Auguste Herbin

Untitled (Geometric Composition), 1957

1957

Red One is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 73/100

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 20/150.

Purple is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 87/100.

Green is a contemporary artwork realized by Lorenzo Indrimi in the 1970s. Mixed colored lithograph. Hand signed and dated on the lower margin. Edition of 40/150.

Created by Ellsworth Kelly in 1988, Untitled (Red State I), is an original lithograph on Arches paper. Hand-signed in pencil, and numbered from the edition of just 18, the artwork me...

Alexander Calder Stabiles Lithograph poster Made for the exhibition of Alexander Calder at Maeght Gallery Printer: Arte Paris Editor: Maeght 77 x 55 cm (c. 30.3 x 21.6 in) Excellen...

Abstract geometric lithograph by Patricia A. Pearce (American, b. 1948). This piece is unsigned, but was acquired with a collection of other Pearce work. Presented in a new off-white mat with foam core backing. Mat size: 24"H x 30"W Paper size: 18.75"H x 25.75"W Patricia Pearce (American, b. 1948) is a California artist who attended San Francisco State and UC Irvine and is the adjunct Professor of Fine Art at the College of San Mateo. Her early work on paper explored images of garments using various printmaking techniques. Later, she began to work mainly in collagraph and monotype prints creating singular images of kimonos and ribbons in her subtle shifting, subdued pieces are constructed in a three-step process. Awards include Grade Prize, 3rd Biennial Exhibition of Prints, Wakayama Japan; Grant, Peninsula Community Foundation. Collections: Nieman Marcus, San Francisco; Wells Fargo...

Two whaling ships meet out at sea, one named after an Indigenous American tribe and the other after the first king of the northern Kingdom of Israel, the latter set upon by a malignant epidemic and a sailor gone mad with the belief that he is the Archangel Gabriel. Both ships are plagued, one by sickness and the other by obsession, and neither heeds the warnings of the mad prophet. Built out in layers of paper that have been printed using techniques like lithography and etching, this colossal print by Frank Stella employs careful color against warping black and white grids to give the impression of control slowly slipping and giving way to chaos. Photos don't give this piece proper justice; it is carefully collaged in purposeful layers that constantly pull the eye in every direction and the viewer closer and closer in. The Pequod Meets the Jeroboam: Her Story...

Arakawa made an impact on the New York art world during the 1980s.

Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...