Items Similar to (tariff free*) Composition, Prints from the Mourlot Press
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Alfred Manessier(tariff free*) Composition, Prints from the Mourlot Press1964
1964
$716
$89520% Off
£543.58
£679.4820% Off
€622.93
€778.6620% Off
CA$1,016.27
CA$1,270.3320% Off
A$1,108.49
A$1,385.6120% Off
CHF 582.32
CHF 727.9020% Off
MX$13,410.46
MX$16,763.0820% Off
NOK 7,285
NOK 9,106.2420% Off
SEK 6,878.49
SEK 8,598.1120% Off
DKK 4,649.75
DKK 5,812.1920% Off
About the Item
Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964-1965, 1964. Published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.; printed by Mourlot Frères, Paris, October 27, 1964. Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Hervé Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you."
They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carré, and Mr. Edouard Dermit, who have
been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhémar, Curator of prints at the Bibliothèque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th october 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot.
*As the seller, we agree to pay any tariff on behalf of the buyer. Generally, the shipping carrier will contact us prior to delivery for the collection of the tariff, if any is due. In the unlikely event that they contact you as the buyer, please contact us via the 1stdibs messaging system and we will promptly remit payment to the carrier.
ALFRED MANESSIER (1911-1993) was a non-figurative French painter, stained glass artist, and tapestry designer, part of the new School of Paris and the Salon de Mai. Finding inspiration in the natural surroundings of his native region, Manessier began to paint landscapes at an early age. For his formal education, he studied architecture, first in Amiens and then as an architecture student at the École des beaux-arts, Paris, in 1929. Manessier disliked the school’s formal atmosphere and preferred to copy paintings at the Louvre—particularly those by old masters such as Rembrandt van Rijn, Peter Paul Rubens, and Tintoretto—and frequent the ateliers of Montparnasse. He also briefly studied in 1935 at the Académie Ranson under Roger Bissière, who introduced Manessier to fresco technique, and leading up to World War II, his paintings began to reflect both Cubist and Surrealist influences. In 1939 Manessier was drafted into military service. In the postwar period, Manessier was associated with Lyrical Abstraction (Abstraction lyrique) and Art Informel. However, his work also adhered to a more specific strand of French art that appeared during the German occupation and incorporated Christian themes and symbolism into semiabstract compositions. The Catholic painter, Jean Bazaine, a strong proponent of art sacré (sacred art), included Manessier’s work in the famous Vingt jeunes peintres de tradition française (Twenty young painters of the French tradition, 1941) organized at Galerie Braun, Paris, in defiance of the Nazis. In 1943, Manessier experienced a religious awakening during a three-day retreat to a Trappist monastery. Soon after he converted to Roman Catholicism and began to pursue an increasingly ascetic lifestyle. In 1945 his compositions started to recall stained-glass windows and turned more abstract, although figurative elements connected to religion and landscape continued to appear. His paintings allude to religious meanings through their titles and through combinations of discernible symbols and abstract imagery. While Manessier initially gained international recognition for his paintings, he was fluent in a variety of mediums, including lithography, as well as designs for tapestries, liturgical objects, and vestments. At the urging of Georges Rouault, Manessier began to work on stained glass in 1948 and completed many pieces for churches in France, Germany, Spain, and Switzerland. Beginning in 1956, religious symbolism and political themes coexist in a number of works responding to various political events such as the Suez Crisis, invasion of Hungary, and assassination of Martin Luther King Jr. In the 1960s Manessier made several trips to Spain, where he was influenced by the works of El Greco and Francisco de Goya, as well as to Canada, the Netherlands, and the South of France, where the natural landscapes—a persistent theme throughout his oeuvre—influenced the content and style of his work at the time. In 2007, Alfred Manessier‘s painting, Turris Davidica, sold for $593,217 USD at Cornette de Saint Cyr Paris, setting a world record for the artist.
- Creator:Alfred Manessier (1911 - 1993, French)
- Creation Year:1964
- Dimensions:Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216976572
Alfred Manessier
Alfred Manessier was born on 5 December 1911 in Saint-Ouen in the Somme. Trained at the Ecole des Beaux-Arts in Amiens (1924 - 1929), he completed his training at the Ecole des Beaux-Arts in Paris and spent a brief period in the studio of the painter Roger Bissière, who introduced him to frescoes and to whom he took refuge in Boissiérettes in the Lot at the beginning of the war. From 1947 onwards, stained glass occupied a large part of his work, which was now based on abstraction. He carried out about twenty projects in France, including the stained glass windows for the church of Saint-Michel des Bréseux (Doubs), his first commission (1948 - 1950), those in the church of Saint-Pierre de Trinquetaille in Arles (1953), and the chapel of Sainte-Thérèse de l'Enfant Jésus et de la Sainte Face in Hem (Nord - 1957). The stained glass windows of the Church of the Holy Sepulchre in Abbeville, one of his last commissions carried out between 1982 and 1993, are considered his masterpiece. He also executed a dozen stained glass projects in Switzerland, Germany and Spain. As an abstract painter of the Ecole de Paris, Manessier frequently tackled subjects related to the Catholic religion. His paintings are often inspired by the landscapes of Northern France, but also by his travels. From 1956 onwards, he produced a large number of political paintings entitled "Hommage", which echoed the violence in the world. The dissemination of his artworks in the public space through these stained glass windows gave him great notoriety during his lifetime, and his paintings were awarded numerous international prizes (such as the Grand Prix of the Venice Biennale, which he received in 1962, alongside Albert Giacometti, who received the Grand Prix for sculpture). He died on 1er August 1993 as a result of a car accident, shortly after the completion of the stained glass windows in Abbeville.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2021
1,190 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Southampton, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFormes et transparence, Société internationale d'art XXe siècle
By Alfred Manessier
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N°4 (double) ...
Category
1950s Modern Abstract Prints
Materials
Lithograph
$796 Sale Price
20% Off
Free Shipping
(tariff free*) Le Nid, Petite tache noire n°1, XXe siècle
By Alfred Manessier
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série, XXIIe Année, N° 15, Noë...
Category
1960s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
(tariff free*) La tache rouge, Souvenirs et Portraits d'Artistes
By Alfred Manessier
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. ...
Category
1970s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
(tariff free*) Composition, Prints from the Mourlot Press
By Maurice Estève
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition spo...
Category
1960s Modern Abstract Prints
Materials
Lithograph
$716 Sale Price
20% Off
Free Shipping
(tariff free*) Composition 66 (Abadie 66), XXe siècle
By Alberto Magnelli
Located in Southampton, NY
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Magnelli, Alberto, and Daniel Abadie. Magnelli...
Category
1930s Modern Abstract Prints
Materials
Linocut
$716 Sale Price
20% Off
Free Shipping
(tariff free*) Composition 66 (Abadie 66), XXe siècle
By Alberto Magnelli
Located in Southampton, NY
Linocut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Magnelli, Alberto, and Daniel Abadie. Magnelli...
Category
1950s Modern Abstract Prints
Materials
Linocut
$716 Sale Price
20% Off
Free Shipping
You May Also Like
original lithograph
By Alfred Manessier
Located in Henderson, NV
Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Signed in the p...
Category
1960s Prints and Multiples
Materials
Lithograph
Composition (Mourlot, Paris)
By Alfred Manessier
Located in Kansas City, MO
Alfred Manessier
Composition
1964
Original Color Lithograph on Velin d'Arches
Size: 10x7.375in
Edition: 2,000
Signed in the Stone
Annotated verso
Publisher: Mourlot, Paris
Printer: M...
Category
1960s Modern Prints and Multiples
Materials
Vellum, Lithograph
Price Upon Request
Alfred Manessier - Original Lithograph
By Alfred Manessier
Located in Collonge Bellerive, Geneve, CH
Alfred Manessier - Original Lithograph
Colorful Abstraction
1962
From XXe Siecle
Dimensions: 32 x 24
Edition: G. di San Lazzaro.
Unsigned and unumbered as issued
Category
1960s Modern Figurative Prints
Materials
Lithograph
Composition abstraite
By Alfred Manessier
Located in Paris, FR
Lithograph, 1975
Edition : V/XV
56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper)
50.00 cm. x 67.00 cm. 19.69 in. x 26.38 in. (image)
Lithograph belonging to a series of 15 litho...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Composition - Lithograph by Alfred Manessier - 1970s
By Alfred Manessier
Located in Roma, IT
Composition is an abstract color lithograph realized by Alfred Manessier.
Hand-signed and numbered.
Edition 30/200 prints.
This splendid artwork is preserved in very good conditio...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Alfred Manessier - Lithograph
By Alfred Manessier
Located in Collonge Bellerive, Geneve, CH
Alfred Manessier - Lithograph
1962
From the art periodical XXe Siecle (no. 20)
Dimensions: 32 x 24
Edition: G. di San Lazzaro.
Unsigned and unnumbered as issued
Category
1960s Modern Figurative Prints
Materials
Lithograph