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Andre Minaux(tariff free*) La femme et l'oiseau, Souvenirs et Portraits d'Artistes1972
1972
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About the Item
Lithograph on vélin d'Arches paper. Paper Size: 12.81 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Souvenirs et Portraits d'Artistes, 1972. Published by Éditions A. C. Mazo et Cie., Paris, in collaboration with Léon Amiel, éditeurs, New York; printed by Mourlot Frères, Paris, April 5, 1972. Excerpted from the album (translated from French), This album is the album of friendship, and I want to thank all the artists who wanted to participate. Some lithographs presented here, and whose authors have left us for too long, were made at my request for an album "Adieu à la rue de Chabrol" that I intended to publish ten years ago. So it was at this time that I was able to get the lithos of Braque, Cocteau, Derain, Giacometti and Villon. Mrs. Duthuit-Matisse and her brothers authorized me to print the composition of Henri Matisse, an unused original lithograph of the album by Tériade "La Religieuse portugaise". I am happy to have brought together so many works by contemporary artists, it is a great honor for me and I am infinitely grateful to them. Finished printing in Paris on April 5, 1972, this album was printed on vélin d'Arches, in DCCC numbered examples. In addition, a number of copies were printed for artists, friends and collaborators of this album. The original lithographs were printed by Mourlot, and the typography is from Fequet and Baudier. Alain A.C. Mazo, Paris, and Léon Amiel, New York, publishers.
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ANDRE MINAUX (1923-1986) was a French artist, known for contributing to Poetic Reality. Brianchon attended É’cole des Arts Décoratifs in Paris and moved to Spain shortly after to study the paintings of Spanish Masters. His early work is characterized by dynamic images of the theatre, street scenes, and horse races – showing his love for life and youth. In contrast, his later work is more relaxed and contemplative, mostly painting still-life and landscapes. Later, Brianchon returned to Paris to teach at É’cole des Arts Décoratifs, where his teachings had a profound impact and influence on the next generation of artists.
- Creator:Andre Minaux (1923 - 1986, French)
- Creation Year:1972
- Dimensions:Height: 12.81 in (32.54 cm)Width: 9.81 in (24.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Southampton, NY
- Reference Number:1stDibs: LU1465216982082
Andre Minaux
Andre Minaux was a Contemporary French painter, draftsman, lithographer, engraver, illustrator and sculptor. He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. His search for perfection in his work was compared to that of Matisse by Jean Bouret. (Minaux, Sauret Editions, 1977). He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. André Minaux embraces several periods: naturalism, rural, baroque, figurative and non-figurative. It was through the power of his line that he imbuded his compositions with an inexhaustible energy. In the heart of the post-war period, his works captured a euphoric context in a French expressionist realism. “It's the rhythm that brings unity to a painting,” confides André Minaux. “You could call Minaux's approach in his search for perfection 'Matissian'. (Jean Bouret, Minaux painter, Sauret editions, 1977). In 1950 The Museum of Modern Art of the city of Paris acquired one of his paintings In turn, the Tate Gallery in London quickly followed suite. He took part in the 1948 Salon d'Automne with 'Le Raccommodeur de filets', a work hailed by a multitude of art critics. A year later, his work was crowned by the critics' prize and displayed his work at the Salon des Jeunes Peintres, at the Claude gallery on rue de Seine in Paris. He exhibited at the Venice Biennale in 1952 and continued to exhibit Internationally up until his passing in 1986.
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