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Charles Hinman1969-71 Abstract Minimalist Color Silkscreen Print Charles Hinman On The Bowery 1969-1971
1969-1971
About the Item
Charles Hinman
On the Bowery, 1969 - 1971
silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P.
25.5 x 25.5 inches, signed, numbered 21/100
Screenprint in color on wove paper
Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp)
Provenance: Collection of Tom Levine
On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher, Charles Hinman, Richard Smith, Gerald Laing, and John Giorno. The ten artists were photographed by Eliot Elisofon (1911-1973), who also lived on the Bowery and was a founding member of the Photo League in 1936.
In the late 40s and 50s Clyfford Still, Mark Rothko, Fernand Leger and Jean Dubuffet, among others, had studios on the Bowery, and Willem de Kooning, Franz Kline and Reginald Marsh worked nearby. In the early 60s, Louise Nevelson took a place on Mott Street just off the Bowery and was joined not long after by other artists attracted by the lofts for reasonable rents and the relaxed, small-time quality of the area. - William Katz, from the introduction for the portfolio.
Among other artists, writers and photographers who have lived or worked there are: Arman, Jack Brusca, Larry Calcagno, Pierre Clerk, Tom Doyle, Jean Dupuy, Janet Fish, Robert Frank, Adolph Gottlieb, Eva Hesse, Roy Lichtenstein, Jay Maisel, Ed Meneeley, Malcolm Morley, Kenneth Noland, Angelo Savelli, and Tom Wesselmann.
Charles Hinman born 1932 in Syracuse, New York is an Abstract Minimalist painter, notable for creating three-dimensional shaped canvas paintings in the mid-1960s. Hinman initiated his artistic education at the Syracuse Museum of Fine Arts, now the Everson Museum of Art, where he attended classes. He went on to complete his BFA in 1955 at Syracuse University. Alongside his artistic talent, Charles Hinman was also dedicated to sports. While studying at university he was a professional baseball player for the Milwaukee Braves in the minor league. He moved to New York to study at the Arts Student League before serving two years in the army. In the early 1960s Hinman lived on Coenties Slip in Lower Manhattan where he shared an abandoned sail-making loft with James Rosenquist. It was an ideal art studio offering large open spaces to work at an affordable rent. Along with Robert Indiana, Ellsworth Kelly, Jack Youngerman and Agnes Martin who resided in the neighbouring buildings, they formed a small artistic community away from the Upper-East side and the Abstract Expressionists from whom they wished to differentiate themselves.Throughout the 1960s they produced works that prefigured Pop, Minimal and Feminist Art.
Two exhibitions in 1964-65 introduced Hinman's work to the grand public and to critical attention; "Seven New Artists" at the Sidney Janis Gallery and a solo exhibition at the Richard Feigen Gallery. In 1965 Frank Stella and Henry Geldzahler included Hinman's work in their group show "Shape and Structure" at Tibor de Nagy, alongside Donald Judd, Larry Bell, Sol LeWitt, Carl Andre and Will Insley. His work was shown at the Whitney Museum's landmark show "Young America 1965" and the following year in "United States 1670-1966". Hinman was represented by Richard Feigen who showed his work at his New York and Chicago galleries. While major museums such as the MOMA, the Whitney Museum and the Albright–Knox Art Gallery soon bought his work for their permanent collections, his paintings also found a home in the collection of Nelson Rockefeller. From 1971 to 1973 the Parisian gallerist Denise René showed his work at her Paris and New York galleries. In 2014, Charles Hinman was included in the group show "Shaped Canvas Revisited" at the Luxembourg and Dayan Gallery in New York. This exhibition, which celebrated the fifty years of the original Guggenheim show, places Hinman among the fathers of the shaped canvas movement alongside artists such as Lucio Fontana, Kenneth Noland, Frank Stella and Tom Wesselmann.
Selected group shows
2014 Shaped Canvas Revisited, Luxembourg and Dayan, New York, NY, USA
2004 Blast from the Past, Pace Editions, New York, NY, USA
1989 American Painting Since the Death of Painting, curated by Donald Kuspit, Kuznetsky Most Moscow, USSR
1967 Whitney Annual Exhibition, Whitney Museum, New York, NY, USA
1965 Recent Acquisitions, MOMA (Museum of Modern Art), New York, NY, USA
1965 Shape and Structure, Tibor de Nagy Gallery, New York, NY, USA
Selected museum collections
Museum of Modern Art, New York, NY, USA
Whitney Museum of American Art, New York, NY, USA
Los Angeles County Museum, Los Angeles, CA, USA
Hirshhorn Museum, Washington, DC, USA
Musee' des Beaux Arts de l'Ontario, Toronto, Ontario, Canada
Tel Aviv Museum, Tel Aviv, Israel
Albright Knox Art Gallery, Buffalo, NY, USA
- Creator:Charles Hinman (1932, American)
- Creation Year:1969-1971
- Dimensions:Height: 25.5 in (64.77 cm)Width: 25.5 in (64.77 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:good. minor wear. never framed. kept in original portfolio.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38210285742
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