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Francois Rouan
Manor Arena
c.1980

About the Item

This artwork "Manor Arena c.1980 is an original etching on Japan paper by noted French abstract expressionist artist Francois Rouan, b.1943. It is hand signed and numbered 1/40 in pencil by the artist. Titled in the plate. The plate mark (image) size is 20 x 16 inches, sheet size is 26 x 20.5 inches. It is in excellent condition, has never been framed. About the artist: Born in Montpellier, France, in 1943, François Rouan moved to Paris in 1961 to study at the École Nationale Supérieure des Beaux-arts. His research into collages led to his first experiments with braiding in 1965, initially with gouache-covered paper than painted canvases, cut up then reassembled as a grid. His focus shifted to other techniques, including hatching and wax. In 1980 he broadened his practice to encompass other mediums, both photographic and film-based. His work has been the subject of numerous solo exhibitions and retrospectives, notably at the Centre Pompidou in Paris (1975, 1983 and 1994), Musée d'Art Moderne in Villeneuve-d'Ascq (1995), Abattoirs in Toulouse (2006) and Musée Fabre in Montpellier (2017). He has been exhibited worldwide, including by the Pierre Matisse Gallery in New York (1972), Stadtische Kunsthalle in Düsseldorf (1979), Sezon Museum of Art, Tokyo (1997) and Beijing Institute of Fine Arts (2000). Between 1987 and 2005, François Rouan's work featured in a dozen exhibitions at Galerie Templon. In September 2024, the Musée des Beaux-Arts de Lyon is holding a major retrospective of his work.

Creator:

Francois Rouan (1943, French)

Creation Year:

c.1980

Dimensions:

Height: 26 in (66.04 cm)Width: 20.5 in (52.07 cm)Depth: 0.01 in (0.26 mm)

Medium:

Etching

Movement & Style:

Abstract Expressionist

Period:

Late 20th Century

Condition:

Gallery Location:

San Francisco, CA

Reference Number:

Seller: rouan/041stDibs: LU666314527612

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Artist: Tom Marioni – American (1937- ) Title: Process Landscape 1998 Year: 1998 Medium: Color spit bite aquatint Image size: 15.75 x 10 inches. Paper size: 20 x 16 inches Framed size: 21.75 x 17.75 inches Signature: Signed, dated lower right Edition: 50. This one: 24/50. Published by: Crown Point Press Printed by: Paul Mullowney Condition: Excellent Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches. Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world. In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco. He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco. Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City. Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974. Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...

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