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David RothUntitled 8, Abstract Geometric Screenprint by David Roth1979
1979
$600
$75020% Off
£453.40
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€523.57
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CA$838.41
CA$1,048.0120% Off
A$930.29
A$1,162.8620% Off
CHF 487.30
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MX$11,407.80
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About the Item
This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. This screenprint is signed and numbered in pencil, and comes from an edition of 150. It measures 29.5 x 29.5 inches and is in excellent condition.
- Creator:David Roth (1942, American)
- Creation Year:1979
- Dimensions:Height: 29.5 in (74.93 cm)Width: 29.5 in (74.93 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:Seller: RO44071stDibs: LU4669062532
David Roth
David Roth studied with Aaron Siskind and Harry Callahan at the Chicago Institute of Design in the early 1960s. He was represented by New York City's Robert Elkon Gallery in the 1970s, and his works are in numerous museums, such as the Philadelphia Museum of Art, the Brooklyn Museum and the Albright-Knox Art Museum, as well as in corporate and private collections.
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By David Roth
Located in Long Island City, NY
This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...
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1970s Op Art Abstract Prints
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David Roth, Abstract Screenprint, 1979
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Located in Long Island City, NY
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1970s Op Art Abstract Prints
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$680 Sale Price
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David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil.
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Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas.
One Man Shows
1966 The Gallery Upstairs, Buffalo, New York
1967 The Gallery Upstairs, Buffalo, New York
1969 The House of Graphics, New York
1969 Illinois Institute of Technology, Chicago, Illinois
1972 Robert Elkon Gallery, New York
1973 Robert Elkon Gallery, New York
1974 Robert Elkon Gallery, New York
1975 Michael Wyman Gallery, Chicago
1975 Robert Elkon Gallery, New York
1976 G.W. Einstein, New York
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1978 Robert Elkon Gallery, New York
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1967 State University of New York, Buffalo
1970 Ronald Feldman Gallery
1970 The Everyman Gallery
1971 Robert Elkon Gallery, New York
1972 The Brooklyn Museum, New York
1972 The Newark Museum, New Jersey
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