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Antoni ClavéDeux Feuilles II1970
1970
About the Item
This artwork titled " Deux Feuilles II" 1970 is a color etching with carborundum by noted Spanish artist Antoni Clave 1913-2005. It is signed and numbered 4/80 in pencil by the artist. The size is 29.85 x 22.5 inches. It is in excellent condition, the colors are fresh and bright.
About the artist:
Antoni Clavé was born in Barcelona on 5 April 1913. From 1926 he attended evening courses at the Escuela de Artes y Oficios "Llotja" taught by Félix Mestres, Josep Mongrell and Angel Ferrant. Mongrell found Clavé a place as a house painter's apprentice in 1927 because Clavé was fascinated by the hands-on side of painting and especially by the materials used for such work and wanted to learn how to prepare paints.
During the Spanish Civil War Clavé served as a draughtsman for the Republican government, but at the end of the war. he fled to France. After internment at Les Haras camp in Perpignan, Clavé settled in Paris in 1939, drawing comics and working as an illustrator. During the 1940s Clavé's painting showed the stylistic influence of Bonnard, Vuillard, Rouault and especially Picasso, with whom he became acquainted in 1944.
From 1946 Clavé did numerous designs for ballet and theatre in Paris, Munich, London and New York; in the 1950s he turned to book illustration. In 1954 Clavé ceased working as a stage-set designer and illustrator to devote himself entirely to painting, visiting Spain again. His paintings became more abstract and enigmatic; inspired by wall textures and graffiti, Clavé began integrating scraps of newspaper and other similar materials into his painting in a collage-like manner. In 1957 Clavé embarked on designing carpets, and from 1960 he also did sculpture. Clavé's work in the latter field includes bas reliefs, assemblages and totem-like sculptures of wood and modelled or imprinted lead, some of them incorporating objets trouvé, that are archaic in feeling. In 1965 Clavé moved to the South of France, near Saint-Tropez. Clavé's paintings became darker, many of them almost entirely black, and he used mixed techniques. The early 1980s saw the Clavé series Hommage à Picasso, followed by a series inspired by urban living in New York, which Clavé visited in 1972 and 1989. After one-man shows in museums and galleries in Zurich, Barcelona, Paris and Tokyo, Clavé was given a comprehensive retrospective at the Centre Pompidou Musée d'Art Moderne in Paris in 1978. The Spanish pavilion at the 1984 Venice Biennale was dedicated to Antoni Clavé. Antoni Clave had numerous exhibitions worldwide
Collections
Museo de Bellas artes de Bilbao
Museum of Modern Art, Paris
Museo Nacional Centro de Arte Reina Sofía, Madrid
British Museum, London
Tate Gallery
- Creator:Antoni Clavé (1913-2005, Spanish)
- Creation Year:1970
- Dimensions:Height: 29.85 in (75.82 cm)Width: 22.15 in (56.27 cm)Depth: 0.01 in (0.26 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: cla/deu/feu/011stDibs: LU66635012612
Antoni Clavé
Antoni Clavé was born on April 5, 1913, in Barcelona. Clavé was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards namely Best Art Direction and Best Costume Design, for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work was completely abstract, employing expressive lines and exploring the boundaries of collage, object-trouve, shading, texture and color. He was trained at the School of Fine Arts in Barcelona, where he was taught by Ángel Ferrant and Félix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Rouault. He was best known for his lyrical abstractions, works which combine paint with collage. Clavé died on September 1, 2005, in Saint-Tropez, France.
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Located in San Francisco, CA
This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition.
About the artist:
Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States.
Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there.
SOLO EXHIBITIONS
2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA
2016 "Fugue" Don Soker Gallery, San Francisco, CA
2015 "Resonances" Stanford Art Spaces, Stanford University, CA
"Appearances" Lena & Roselli Galeria, Budapest, Hungary
2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA
09/10 "Manifold", (survey) ICA, San Jose, CA
2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA
2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA
2007 "Structures" Don Soker Gallery, San Francisco, CA
2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y
"Undercurrents", Don Soker Gallery, San Francisco, CA
2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n
"Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n
"Dialectica", Don Soker Gallery, San Francisco, CA
2001 "Transparentia", Don Soker Gallery, San Francisco, CA
" Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y
"Mixed Media Works", Shasta College Art Gallery, Redding, CA
SFMOMA Artists Gallery, San Francisco, CA
2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y
"Microcosmos" Kieler Kloster, Kiel, G e r m a n y
1999 Don Soker Gallery, San Francisco, CA
1998 Don Soker Gallery, San Francisco, CA
1997 Plaza Gallery, Tokyo, J a p a n
1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y
1995 Don Soker Gallery, San Francisco, CA
"Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n
1994 Collectors Gallery, The Oakland Museum, CA
1993 Don Soker Gallery, San Francisco, CA
1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA
"Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n
"Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n
1991 Collectors Gallery, The Oakland Museum, CA
1990 Don Soker Gallery, San Francisco, CA
"Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n
Tamura Gallery, Tokyo, J a p a n
Gallery 88, Sendai, J a p a n
Heian Gallery, Kyoto, J a p a n
1989 Richard Hanson Fine Arts, Fresno, CA
1988 Don Soker Gallery, San Francisco, CA
1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n
1984 Rorick Gallery, San Francisco, CA
1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA
TWO AND THRE PERSON EXHIBITIONS
2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez"
Consulate General of Mexico, San Francisco, CA
2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA
2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis
2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University
2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA
2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y
1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA
1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA
1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA
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2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA
"Art in the Time of Corona" NUMU New Museum Los Gatos, CA
2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA
2019 "Hardly Strictly Mini" Bolinas Art Museum, CA
"The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA
"Annual Members Exhibition" Berkeley Art Center, CA
2018 "Surprise: New Acquisitions" The Janet Turner...
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