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Glarner (tariff free*), Tondo, Prints from the Mourlot Press (after)
1964

$716

$89520% Off

£543.71

£679.6420% Off

€622.83

€778.5420% Off

CA$1,016.74

CA$1,270.9320% Off

A$1,112.16

A$1,390.2020% Off

CHF 581.47

CHF 726.8320% Off

MX$13,396.32

MX$16,745.4020% Off

NOK 7,267.53

NOK 9,084.4120% Off

SEK 6,855.89

SEK 8,569.8720% Off

DKK 4,649.36

DKK 5,811.7020% Off

About the Item

Lithograph on vélin d'Arches paper. Paper Size: 10 x 7.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Prints from the Mourlot Press, exhibition sponsored by the French Embassy, circulated by the Traveling Exhibition Service of the National Collection of Fine Arts, Smithsonian Institution 1964-1965, 1964. Published by Fernand Mourlot, Paris, in collaboration with the Embassy of France, Washington, D.C., and the Smithsonian Institution, Washington D.C.; printed by Mourlot Frères, Paris, October 27, 1964. Excerpted from the album, This exhibition is a manifestation of Franco-American friendship and we would be very happy if it is of interest to all those who visit it. I wish to thank Mrs. Annemarie Pope for proposing and organizing this exhibition of the work of the artists who have used our press. We are honored that Mr. Hervé Alphand, Ambassador of France to the United States, and Mr. Edouard Morot-Sir, Cultural Counsellor at the French Embassy in New York, will sponsor this exhibition. I express to them my thanks and appreciation. As for the artists themselves, who executed the originals contained in this catalogue, I can only say simply, "Thank you." They are all friends. We would have liked to include not just the twenty-four illustrations in this small book, but many more. During the year 1963, we lost three great artists who were faithful friends of our press. Thanks to Mrs. Georges Braque, Mr. Louis Carré, and Mr. Edouard Dermit, who have been able to pay our respects to Georges Braque, Jacques Villon and Jean Cocteau. The great Henri Matisse is also with us, since Mrs. Du-thuit-Matisse and her brothers have allowed us to use an unpublished original lithograph. Thanks to them all for their generosity. —Fernand Mourlot. The lithography at Mourlot printing press by Jean Adhémar, Curator of prints at the Bibliothèque nationale. Acknowledgments, Fernand Mourlot has long been the acknowledged master printer of France in every field, from lithographs to fine books to posters. The unfailing quality of his work commands the respect of museums, collectors, and most important of all, the artists themselves. Every product of his workshop bears the mark of Mourlot's discipline and craft and can truly be called an ideal collaboration between artist and artisan. The result of years of thoughtful planning, this special exhibition presents an accurate portrait of the Mourlot Press. We are greatly indebted to Fernand Mourlot, who made the selection, supervised the production of the catalogue, and gave endless time and energy to the details of preparation. This album was finished in Paris on 27th october 1964. The original lithographs and the reproductions were printed on the presses of Mourlot. The Imprimerie Nationale, Director André Brignole, was responsible for the typography. The edition has been limited to MM examples on Vélin d'Arches and CC on Vélin de Rives, reserved for the artists, the staff and the friends of the Imprimerie Mourlot. *As the seller, we agree to pay any tariff on behalf of the buyer. Generally, the shipping carrier will contact us prior to delivery for the collection of the tariff, if any is due. In the unlikely event that they contact you as the buyer, please contact us via the 1stdibs messaging system and we will promptly remit payment to the carrier. FRITZ GLARNER (1899-1972) was a Swiss-American painter. He was a proponent of Concrete Art movement and a disciple of Piet Mondrian. Glarner was a leading proponent of so-called Concrete Art, an artists' movement whose roots lead back to the painters of De Stijl and the principles of the Bauhaus. He was a disciple of Piet Mondrian, strongly influenced by Mondrian's theories of "dynamic symmetry". As he developed as an artist, his works began to be increasingly influenced by Mondrian's Neoplastic theory. His leaning toward nonrepresentational art had begun as early as 1929 in Paris, where he was a member of the Abstraction-Création group. Glarner took up Mondrian's motif of arranging simplified colors and forms on an architectural pattern. Glarner introduced a diagonal into the strict horizontal and vertical geometric aesthetic of Mondrian, creating new, yet equally systematic principles of composition that he termed "relational painting." Like Mondrian, Glarner limited his color palette to the primaries, red, yellow and blue. He expanded Mondrian's black "line" into a broad range of grays, used both as line and, like the primaries, as geometric areas of color. Many of his works are tondos, his signature relational principles ordered within a circle. Glarner's additions and alterations in structure and color to the Mondrian style gave his works a vitality and spatial dimensions. 24 of his works are owned by Museo Cantonale d’Arte of Lugano, Switzerland. A mural by Glarner is included in The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, New York. In 2019, Fritz Glarner’s painting, Relational Painting, Number 60, sold for $953,800 USD at Sotheby's London, setting a world record for the artist.

Creation Year:
1964
Dimensions:
Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)
Medium:
Lithograph
Movement & Style:
Modern
After:
Fritz Glarner
Period:
1960-1969
Condition:
Gallery Location:
Southampton, NY
Reference Number:
1stDibs: LU1465216977552

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Glarner (tariff free*), Tondo, Prints from the Mourlot Press (after)1964

About the Item

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