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Carol Summers
"Sunset After Storm, " a Woodcut by Carol Summers

1988

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"Head of Woman, ed. 1/6" Woodcut on Yellow Paper signed by David Barnett
By David Barnett
Located in Milwaukee, WI
"Head of Woman" is an original woodcut on yellow paper by David Barnett. The artist signed the piece in the lower right, and wrote the title lower center, and the edition number (1/6...
Category

1960s Abstract Expressionist Abstract Prints

Materials

Woodcut

"Incoming Tide, " Woodblock Print signed by Hiroki Morinoue
By Hiroki Morinoue
Located in Milwaukee, WI
"Incoming Tide" is an original woodblock print by Hiroki Morinoue. it is signed and dated in the lower right, titled lower center, and editioned (48/120) in the lower left. This prin...
Category

Early 2000s Abstract Prints

Materials

Woodcut

Pura Vida, 1985, (A/P)
By Carol Summers
Located in Milwaukee, WI
Woodcut in colors on Japanese paper. Signed and titled by artist. 24.25" x 24.25" art 34.88" x 34.63" frame Carol Summers (1925-2016) has worked as an artist throughout the second ...
Category

1980s Abstract Prints

Materials

Woodcut

"Man With Horses, " a Relief Print signed by John Buck
By John Buck
Located in Milwaukee, WI
"Man With Horses" is a signed relief print in red and black on rag paper. It is signed lower right and from an edition of 120. 28 1/4" x 18 3/8" image...
Category

21st Century and Contemporary Contemporary Abstract Prints

Materials

Woodcut

"The Bighorn at Night, " a Woodcut, Signed
By Carol Summers
Located in Milwaukee, WI
"The Bighorn at Night" is an original woodcut signed and titled by the artist, Carol Summers. It is edition 48/50. Catalogue raisonné listing: cat. 105...
Category

1970s Contemporary Abstract Prints

Materials

Woodcut

'Improvisation 7' original first ed. woodcut from 'Klänge' by Wassily Kandinsky
By Wassily Kandinsky
Located in Milwaukee, WI
The present woodcut print comes from 'Klänge (Sounds),' a book of original graphics and poetry by Wassily Kandinsky. This first edition was released in an edition of 300, each book signed and numbered by the artist. The title of the album and this particular print, 'Improvisation,' demonstrated Kandinsky's interest in music and how abstract musical forms could be translated into images on a two-dimensional surface. This particular composition is difficult to read, but through the abstraction, one can make out various figures and a landscape beyond. 7.5 x 5 inches, image 22 x 19.5 inches, frame Woodcut in black ink on laid paper (watermark Van Gelder Zonen) Signed with encircled 'K' in the block, lower right Framed to conservation standards using 100 percent acid free archival materials including silk-lined matting with 1/4 inch bevel, museum glass, and a gold-gilded moulding Ref. Roethel 124 The Museum of Modern Art described 'Klänge (Sounds)' as follows: Vasily Kandinsky's self-described "musical album," Klänge (Sounds), consists of thirty-eight prose-poems he wrote between 1909 and 1911 and fifty-six woodcuts he began in 1907. In the woodcuts Kandinsky veiled his subject matter, creating increasingly indecipherable images (though the horse and rider, his symbol for overcoming objective representation, runs through as a leitmotif). This process proved crucial for the development of abstraction in his art. Kandinsky said his choice of media sprang from an "inner necessity" for expression: the woodcuts were not merely illustrative, nor were the poems purely verbal descriptions. Kandinsky sought a synthesis of the arts, in which meaning was created through the interaction of, and space between, text and image, sound and meaning, mark and blank space. The experimental typography shows his interest in the physical aspects of the book. Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac...
Category

1910s Blue Rider Abstract Prints

Materials

Woodcut

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