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Casey HaughAbstract 'Untitled 21-14' Monotype, Red Pink Yellow Ink on Paper, by Casey Haugh21st Century
21st Century
$1,000
£751.93
€869.46
CA$1,411.28
A$1,531.31
CHF 812.33
MX$18,804.31
NOK 10,045.87
SEK 9,513.43
DKK 6,490.19
About the Item
Untitled 21-14 by Casey Haugh
"I produce these monotypes layer by layer and often color by color. Each one is made with four or five separate layers of ink, starting with a solid color as the bottom layer and working up from that. My style of work is very loose and gestural, which is often not what one thinks of when talking about printmaking. However working in this monotype printing format allows me to carry my creative hand over from painting on canvas to working on paper. More interestingly to me is that this method results in each monotype becoming an individually unique piece that can never be reproduced, which I find really special." – Casey Haugh
Unframed
- Creator:Casey Haugh (1986, American)
- Creation Year:21st Century
- Dimensions:Height: 17 in (43.18 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU143928806242
Casey Haugh
Casey Haugh was born in 1986 in Wilmington, Delaware. At 18 he spent a year abroad in Hamburg, Germany where his love for art galvanized into a career pathway. Upon moving back to the States he moved to Brooklyn and studied Fine-Arts at Pratt Institute and graduated in 2009. Haugh then worked in many galleries in New York City (including Fischbach Gallery), which helped him understand the business side of art and to learn from successful working artists. In 2014 he decided to pause his art career and go sailing, he moved to the Florida Keys and earned a Captain’s license. Sailing professionally would take Casey from Rhode Island to the Caribbean. In 2020 he semi-retired from sailing to marry his long-time partner and live in Washington, DC. With his experience as a preparator in the New York City Art-World, he then went to work in DC for art galleries, The National Geographic Society, and the Smithsonian Museum of Natural History. During this time he developed his “Void Series” of conceptual still-life oil paintings which are the culmination of his life’s experiences and lessons learned from sailing, traveling, and creating art.
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