Amy Elkins

14/38 (Not the Man I Once Was) 50 x 40 Inch, 2009-2016

2009-2016

Archway, Archival Pigment Print by Michael Batty, 2020 Additional information: Medium: Archival pigment print on 100% cotton acid-free paper Dimensions: 12 x 33 in Editions 6-10 of ...

Flow, Archival Pigment Print by Michael Batty, 2020 Additional information: Medium: Archival pigment on 100% cotton acid-free paper Dimensions: 12 x 33 in Editions 6-10 of 10 + 2AP ...

ARC 2, Archival Pigment Print by Michael Batty, 2020 Additional information: Medium: Archival pigment print on 100% cotton acid-free paper Dimensions: 12 x 33 in Editions 6-10 of 10...

ARC 1, Archival Pigment Print by Michael Batty, 2020 Additional information: Medium: Archival pigment print on 100% cotton acid-free paper Dimensions: 12 x 33 in Editions 6-10 of 10...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Jetty 1, Lino-cut chin- coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 50 x 33 cm / Sheet size: 79 x 55 cm Unframed ''What mesmerised me was the meeting of the sea and the mountain peak. Where the Jetty, a special curved wooden staircase leading to one end and the deep crystal clear sea at a distance. These scenes were amazing to me." Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

monumental scale abstract b&w photograph of mesmerizing monochromatic black white water surface with "frameless" glass face mounting SEASCAPE V by Frank Schott 87.5" x 70" / 222 x 177.8cm signed edition of 7 photograph with acrylic glass mounting "Modern Gallery Frameless", a contemporary alternative to classic framing: photo print is mounted onto aluminum composite for archival support and stability, then sealed behind a protective layer of high quality acrylic glass with polished edges all around. A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance. Work ships from renown museum framing facility in Germany, the only production facility offering glass face mounting at this artwork scale. archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, Ed Rusha...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...

"Béatrice Hug makes colours radiate in all directions and vibrate in a way thought to be restricted to painting, transparencies play like glazes to accent...