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Dale Chihuly
Float (Blue), Lithograph, Dale Chihuly

2017

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  • Rattner, L'Feu, Verve: Revue Artistique et Littéraire (after)
    By Abraham Rattner
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 1, December 1937. Pri...
    Category

    1930s Modern Landscape Prints

    Materials

    Lithograph

  • Chagall, Mère et Enfant devant Notre-Dame (Cramer 23; Mourlot 80-87) (after)
    By Marc Chagall
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate, verso, with title and additional lithograph. Good condition. Notes: From the volume, Verve: Revue Artistique et...
    Category

    1950s Modern Landscape Prints

    Materials

    Lithograph

  • Derain, Au Jardin d'Allah, Verve: Revue Artistique et Littéraire (after)
    By André Derain
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with additional lithography by the artist on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. I, N° 4, 1939. Printed by Mourlot Freres, Paris, 1939. ANDRE DERAIN (1880-1954) had a major role in the development of two of the most significant artistic movements of the early-20th century. He, Henri Matisse, and Maurice de Vlaminck were responsible for generating works with a totally new style which would become Fauvism and his association with Pablo Picasso and Georges Braque was integral to early Cubism. Nevertheless, his contribution as the generator of the ideas behind these movements is constantly debated, and some consider his work derivative. This is due in part to the fact that, continually in search of artistic meaning and attempting to create a timeless art removed from the specificity of the modern age, he experimented with different stylistic idioms. Whichever side of the Derain debate you end up on, we can all appreciate his use of expressive vibrant color, his simplification of form, and his fascination with primitive art were constants throughout his work and played a major role in the creation and propagation of early Modern Art.
    Category

    1930s Modern Landscape Prints

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  • Masson, Le Soleil, Verve: Revue Artistique et Littéraire (after)
    By André Masson
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate, with title and lithography on verso. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéra...
    Category

    1930s Modern Landscape Prints

    Materials

    Lithograph

  • Chagall, Vision de Paris (Cramer 23; Mourlot 80-87) Verve: Revue (after)
    By Marc Chagall
    Located in Auburn Hills, MI
    Lithograph on vélin du Marais paper. Inscription: Signed in the plate, verso, with title and additional lithograph. Good condition; with centerfold, as issued. Notes: From the volume...
    Category

    1950s Modern Landscape Prints

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  • Kelly, Composition (Axsom No. I-b, p. 178), Derrière le miroir (after)
    By Ellsworth Kelly
    Located in Auburn Hills, MI
    Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered. Good Condition. Notes: From Derrière le miroir, N° 149, published by Derrière le miroir, Paris; print...
    Category

    1960s Abstract Expressionist Abstract Prints

    Materials

    Lithograph

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