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Derain (tariff free*), Buste de femme, Souvenirs et Portraits d'Artistes (after)1972
1972
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About the Item
Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. Published by Éditions A. C. Mazo et Cie., Paris, in collaboration with Léon Amiel, éditeurs, New York; printed by Mourlot Frères, Paris, April 5, 1972. Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu à la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Tériade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on vélin d'Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Léon Amiel, New York, publishers.
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ANDRE DERAIN (1880-1954) was a French artist who had a major role in the development of two of the most significant artistic movements of the early-20th century—Cubism and Fauvism. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art. In 2010, André Derain’s painting, Arbres à Collioure, sold for 24,173,095 USD at Sotheby's, setting a world record for the artist.
- Creation Year:1972
- Dimensions:Height: 12.81 in (32.54 cm)Width: 9.81 in (24.92 cm)
- Medium:
- Movement & Style:
- After:André Derain (1880-1954, French)
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216982532
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