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Chuck ElliottBreather / turquoise aegis2014
2014
About the Item
Breather / turquoise aegis is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install.
Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 8
Image size ⋅ 84cm H x 200cm W
.
Back in the shoegazing years, when I was studying at the old Hornsey School of Art, there was a beautiful surge of guitar fuelled wall of noise bands on the scene, one of whom, Chapterhouse, released a track entitled Breather. It’s a piece that’s stuck with me ever since.
Breather was drawn a little while after Eight Ball and has the same basic intention, to create a longer work that has an almost cinematic feel. Something you could walk past, that has multiple areas of interest to view as individual sections of the larger whole.
I’d decided I wanted to create a number of these larger cinematic pieces for my Lucid / RMX show, that would play to the idea of inhabiting a landscape with sculptural objects and calligraphic mark making, which in the case of Breather would have a superfluid, liquid feel almost as if the whole piece was underwater.
I was working with the title Aqualung before switching at the last minute to the far more evocative Breather.
It’s pictured here in a collector’s home at 240cm wide. A scale that works really well as you can get really drawn into the detail and mark making when you walk past the piece at this kind of size.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2014
- Dimensions:Height: 33.08 in (84 cm)Width: 78.75 in (200 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454802
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or contemporary stained glass...
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Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
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.
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