Amy Sands

Revolution VII - red geometric abstract monoprint and laser cut rice paper

2015

Monoprint, serigraphy, laser cut on two sheets of rice paper, unique 15 x 15 inches, 2016, framed 22.25 x 22.25 inches In this piece, Sands uses the motif of a sand dollar, and her ...

Amy Sands Revolution XXVI Monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in a white wood frame 2017 Amy Sands' works of art embody so...

Amy Sands Revolution XXII monoprint, serigraphy, lasercut on three sheets of rice paper 15 x 15, 22 1/4 x 22 1/4 framed in white wood frame 2017 Amy Sands' works of art embody sourc...

Dana Piazza's creates abstract colorful drawings, full of the illusion of depth, movement, and three-dimensionality. His highly obsessive ink drawings on paper are built upon algorithms, a set of instructions that details how he will draw each series. Different algorithms and geometric patterns result in multiple drawing series that appear divergent but all of Piazza’s work is focused on explorations of chance, discovery and time. Unintentional changes in the mark are inevitable and create distorted and moving images that almost appear as 3D renderings. Dana Piazza received a BFA Magna Cum Laude from the School of Art+Design at Purchase College in 2010. He lives and works in Massachusetts. Item description Square 16...

Artist: Hong Hao, Chinese (1965 - ) Title: Untitled (Red) Medium: Lithograph, Signed and Numbered in Pencil Edition: 175 Paper Size: 29 x 21 Inches (73.66 x 53.34 cm)

Artist: Emily Fuller, American (1941 - ) Title: Days Spring Red Year: 1977 Medium: Mixed Media Collage on paper, signed and dated l.r. Size: 23 x 30.5 in. (58.42 x 77.47 cm)

Mixed media on paper. Framed: 15" x 18" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...

Anila Quayyum Agha All the Flowers are for Me - Burgundy, 2016 Laser-cut encaustic embroidery on paper 21 x 21 inches 53.3 x 53.3 cm AQA038 Anila Quayyum Agha examines issues of global politics, cultural identity, mass media and gender roles in her multidisciplinary practice. The Pakistani-American artist is best known for her immersive, large-scale light installations in which she laser-cuts elaborate patterns into three-dimensional cubes. Suspended and lit from within, the cubes cast lace-like, floor-to-ceiling shadows that completely transform the surrounding environment, alluding to the richly ornamented public spaces such as mosques that Agha was excluded from as a female growing up in Lahore. In addition to her suspended light installations, Agha also creates wall-mounted sculptural works, including her Flowers series (2018) that explores love and loss inspired by the mixed emotions she experienced following her son’s wedding and mother’s passing, events that happened in the same year. Although these works may appear decorative, they are imbued with meaning, from the floral patterns that express the beauty and femininity of her mother, to the metallic threads commonly used for wedding dresses in Pakistan. The visual elements collectively amplify the interplay between the matrimonial and the funereal, and by extension, the larger cycle of life. To produce these elaborate works, Agha laser-cuts vibrantly hued encaustic paper with intricate patterns and adorns them with light-reflecting embroidery and beads. These exquisitely detailed drawings are framed within shadow boxes, allowing light to pass through the cut-outs and cast patterned shadows in a manner similar to her large-scale light installations. The framing and shadows allow these works to transcend their two-dimensionality. Anila Quayyum Agha has an M.F.A. in fiber arts from the University of North Texas. She has exhibited her work across the globe, including in the 2018 Kansas City Biennale, curated by Dan Cameron; the Peabody Essex Museum, Massachusetts; the Brooklyn Academy of Music, New York; the Dallas Contemporary Art Museum, Texas; the National Museum of Sculpture, Valladolid, Spain; and the Cheongju Craft Biennale, Korea. Her work is in the collections of the Cincinnati Art Museum, Ohio; the Grand Rapids Art...