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Chuck ElliottHalcyon / cerulean glaze2008
2008
About the Item
Halcyon / cerulean glaze is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. The edition may also be fitted with a bespoke, laser cut, Opal 30 Perspex frame.
Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12
Image size ⋅ 88cm H x 88cm W
.
Halcyon is a study in line, action and depth of field. The study comprises a dozen or more curving lines entering into and out of the image space, expanded to varying degrees as they travel.
The depth of field creates a central focal point for the eye, surrounded by varying levels of diffusion as the linework travels around the core.
For the silver solar piece, I then solarised the image, using the language if not the exact technique of Man Ray’s extraordinarily beautiful Rayographs.
Solarising occurs when a partially developed photograph is flashed back under the light source, and in so doing causes the darkest areas of the image to burn out, becoming highlights, whilst the midtones darken and the highlights are maintained.
It's a fabulous technique, with great opportunities for some fairly random results, which contrasts perfectly with the control of the digital drawing.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2008
- Dimensions:Height: 34.65 in (88 cm)Width: 34.65 in (88 cm)Depth: 1.19 in (3 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128455752
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12
Image size ⋅ 80cm H x 80cm W
.
Myriad is a study based on a number of ideas for processing digitally drawn sculptural forms, that I was keen to explore further for my Generator show.
The drawing progresses from a circular core to a square form at its outer edges, literally squaring the circle.
The whole form becoming redolent of a 12” record, perhaps a white label, or similar unbranded sleeve often used for limited releases and remix EPs, a format which of course comprises a circular vinyl disc...
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Klint / reDux / jdrbnk
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Located in Bristol, GB
Klint / reDux / jdrbnk is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install.
Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 8
Image size ⋅ 94cm H x 120cm W ⋅ 3 panels
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Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life.
The first piece I drew, ACDH (acid house...
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Work can be supplied unmounted and ready to frame if you’d prefer.
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Image size ⋅ 88cm H x 124cm W
.
Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or contemporary stained glass...
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