Cy Twombly

SARAJEVO

1984

Hand signed and numbered by the artist. Etching on paper. Published by Francois Bénichou, Paris. Galfetti 1215-1217. Frame size approx 28 x 34 inches. Artwork is in excellent condit...

Hand signed and numbered etching and aquatint on wove paper. Edition of 40. Image size 23.875 x 18 inches. Sheet size 33.5 x 27 inches. Custom framed as pictured. Frame has some random scratches. Blindstamp of the publisher, The Litho Shop, Santa Monica, printed by Jacob Samuel...

Lithograph on paper. Hand signed and numbered by the artist. . Artwork size 12.5 x 26 in. Frame size approx. 30 x 43.75 in. Certificate of authenticity included. Edition of 75. Artwo...

L'Invention du Feu (Invention of Fire). Mourlot 267. Lithograph and aquatint in colors on Arches paper. Hand signed, numbered, dedicated and remarqued by Miro. Image size 14.625 x 21...

Color etching and aquatint with collage, 1979, on Arches wove paper. Hand signed and numbered by Joan Miro. Published by Maeght, Barcelona. Dupin 1092. Edition 6/50. Artwork size 3...

Aquatint in colors on Rives BFK paper. Hand signed, titled, dated and numbered by Robert Indiana. Published by American Image Editions, New York. Printed by Vinalhaven Press, Vinalhaven, Maine. Frame size approx 38 x 37 inches. Sheet size 31 x 30 inches. Image size 23.75 x 23.75 inches. From the edition of 50. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...

Frank Stella The Affidavit, 1993 is seventh installment in the artist’s Moby Dick Deckle Edges Series of 1993. This work is named after the 45th chapter in Herman Melville’s Moby Dic...

Part of Frank Stella’s Moby Dick series, this color etching aquatint features a wide array of geometric shapes splayed out across the page. A strong column-like shape takes center st...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

Abstract W/Woman Carrying a Young Child Finely Detailed Collotype on paper Finely detailed etching or collotype of a complicated fine line drawing o...

Vintage abstract figural "Embrace", a lithograph by Patricia Ann Way (American, 20th Century). Signed "Patricia Way" and dated "76" lower right. Slight crease to lower center and s...

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...