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Eduardo ChillidaMusical Instrument II Joiki II1987
1987
About the Item
EDUARDO CHILLIDA 1924-2002
1924 - San Sebastián - 2002 (Spanish/Basque)
Title: Musical Instrument II Joiki II, 1987
Technique: Original Hand Signed and Numbered Etching on BFK Rives Wove Paper
Paper size: 56 x 38 cm. / 22 x 14.9 in.
Image size: 7.5 x 6.5 cm. / 3 x 2.6 in.
Additional Information: This original etching is hand signed in pencil by the artist “Chillida” at the lower left margin.
It is also hand numbered in pencil from the edition of 100, at the lower right margin. There were also 20 artist’s proofs and 10 hors commerce [out of trade] impressions.
It was printed by Taller Hatz, San Sebastián and published by Polígrafa S. A., Barcelona.
It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists.
Note:
The contributing artists were: Sergi Aguilar, Frederic Amat, Jim Bird, Alfons Borrell, Joan Brossa, Jorge Castillo, Eduardo Chillida, Christo, Josep Guinovart, Joan Hernández-Pijuan, Antoni Llena, Victor Mira, Robert Motherwell, Kenneth Noland, Perejaume, Albert Ràfols-Casamada, Antoni Tàpies, Francisco Toledo, Zao Wou-Ki and Zush.
Literature: van Der Koelen, M. (1996). Eduardo Chillida. Catalogue Raisonné of the Original Prints. Mainz: Chorus-Verlag.
Reference: Van der Koelen 87004
Condition: Excellent condition.
- Creator:Eduardo Chillida (1924 - 2002, Spanish)
- Creation Year:1987
- Dimensions:Height: 22.05 in (56 cm)Width: 14.97 in (38 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1805236501
Eduardo Chillida
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
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