972. Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu à la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Tériade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on vélin d'Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Léon Amiel, New York, publishers.
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ALFRED MANESSIER (1911-1993) was a non-figurative French painter, stained glass artist, and tapestry designer, part of the new School of Paris and the Salon de Mai. Finding inspiration in the natural surroundings of his native region, Manessier began to paint landscapes at an early age. For his formal education, he studied architecture, first in Amiens and then as an architecture student at the École des beaux-arts, Paris, in 1929. Manessier disliked the school’s formal atmosphere and preferred to copy paintings at the Louvre—particularly those by old masters such as Rembrandt van Rijn, Peter Paul Rubens, and Tintoretto—and frequent the ateliers of Montparnasse. He also briefly studied in 1935 at the Académie Ranson under Roger Bissière, who introduced Manessier to fresco technique, and leading up to World War II, his paintings began to reflect both Cubist and Surrealist influences. In 1939 Manessier was drafted into military service. In the postwar period, Manessier was associated with Lyrical Abstraction (Abstraction lyrique) and Art Informel. However, his work also adhered to a more specific strand of French art that appeared during the German occupation and incorporated Christian themes and symbolism into semiabstract compositions. The Catholic painter, Jean Bazaine, a strong proponent of art sacré (sacred art), included Manessier’s work in the famous Vingt jeunes peintres de tradition française (Twenty young painters of the French tradition, 1941) organized at Galerie Braun, Paris, in defiance of the Nazis. In 1943, Manessier experienced a religious awakening during a three-day retreat to a Trappist monastery. Soon after he converted to Roman Catholicism and began to pursue an increasingly ascetic lifestyle. In 1945 his compositions started to recall stained-glass windows and turned more abstract, although figurative elements connected to religion and landscape continued to appear. His paintings allude to religious meanings through their titles and through combinations of discernible symbols and abstract imagery.
While Manessier initially gained international recognition for his paintings, he was fluent in a variety of mediums, including lithography, as well as designs for tapestries, liturgical objects, and vestments. At the urging of Georges Rouault, Manessier began to work on stained glass in 1948 and completed many pieces for churches in France, Germany, Spain, and Switzerland. Beginning in 1956, religious symbolism and political themes coexist in a number of works responding to various political events such as the Suez Crisis, invasion of Hungary, and assassination of Martin Luther King Jr. In the 1960s Manessier made several trips to Spain, where he was influenced by the works of El Greco and Francisco de Goya, as well as to Canada, the Netherlands, and the South of France, where the natural landscapes—a persistent theme throughout his oeuvre—influenced the content and style of his work at the time. In 2007, Alfred Manessier‘s painting, Turris Davidica, sold for $593,217 USD at Cornette de Saint Cyr Paris, setting a world record for the artist.
- Creator:Alfred Manessier (1911 - 1993, French)
- Creation Year:1972
- Dimensions:Height: 12.81 in (32.54 cm)Width: 9.81 in (24.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216981752
Alfred Manessier
Alfred Manessier was born on 5 December 1911 in Saint-Ouen in the Somme. Trained at the Ecole des Beaux-Arts in Amiens (1924 - 1929), he completed his training at the Ecole des Beaux-Arts in Paris and spent a brief period in the studio of the painter Roger Bissière, who introduced him to frescoes and to whom he took refuge in Boissiérettes in the Lot at the beginning of the war. From 1947 onwards, stained glass occupied a large part of his work, which was now based on abstraction. He carried out about twenty projects in France, including the stained glass windows for the church of Saint-Michel des Bréseux (Doubs), his first commission (1948 - 1950), those in the church of Saint-Pierre de Trinquetaille in Arles (1953), and the chapel of Sainte-Thérèse de l'Enfant Jésus et de la Sainte Face in Hem (Nord - 1957). The stained glass windows of the Church of the Holy Sepulchre in Abbeville, one of his last commissions carried out between 1982 and 1993, are considered his masterpiece. He also executed a dozen stained glass projects in Switzerland, Germany and Spain. As an abstract painter of the Ecole de Paris, Manessier frequently tackled subjects related to the Catholic religion. His paintings are often inspired by the landscapes of Northern France, but also by his travels. From 1956 onwards, he produced a large number of political paintings entitled "Hommage", which echoed the violence in the world. The dissemination of his artworks in the public space through these stained glass windows gave him great notoriety during his lifetime, and his paintings were awarded numerous international prizes (such as the Grand Prix of the Venice Biennale, which he received in 1962, alongside Albert Giacometti, who received the Grand Prix for sculpture). He died on 1er August 1993 as a result of a car accident, shortly after the completion of the stained glass windows in Abbeville.
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