Chu Teh-Chun

Early Summer 87/150, Signed Lithograph

2005

Homeland of Warmth is one of the six prints in Print Series No.4. Print series No.4 embodies Teh-Chun Chu’s signature style of lyrical abstraction. Through rich layers of color and...

Momentary Delight is one of the six prints in Print Series No.4. Print series No.4 embodies Teh-Chun Chu’s signature style of lyrical abstraction. Through rich layers of color and ...

Cultivating the Mind by Bik Chuen Ha features an abstract human figure and symbolic text arranged in harmonious balance. At the center, a dark brown figure with hands joined in praye...

Floating is a mixed-media print created by Bik Chuen Ha in 1991. The composition features a geometric, mountain-like triangular form beneath a few drifting white clouds, evoking a se...

Image dimensions: 38 x 46.5 cm. Abstract Composition is an original color lithograph on paper realized around the 1970's. Signed in pencil on lower right margin. Signature not comp...

Composition is an original Contemporary artwork realized in the 1978 by an Italian artist. Original B/W Lithograph on paper. Image Dimensions: 32 x 50 cm Hand-signed in pencil on t...

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Rafael Soriano Untitled, 1990s Lithograph Ed 74 of 150 33 x 26 in