![[Sans titre IV]. 1970.](https://a.1stdibscdn.com/alicia-penalba-1-prints-works-on-paper-sans-titre-iv-1970-for-sale/a_25072/1708607715729/N_165_Cat_43_PENALBA_Alicia_1__master.jpg?width=240)
[Sans titre IV]. 1970.
View Similar Items
1 of 6
Alicia Penalba[Sans titre IV]. 1970.1970
1970
About the Item
- Creator:Alicia Penalba (1913 - 1974, Argentinian)
- Creation Year:1970
- Dimensions:Height: 29.14 in (74 cm)Width: 21.26 in (54 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2507214004352
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.You May Also Like
Rainbow Signed/N 1970s silkscreen & lithograph, pioneering female Fluxus artist
By Mary Bauermeister
Located in New York, NY
Mary Bauermeister
Rainbow, 1973
Lithograph and silkscreen on creamy white paper
Hand signed, dated and numbered 56/250 by the artist on the front
19 x 25.5 inches
Unframed
This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts.
While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph.
The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future.
-Courtesy to the Samuel Dorsky Museum of Art
About Mary Bauermeister:
A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind.
- Courtesy of Michael Rosenfeld...
Category
1970s Abstract Abstract Prints
Materials
Lithograph, Screen, Mixed Media
Andre Masson Exposition de ses œuvres récentes 1962-1968 à la Galerie Louise
By André Masson
Located in Paonia, CO
An original lithograph poster by French artist Andre Masson for Exposition de ses œuvres récentes 1962-1968 à la Galerie Louise ......exhibition of the recent ...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
Leaving Home (97-301), 5 color lithograph on Rives BFK paper, Signed/N Tamarind
By DeLoss McGraw
Located in New York, NY
DeLoss McGraw
Leaving Home (97-301), 1997
Five color lithograph on tan Rives BFK paper with deckled edges
Signed and numbered 3/75 in graphite pencil on the front
17 × 24 3/25 inches...
Category
1990s Outsider Art Abstract Prints
Materials
Lithograph
Untitled
By Walasse Ting
Located in Fairlawn, OH
Untitled
Color lithograph, 1972
Unsigned
Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?)
Published by the Carnegie Institute Museum of Art, 1973
Printe...
Category
1970s Abstract Abstract Prints
Materials
Lithograph
Coffee + Cigarettes, Lithograph on Newsprint Grey Somerset Signed Edition of 10
Located in New York, NY
This is a super rare and imaginative print - LAST ONE - from the edition of only 10 (TEN) - and it makes an amazing gift!
Paul Leibow
Coffee + Cigarettes, 2019
Lithograph on Newsprint Grey Somerset Velvet
Printed at Tamarind Institute. Hand printed by Elena Carrasco under the supervision of Master Printer Brandon Gunn
Pencil signed and numbered lower right from the edition of only 10
Bears Tamarind Institute chop mark lower left
Accompanied by copy of detailed Tamarind documentation sheet
Measurements: 28.25" (vertical) x 22" (horizontal)
Unframed
Critic Tris Mccall writes in a recent review:
"Felix the Cat is older than Mickey. He was created over a century ago, and he's been fading in plain view ever since sound was added to motion pictures. But in his Gilded Age prime, Felix was incredibly popular: famous enough to leave a burn mark in his image on the collective imagination. The spirit of the Cat retains enough psychic power to guide the hand of at least one contemporary artist - painter and sculptor Paul Leibow... This playful, irreverent work uses the figure of Felix, or what's left of him, to comment on sexuality, decay and reassembly, mechanical reproduction and corporate branding, and the ubiquity and ambiguity of the commercialized image..."
Lithograph with image concept invention of a non existent character: Feel licks ears over ads of vintage comics, creating a unique abstract work, including ghosted figures and cigarettes and coffee falling from an imagined earthquake. The attempt was to use a series from vintage characters that inform the piece, with a body inside the Feel Licks cat face structure. Includes a brain W-ray with lamb faces as a surreal interplay. 6-color print, derived from the artist Mark Rothko in a blend roll or orange and red hue. Limited edition print, signed recto from the edition of only 10
PAUL LEIBOW BIOGRAPHY
Paul Leibow works in painting, sculpture, mixed media, and film. A documentary art video about his archival process was selected for the Metropolitan Museum of Arts (a program for art on film). Over his art career, his work has been selected for art books and exhibitions by curators from the Whitney Museum and Met. Leibow has created artworks for recording artist Bruce Springsteen for his world tour, including books, and branded icons/logos utilized for his concerts. 2019 awarded an art residency at Tamarind Institute New Mexico, with two editions archived in the New Mexico Art Museum (UNM). 2020 artworks featured in ArtMaze Magazine’s Winter Issue 16. Hyperallergic -FeelLicks Artwork “Pink”: painting included in review (Art Fair 14C) 2022
Born: New York City / School of Visual Arts - NY, BFA, / Summer Works: Art and design program– NY State / Studied with Milton Glaser
2023 Noyes Museum. NJAA Stockton.
2022 Jersey City Times Review from art critic Tris McCall at (Art Fair 14C) Nov. 2022
2021 Jersey City Times(BEST 2021 SHOW) #5 by art critic Tris McCall
2021 Novado Gallery - Review Solo Show review, Tris McCall_Jersey City Times
2021 ArtsBergen Sneak Peak: Award / Art video and panel discussion
2020 One Fair Wage: Created artwork for vertical billboard shown all over USA
2020 OFW: Featured artwork for new brand as vertical billboard in Times Square NYC
2019 New Mexico Art Museum (UNM) – Two Tamarind Editions archived into the museum.
2019 Tamarind Institute – Artist Residency (one of 4 artist awarded residency)
2019 Tamarind Institute Gallery – No Modifiers exhibition
2019 PABT Arts – New York City, Windows Gallery Aug. – November
2019 Le Galerista – French Canada –art used on apparel line
2016 MoRUS Museum, – Black Babylonian Beads- film premier, Museum reclaimed urban-space 2010 Borghi Fine Arts Gallery – NJ
2004 Waltouch Gallery – NJ
1998 Liquid Gallery – NJ Sibling Rivalry-a show with his brother.
1989 John Harms Center for the Arts, Bergen PAC – NJ
1987 John Harms Center for the Arts, Bergen PAC- NJ
1995 Watchung Arts Center NJ Installation (Elucidations of the empty)
1995 Montclair State University Art Gallery – NJ Abstract Polarities -Jurior by Ivan Karp
SELECTED EXHIBITIONS
2022 Hyperallergic -Artwork painting included in review from Art Fair 14C Nov. 2022
2022 ART FAIR 14C Artwork selected for juried exhibition fundraiser Art Fair 14C Nov. 2022 2021 Novado Gallery_ Solo Show Sept 10th / Jersey City Times review by Tris McCall
2021 SHRINE.NYC / Group Show 7
2021 WNYC –poem entitled THIS, aired on April’s (poetry month)
2021 SHRINE – NYC / Group Show - online Exhibition
2020 Montclair Art Museum – JAM at MAM auction / online Exhibition
2020 Art maze Magazine’s Winter Issue 16 - international artists featured in the print edition 2020 Artcritical –David Cohen selected work for Alpha 137 Gallery show
2020 The Museum of Hoboken: Featured in Every Mask a Blank Canvas Exhibition
2020 BSB gallery – Silent auction / Online Exhibition
2020 Transformative – Online Exhibition
2020 Novado Gallery – N.J. handling work included in Exhibition RED
2020 Sugar Press – CA Print editions
2019 Paper west –Utah
2019 Frontline Arts –Oct. (The war on the world)
2019 Edward Williams Gallery – FDU, NJ Red carpet hides beneath our desire
2019 Tamarind Institute, Artist Residency New Mexico, May exhibition ”No Modifiers”
2019 Studio Montclair Gallery, NJ, Everyday Objects
2019 Studios Projects Gallery “HA exhibition” and artist talk – Hoboken NJ
2018 Paper west – Utah
2018 1340 Galley – Art registry
2018 The Rotunda Gallery – Abstract show- June, Photography shows July
2018 Edward Williams Gallery – Group FDU
2018 Union Street Galley – Pen & Ink show- March, Chicago Il.
2018 bG Galley: Stripes show – Santa Monica CA
2017 Alvin...
Category
2010s Contemporary Animal Prints
Materials
Newsprint, Lithograph
Untitled post Minimalist sculptural lithograph by renowned sculptor (signed/N)
By Keith Sonnier
Located in New York, NY
Keith Sonnier
Untitled post Minimalist lithograph, 1981
Lithograph on watermarked paper with publishers blind stamp
Pencil signed, numbered 96/200 and dated on the front
Published by...
Category
1980s Post-Minimalist Abstract Prints
Materials
Graphite, Lithograph
Recently Viewed
View AllMore Ways To Browse
Walkman Sony
Walter Henry Sweet Painting
Willem Botha
William Callow
Wizard Of Clay
Wizard Of Oz Plates
World War I Poster Black Tom
Wwii Chinese Poster
Y Gianni
Yoshitoshi Moon
Yuki Gray
Yukio Mishima
17th Century Japanese Wood Block Prints
17thc Century Flemish
1960s Andy Warhol Campbell Soup Dress
1963 Painting By Morris Katz
1983 Americas Cup Poster
20 Inch School House Bell And Stand