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Chuck ElliottRadial / ONE2011
2011
About the Item
Radial / ONE is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install.
Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12
Image size ⋅ 100cm diameter
.
I’ve been visiting Tate St Ives quite regularly over the years, it’s a great space that’s fairly local to us here in the South West, and there’s a romance surrounding the story of the St Ives school that’s really infectious.
Around the same time, I was also beginning to realise that if I could use laser cutting technology to cut square and circular pieces like Collider, then I could use it to cut any shape I like.
And so in between occasional visits to Barbara Hepworth’s garden and studio, and time spent drawing here in my own studio, I decided to try removing the centre from one of my own pieces, and see how it felt on the wall.
It was a revelation really, as the removal of the centre forces the eye to assess the image in a completely new way.
Instead of viewing a rectilinear piece as a kind of abstracted landscape or portrait, the removal of the core turns the work into a kind of low relief sculpture for the wall, to be read in the case of Radial / ONE as a sequence of three bold movements with no particular start or endpoint.
The geometry is fully contained within the circle and abstracts more as it moves away from its centre line, so making a kind of focal ring that bisects the toroid exactly.
Cutting the pieces up, in part to emphasise the sculptural nature of the drawings, continues to be a passion that drives the whole project forward.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2011
- Dimensions:Height: 39.38 in (100 cm)Diameter: 39.38 in (100 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128455792
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12
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Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or contemporary stained glass...
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Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 8
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Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015.
Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous.
The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life.
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Work can be supplied unmounted and ready to frame if you’d prefer.
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