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Charles HinmanOrange Triangle2012
2012
$4,725
£3,650.88
€4,220.76
CA$6,676.77
A$7,488.44
CHF 3,921.58
MX$90,991.82
NOK 49,797.48
SEK 47,211.52
DKK 31,505.79
About the Item
TECHNICAL INFORMATION:
Charles Hinman
Orange Triangle
2012
4 color screenprint
38 x 38 in.
Edition of 15
Pencil signed, dated and numbered
Accompanied with COA by Gregg Shienbaum Fine Art.
Condition: This work is in excellent condition.
Frame: This work is framed in a white shadow box frame with plexi glass.
ABOUT THIS WORK / ABOUT THE ARTIST:
Charles Hinman is an Abstract Minimalist painter who pioneered the concept of the three-dimensional shaped canvas in the mid-1960's. He explores the ambiguity between the illusion of perspective in painting and the physical space of sculpture, creating characteristic canvases that play with the perception of volume, color and light.
Since Charles Hinman moved to New York, he has lived and worked at the heart of the city's art scene. In the early 1960's he lived on Coenties Slip in Lower Manhattan where he shared an abandoned loft with James Rosenquist. It was an ideal art studio offering large open spaces to work at an affordable rent. Along with Robert Indiana, Ellsworth Kelly, Jack Youngerman and Agnes Martin who resided in the neighbouring buildings, they formed a small artistic community away from the Upper-East side and the Abstract Expressionists from whom they wished to differentiate themselves. Eventually, he was influenced by the works of all his friends-artists.
In the 1960's Charles Hinman played a significant role in redefining the physical shape of paintings. The shaped canvas was born from the desire to break away from the traditional square or rectangular frame of painting. Rather than a formalized medium or window that contained the subject, the contours of the painting became part of the subject itself. In the mid-1960's several abstract minimalist painters were experimenting with its possibilities, the most famous of which is Frank Stella.
Charles Hinman drove the concept further by pushing the canvas out from the wall; his works were a form of hybrid between painting and sculpture. This type of painting is known as a three-dimensional shaped canvas.
As early as 1963 - 64 Charles Hinman created sculptural paintings with protruding geometric and undulating forms.
In his canvases as well as in his works on paper, his main focus is on the illusion of space through subtly suggested volumes, embracing the use of color, embossing, shadow and reflection. All his works seem simple but they are very well studied. This leads to a very personal characteristic of Charles Hinman work, which is an objective use of geometry in order to obtain a subjective and playful use of shadows, lights and colors.
Throughout his career, Hinman has continuously created works in series. His early works from the mid-1960's are voluptuous and organic with strongly contrasting hard-edge colors and projecting forms, others play with pure and minimal forms.
- Creator:Charles Hinman (1932, American)
- Creation Year:2012
- Dimensions:Height: 42.5 in (107.95 cm)Width: 42.5 in (107.95 cm)Depth: 2 in (5.08 cm)
- More Editions & Sizes:Edition of 15Price: $4,725
- Medium:
- Movement & Style:
- Period:
- Condition:This work is in excellent condition.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU53831557313
Charles Hinman
Charles Hinman (born 1932) is an American artist renowned for pioneering the use of three-dimensional shaped canvases. Born in Syracuse, New York, Hinman attended Syracuse University, where he earned a Bachelor of Fine Arts in 1955. He initially pursued a career as a professional baseball player before an arm injury led him to focus fully on art. Hinman gained recognition in the mid-1960s for his innovative use of shaped canvases, which explore the interplay between real and illusory space. His works, often characterized by their geometric, sculptural forms, project from the wall and create a dynamic interaction between light, color, and shadow. This fusion of painting and sculpture places him at the forefront of Minimalism and shaped-canvas art movements. His early exhibitions at the Sidney Janis Gallery and his first solo show at Richard Feigen Gallery in 1964 helped establish his reputation. Throughout his career, Hinman’s works have been included in prominent exhibitions and acquired by major institutions, including the Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Los Angeles County Museum of Art. He has also been the recipient of prestigious awards, such as a Guggenheim Fellowship and multiple Pollock-Krasner Foundation grants. In recent years, his works continue to be celebrated for their exploration of dimensionality and form, with exhibitions like "The Shaped Canvas Revisited" in 2014 reaffirming his influence on modern art
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