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Alfred Manessier
(tariff free*) Composition, Prints from the Mourlot Press

1964

$716
$89520% Off
£543.58
£679.4820% Off
€622.93
€778.6620% Off
CA$1,016.27
CA$1,270.3320% Off
A$1,108.49
A$1,385.6120% Off
CHF 582.32
CHF 727.9020% Off
MX$13,410.46
MX$16,763.0820% Off
NOK 7,285
NOK 9,106.2420% Off
SEK 6,878.49
SEK 8,598.1120% Off
DKK 4,649.75
DKK 5,812.1920% Off

About the Item

Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964-1965, 1964. Published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.; printed by Mourlot Frères, Paris, October 27, 1964. Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Hervé Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carré, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhémar, Curator of prints at the Bibliothèque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th october 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. *As the seller, we agree to pay any tariff on behalf of the buyer. Generally, the shipping carrier will contact us prior to delivery for the collection of the tariff, if any is due. In the unlikely event that they contact you as the buyer, please contact us via the 1stdibs messaging system and we will promptly remit payment to the carrier. ALFRED MANESSIER (1911-1993) was a non-figurative French painter, stained glass artist, and tapestry designer, part of the new School of Paris and the Salon de Mai. Finding inspiration in the natural surroundings of his native region, Manessier began to paint landscapes at an early age. For his formal education, he studied architecture, first in Amiens and then as an architecture student at the École des beaux-arts, Paris, in 1929. Manessier disliked the school’s formal atmosphere and preferred to copy paintings at the Louvre—particularly those by old masters such as Rembrandt van Rijn, Peter Paul Rubens, and Tintoretto—and frequent the ateliers of Montparnasse. He also briefly studied in 1935 at the Académie Ranson under Roger Bissière, who introduced Manessier to fresco technique, and leading up to World War II, his paintings began to reflect both Cubist and Surrealist influences. In 1939 Manessier was drafted into military service. In the postwar period, Manessier was associated with Lyrical Abstraction (Abstraction lyrique) and Art Informel. However, his work also adhered to a more specific strand of French art that appeared during the German occupation and incorporated Christian themes and symbolism into semiabstract compositions. The Catholic painter, Jean Bazaine, a strong proponent of art sacré (sacred art), included Manessier’s work in the famous Vingt jeunes peintres de tradition française (Twenty young painters of the French tradition, 1941) organized at Galerie Braun, Paris, in defiance of the Nazis. In 1943, Manessier experienced a religious awakening during a three-day retreat to a Trappist monastery. Soon after he converted to Roman Catholicism and began to pursue an increasingly ascetic lifestyle. In 1945 his compositions started to recall stained-glass windows and turned more abstract, although figurative elements connected to religion and landscape continued to appear. His paintings allude to religious meanings through their titles and through combinations of discernible symbols and abstract imagery. While Manessier initially gained international recognition for his paintings, he was fluent in a variety of mediums, including lithography, as well as designs for tapestries, liturgical objects, and vestments. At the urging of Georges Rouault, Manessier began to work on stained glass in 1948 and completed many pieces for churches in France, Germany, Spain, and Switzerland. Beginning in 1956, religious symbolism and political themes coexist in a number of works responding to various political events such as the Suez Crisis, invasion of Hungary, and assassination of Martin Luther King Jr. In the 1960s Manessier made several trips to Spain, where he was influenced by the works of El Greco and Francisco de Goya, as well as to Canada, the Netherlands, and the South of France, where the natural landscapes—a persistent theme throughout his oeuvre—influenced the content and style of his work at the time. In 2007, Alfred Manessier‘s painting, Turris Davidica, sold for $593,217 USD at Cornette de Saint Cyr Paris, setting a world record for the artist.
  • Creator:
    Alfred Manessier (1911 - 1993, French)
  • Creation Year:
    1964
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU1465216976572

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