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Attilio Taverna
Italian Kinetic Op Art Attilio Taverna Silkscreen Lithograph Print Light Artist

1981

$500
£371.96
€436.09
CA$699.31
A$780.80
CHF 409.68
MX$9,636.50
NOK 5,149.72
SEK 4,818.48
DKK 3,253.33
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About the Item

*picture with description not included with lithograph. Attilio Taverna, born 1945. Italian geometric abstract artist known for his painting and lithograph and silkscreen prints. Exhibitions 1971 - Fondazione E. Duse - Asolo - Italy 1973 - Studio Koch - München - Germany 1974 - Miramonti g. - Cortina d'Ampezzo - Italy 1974 - La tavolozza - Bassano del Grappa - Italy 1974 - L'Ascendente - Milano - Italy 1975 - L'Incontro - Verona - Italy 1976 - Il Fiore - Bassano del Grappa - Italy 1977 - Bevilacqua La Masa - Venice - Italy 1978 - Bevilacqua La Masa - Venice - Italy 1979 - Centro Culturale - Mühlacker - Germany 1979 - Istituto Italiano di Cultura - Stuttgart - Germany 1979 - Bevilacqua La Masa - Venice - Italy 1980 - Il Fiore - Bassano del Grappa - Italy 1981 - Rizzoli Gallery - New York - USA 1983 - Museo Civico - Assisi - Italy 1983 - Arte Expo - Brescia - Italy 1984 - Costruzione e Metafora - Marostica (Castello) - Italy 1985 - Centro Culturale Scrimin - Bassano del Grappa - Italy 1987 - E. Podzus Gallery - "Jünge internationale Kunst" - Düsseldorf - Germany 1989 - Palazzo Bonaguro - "De-costruzione" - Bassano del Grappa - Italy 1991 – Inizia la collaborazione con un’importante Corporation statunitense attiva sul mercato dell’arte contemporanea. 1994 - Conferenza ed esposizione alla Galleria Civica d'Arte Moderna " Paolo Diacono" di Udine 1997 – Capitolo (dedicato) nel testo " Tra percezione e arte" pubblicato dall’Università degli Studi di Padova –Dipartimento di Psicologia Generale. Cura : Adele Cavedon e Lucia Zanuttini. 1998 – Vince il concorso per la copertina della rivista " Trends in Neurosciences" edita dall’Università di Cambridge Gran Bretagna. UK. 1998- Intervista teoretica pubblicata su " Canadian Aesthetics Journal" rivista ufficiale della Società di Estetica del Canada dell’Università del Quèbec, a cura di Suzanne Foisy, direttrice del Dipartimento di Filosofia della stessa Università. 2003 - Esposizione " Luce, more geometrico " - Comune di Valstagna - Vicenza 2004 – Intervista teoretica pubblicata da " Itinera ", rivista ufficiale di Estetica del Dipartimento di Filosofia dell’Università Statale di Milano. 2004 - Copertina del volume degli atti e delle relazioni del Congresso Internazionale di Matematica e geometria " Fractals -2004 " tenuto a Vancouver ( Canada ) con il dipinto " Poema e mathema. 2005 - Articolo " Does the complexity of space lie in the cosmos or in chaos ? " e dipinto " Probabilità ondulatoria tra chaos e cosmos " pubblicati dalla rivista scientifica " Chaos and Complexity Letters " edita a New York U.S.A. 2005 -Conferenza tenuta al Dipartimento di Matematica dell’università di Torino e pubblicata nel volume " Conferenze e Seminari " dalla Associazione Subalpina Mathesis con il titolo " La complessità dello spazio abita il kosmos o il chaos ?" , a cura di Gallo, Giacardi, Robutti. 2005- Esposizione " Luce – Spazio " tenuta alla Fondazione Benzi Zecchini - Caerano S. Marco-TV Similar in style to Piero Dorazio, Yaacov Agam, Sol Lewitt and Richard Anuskiewicz and the artists of the Denise Rene gallery in Paris.. Academic studies 1968-70 - Economia - University of Venice - Ca' Foscari 1970-72 - Accademia di Belle Arti - Venice 1974-76 - Istituto di Lettere e Filosofia - Liviano - Padua Attend Prof. Dino Formaggio's classes of Aesthetics Attend seminaries of Aesthetical Philosophy at the Institute Antonio Banfi "Mauriziano" - Reggio Emilia Various studies throughout Europe and USA Author of a video for an Italian TV broadcast entitled: "Esperimento a,b,c" Documentation of his artistic work at the Goethe Institute - Florence Author of a theoretical research discussed on the text entitled "Ricognizione per un'ipotesi di Forma" ("Recognition for an hypothesis of Form") published in 1989 Recent international recognitions The Department of Psychology at the University of Padua published a research on the perceptive transparences, studying Taverna's paintings The most important magazine on Neuroscience, "Trends in Neuroscience", published a work of Taverna's on the cover of the April 1998 issue An interview by the director of the department of Aesthetical Philosophy at Trois-Rivières (Canada) will be published in the magazine of the Canadian Society for Aesthetics A theoretical interview by the director of Department of Philosophy State University in Milan and published on official review of Aesthetics " Itinera" of same University Cover of the international Congress of Mathematics and Geometry of " Fractals" in Vancouver, Canada Cover and issue on the international scientific Review " Chaos and Complexity Letters" published in New York. USA Conference at Math –Department of Turin University and published in " Conferenze e Seminari" of the same University.
  • Creator:
  • Creation Year:
    1981
  • Dimensions:
    Height: 34 in (86.36 cm)Width: 25.5 in (64.77 cm)
  • Medium:
  • Period:
  • Condition:
    Good, Please see photos.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38215443242

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Italian Kinetic Op Art Attilio Taverna Silkscreen Lithograph Print Light Artist
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*picture with description not included with lithograph. Attilio Taverna, born 1945. Italian geometric abstract artist known for his painting and lithograph and silkscreen prints. ...
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Pencil Signed Abstract Geometric Graphic Design Lithograph Print, Bauhaus Artist
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M. Peter Piening was born on March 14, 1908 in Grabow, Germany. He began his education at a private school in Italy, studied at the Jesuit school of Kloster Ettal in Bavaria, and attended the German Stettin Gymnasium, where he graduated in 1926. Between 1926 and 1928 Piening studied design at the Bauhaus in Dessau, Germany. There he was taught by multiple famous twentieth-century artists, including Joseph Albers, Paul Klee and Mies van der Rohe. After receiving his master’s degree from the Bauhaus in 1929, Piening enrolled at the University of Berlin and obtained his PhD in philosophy in 1931. Piening spent his early career free-lancing as an illustrator and artist for various publishing companies, eventually settling in Paris to work for Condé-Nast’s French publication of Vogue. In 1934 he moved to the United States to work in Condé-Nast’s New York City office. For the next two decades, Piening worked for many important advertising agencies and magazine publishers, including the N. W. Ayer and J. Walker Thompson agencies and Life and Fortune magazines. As art director for Life in the 1930s and for Fortune in the 1940s, Piening completely redesigned the layout of each magazine. He also redesigned the layouts for thirty-four other major American magazines, including Town & Country and Cosmopolitan. Through his design work, Piening had a great impact on the American public, although the millions who encountered his work most likely never knew his name. Between 1934 and 1964, Piening designed over sixty logos and trademarks for internationally-known products and companies. His most widely-recognized logo may have been the three interlocking rings of Ballantine beer. Piening’s other trademark designs include the Lincoln Zephyr...
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Op Art, Kinetic 1970s Original Vintage Silkscreen Lithograph Print
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Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...
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