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1960's Baladine Op Art KInetic Screenprint Lithograph Vibrant Mod Neon Colorsc.1960's
c.1960's
About the Item
This is hand signed in pencil. It is not numbered.
This appears to be a silkscreen or serigraph or a multi stone lithograph. It is a great hard edged, geometric, vibrant mid century mod piece done in an almost fluorescent neon color.
This is Op Art, Kinetic in style influenced by Josef Albers, Max Bill and Bauhaus design. Of the era of Pol Bury, Soto, Richard Anuszkiewicz and Victor Vasarely.
Baladine Klossowska ( 1886 — 1969) was a German painter. Originating from an artistic Jewish family with roots in Lithuania, she moved from Breslau, Germany (now Wrocław, Poland) to Paris, France, at the turn of the 20th century, where she was a vivid and active participant in the explosion of artistic experiment then active in the city.
She was mother to controversial modernist painter Balthus as well as the writer Pierre Klossowski and
Born Elisabeth Dorothea Spiro in Breslau, Germany (now Polish Wrocław), to a Jewish family. Her father, Abraham Beer Spiro (Shapiro), was a Lithuanian Jewish cantor, who moved his family from Korelichi in Novogrudok district of Minsk Governorate to Breslau in 1873. In Breslau, he was appointed a Chief cantor of the White Stork Synagogue – one of the two main synagogues of the city. The Spiros were an artistically inclined family. Older brother Eugene Spiro's artistic ambitions.
Spiro married the painter and art historian Erich Klossowski in 1902. The couple left Breslau the same year, and were settled in Paris by 1903. Their sons, Pierre and Balthasar (1908) were born in this new city.
Spiro embraced Paris with a new identity, becoming Baladine Klossowska (out of Balladyna, the heroine of Juliusz Słowacki's romantic drama). Like many women in intellectual and artistic circles in Paris in the first decade of the new century, although preoccupied with tasks of household and home, Kłossowska continued painting, if episodically.
The Klossowskis were forced to leave France in 1914, at the start of World War I, due to their German citizenship. The couple separated permanently in 1917, and Klossowska took her sons to Switzerland. They moved to Berlin in 1921 due to financial pressures. Mother and sons returned to Paris in 1924, where the three for a time lived a materially marginal existence, often dependent upon help from friends and relations, until Pierre and Balthus became established professionally. Balthus, who became rich off of his paintings, later said of these times "'I was poor. The only option was to make a scandal. It worked well. Too well.'"
Klossowska met Bohemian-Austrian poet Rainer Maria Rilke (1875–1926) in 1919. They had previously known of each other in Paris, but had not been more than acquaintances. Rilke, eleven years Klossowska's senior, had during those Paris years socialized with an older generation of artists and intellectuals, while Klossowska and Erich had been young (if well-connected) upcomers.
They moved to Switzerland, finding and directing the renovations for him of the Château de Muzot. Her sons developed close relationships with Rilke, and Balthasar—the future Balthus—published his first book of watercolors about a lost cat, Mitsou, with text by Rilke, during this period.
- Attributed to:Baladine (1886 - 1969)
- Creation Year:c.1960's
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212492712
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